July 17, 2019
One in a weekly series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the topic of our favorite comic books, comic strips, and graphic novels.
The trail of breadcrumbs that drew me to Meat Cake (1993-2008) began in my childhood. Whenever possible I would retreat from the sunburnt, athletic environment of 1980s Australian suburbia into my own private world. Peer inside my thoughts and you would have seen me as I imagined myself: an adventuring heroine, a kind of cross between Laura Ingalls Wilder and Frida Kahlo. This identity had come out of an obsession with witches, fortune-tellers, girl-orphans and girl-adventurers, figures who carried an aura of secret power about them.
When, years later, I came upon Dame Darcy‘s comics, first in the zine Rollerderby and then her Fantagraphics comic Meat Cake, I recognised that she had this same power. She lived and created a real-life fairytale and I fell into the world of Meat Cake as if it was an adjacent planet. Its cast of ebullient, ghoulish girls wore stripy stockings and ruffled petticoats, and lived in a Neo-Victorian world of haunted houses, parties, excursions to the graveyard, sex and death, cake and dolls.
Dame Darcy drew Meat Cake in such a way that the figures gleamed with a satiny, diamond brilliance. The lines had a scrimshaw intensity, a profusion of thin wisps which trailed and wavered, or twined together like a locks of hair in a memento mori. Each panel was bordered by filigree patterns, which seemed to grow and move under my eyes.
The characters had a vital energy too: Effluvia the mermaid, the feisty heroine Richard Dirt, the undead cad Wax Wolf, and my favourite, Strega Pez, who communicated by inscriptions on lozenges of candy that issued from her slit throat. These characters revelled in life’s cruelty and ghoulishness, were devious and kind and playful in equal measure. The photographs of Dame Darcy printed on the back covers showed a woman with long blonde hair, wearing Victorian clothes, with pale cheeks and red lips, as if she was an envoy from the world of Meat Cake, as well as its creator.
That Meat Cake was a world that overlapped with the real one gave the comics a thrilling intimacy. On the back pages of the comic were advertisements for Dame Darcy’s ancillary services: palm reading (“curious about love? money? travel? searching for illicit thrills? … send a clear xerox of the palm you write with…”), hand-made dolls, and episodes of her public access tv show, Turn of the Century. But which century? The year 2000 was coming up soon, and Meat Cake had prepared me. With it I’d learnt to harness my wildest, strangest creative energies, and use them as a source of power. I had my striped stockings on, my spell book in my pocket, and was ready to follow Dame Darcy over to the other side.
SERIOCOMIC: Mimi Lipson on LITTLE LULU | Sara Ryan on AMPHIGOREY | Gary Panter on THE NUT BROS./THE SQUIRREL CAGE | Gordon Dahlquist on POGO | Robert Wringham on VIZ | Matthew De Abaitua on CAPTAIN BRITAIN | Jessamyn West on FUN HOME | Bradley Peterson on HELLBOY | Stephanie Burt on KITTY PRYDE RETURNS | Jenny Davidson on OOR WULLIE | Luc Sante on MARSUPILAMI | Susan Roe on BLOOM COUNTY | Marilyn Berlin Snell on CHARLES ADDAMS | Deb Chachra on ARKHAM ASYLUM | Judith Zissman on ERNIE POOK’S COMEEK | Alexandra Lange on BETTY (ARCHIE) | Catherine Newman on VERONICA (ARCHIE) | Josh Glenn on SPIRE CHRISTIAN COMICS | Adam McGovern on THE CREW | William Nericcio on ERRATA STIGMATA | Chelsey Johnson on DYKES TO WATCH OUT FOR | Sherri Wasserman on TANK GIRL | Tom Nealon on MEGATON MAN | Erin M. Routson on THE WEDDING OF SCOTT SUMMERS & JEAN GREY | Douglas Wolk on FRANK IN THE RIVER | Annie Nocenti on DICK TRACY | James Parker on 2000 AD | Adrienne Crew on NUTS | Vanessa Berry on MEAT CAKE | John Holbo on WITZEND | Michael Campochiaro on SPIDER-WOMAN | Miranda Mellis on RED SONJA & BÊLIT | Michael Grasso on THE NEW MUTANTS | Ty Burr on BINKY BROWN | Bishakh Som on AMAR CHITRA KATHA | Mark Kingwell on CLASSICS ILLUSTRATED | Brian Berger on JIMBO | Kenya (Robinson) on AGENT 355 | Seth on THE ETERNALS ANNUAL | Susannah Breslin on SLASHER | Lisa Kahlden on JACK CHICK TRACTS | Mandy Keifetz on KRAZY KAT | Tom Devlin on DUM-DUM POSSE READER | Eric Reynolds on ACTION COMICS #460 | Rick Pinchera on EIGHTBALL #16 | Juan Recondo on DAYTRIPPER | Elizabeth Foy Larsen on ROZ CHAST | J.E. Anckorn on HALO JONES | Deborah Wassertzug on GREAT POP THINGS | Peggy Nelson on MAD MOVIE SATIRES | Holly Interlandi on ANGEL SANCTUARY | Karen Green on THE SMITHSONIAN COLLECTION OF NEWSPAPER COMICS.
FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.