December 11, 2019
One in a weekly series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the topic of our favorite comic books, comic strips, and graphic novels.
MAD MOVIE SATIRES
The key to comedy is the gap. According to an influential philosophy of humor known as The Incongruity Theory, comedy is defined by a gap: a disconnect between what we’re expecting and what happens. Suddenly, there’s an “Instant Hole” in the road; just as suddenly, we jump the gap with laughter. But while humor’s main reaction is physiological and involuntary, its main truth is conceptual: things are not as they seem.
Coming of age in the seventies, I lived in a small town with no movie theater. This was before we could put the blame on VCRs, and movies were a Very Special Occasion Treat. Even the ones everyone in junior high was talking about – hello, Jaws – I just hadn’t seen them. So when I discovered MAD, I devoured the movie satires as standalone narratives – they were entertaining in their own right, and their own right was all I had to go on. I especially enjoyed the brilliant work of writer Larry Siegel and illustrator Mort Drucker — who, in classics such as Chinaclown, The Oddfather, and Sleazy Riders, skewered films that were themselves subversive responses to a culture in revolt from received norms.
But what is it to encounter a satire when you haven’t seen the thing itself? I understood it as both telling the story and making fun of it at the same time – and I simply took that as the norm. Of course things were themselves yet also ridiculous, of course stories contained within them the seeds of their own destruction, or at least humiliation. To laugh at something is to disbelieve it, to pull back the curtain and perhaps see the confidence man. Of course that was funny! But it was also just the way it was. This was the era of Watergate after all, something even I saw on TV. Things were not as they seemed.
As humor hosts continuity gaps, so the standalone satires both contained and warned of reality gaps. I laughed while I learned to distrust the stories I was told. In this way, MAD movie spoofs were arguably as effective as actually seeing (and/or being old enough to appreciate) the social critique embedded in films like Network (Nutwork), One Flew Over the Cuckoo’s Nest (One Cuckoo Flew Over the Rest), Invasion of the Body Snatchers (Invasion of the Booty Snatchers), or Five Easy Pieces (Five Easy Pages… and Two Hard Ones) — thus allowing the satire to absorb the function of the thing into itself. It was gaps all the way down (and up). Maybe things, viewed through the gaps in the MADverse, were exactly as they seemed…?
SERIOCOMIC: Mimi Lipson on LITTLE LULU | Sara Ryan on AMPHIGOREY | Gary Panter on THE NUT BROS./THE SQUIRREL CAGE | Gordon Dahlquist on POGO | Robert Wringham on VIZ | Matthew De Abaitua on CAPTAIN BRITAIN | Jessamyn West on FUN HOME | Bradley Peterson on HELLBOY | Stephanie Burt on KITTY PRYDE RETURNS | Jenny Davidson on OOR WULLIE | Luc Sante on MARSUPILAMI | Susan Roe on BLOOM COUNTY | Marilyn Berlin Snell on CHARLES ADDAMS | Deb Chachra on ARKHAM ASYLUM | Judith Zissman on ERNIE POOK’S COMEEK | Alexandra Lange on BETTY (ARCHIE) | Catherine Newman on VERONICA (ARCHIE) | Josh Glenn on SPIRE CHRISTIAN COMICS | Adam McGovern on THE CREW | William Nericcio on ERRATA STIGMATA | Chelsey Johnson on DYKES TO WATCH OUT FOR | Sherri Wasserman on TANK GIRL | Tom Nealon on MEGATON MAN | Erin M. Routson on THE WEDDING OF SCOTT SUMMERS & JEAN GREY | Douglas Wolk on FRANK IN THE RIVER | Annie Nocenti on DICK TRACY | James Parker on 2000 AD | Adrienne Crew on NUTS | Vanessa Berry on MEAT CAKE | John Holbo on WITZEND | Michael Campochiaro on SPIDER-WOMAN | Miranda Mellis on RED SONJA & BÊLIT | Michael Grasso on THE NEW MUTANTS | Ty Burr on BINKY BROWN | Bishakh Som on AMAR CHITRA KATHA | Mark Kingwell on CLASSICS ILLUSTRATED | Brian Berger on JIMBO | Kenya (Robinson) on AGENT 355 | Seth on THE ETERNALS ANNUAL | Susannah Breslin on SLASHER | Lisa Kahlden on JACK CHICK TRACTS | Mandy Keifetz on KRAZY KAT | Tom Devlin on DUM-DUM POSSE READER | Eric Reynolds on ACTION COMICS #460 | Rick Pinchera on EIGHTBALL #16 | Juan Recondo on DAYTRIPPER | Elizabeth Foy Larsen on ROZ CHAST | J.E. Anckorn on HALO JONES | Deborah Wassertzug on GREAT POP THINGS | Peggy Nelson on MAD MOVIE SATIRES | Holly Interlandi on ANGEL SANCTUARY | Karen Green on THE SMITHSONIAN COLLECTION OF NEWSPAPER COMICS.
CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “So Black I’m Blue” | “Human Fly” & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.