By: Karinne Keithley Syers

The precision of every visible movement, nothing naturalistic, not even the breathing.

By: David Levine

What starts out nightmarish ends up flatly descriptive.

By: Gary Panter

The mission’s leader is the scariest monster in the movie.

By: Rob Walker

The point of the huge lie is protecting an idea of truth.

By: William Nericcio

A lurid, Vonnegut-esque dissection of the America to come.

By: Luc Sante

Weaponry, war between sexes, television culture, moral decay, and of course advertising…

By: Mark Kingwell

Every kid I knew had a favourite Thunderbird.

By: Devin McKinney

The machines are our friends. They want to help.

By: Chris Lanier

The tinny smallness of the IKARIE XB-1 acquires an urgent poignancy.

By: Dan Fox

The movie’s meaning is dreamily fungible.

By: Kio Stark

“She’ll be like one of those robots in Disneyland.”

By: Ramona Lyons

She likes his exoticism, but only when it’s palatable and easily consumable.

By: Adrienne Crew

“Fish, and plankton. And sea greens, and protein from the sea. It’s all here, ready.”

By: Peggy Nelson

Is it copies all the way down?

By: Lynn Peril

Could 50-foot Nancy be read as a metaphor for women’s anger?