September 18, 2019
One in a weekly series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the topic of our favorite comic books, comic strips, and graphic novels.
AGENT 355 (Y: THE LAST MAN)
Black women are in style these days. I am 42 and I am typing on a screen at 175% magnification because I do not have health insurance. But apparently, I do have a responsibility, to what is commonly referred to as “my people.”
I’ve also been charged with educating “white people.” Reminding them of the performance of their own ignorance, which, admittedly, I relish, but alas, I am not compensated for appropriately. Hashtag, do what you love. Despite the monetary ratchetry, the compulsion remains — if only as a safety valve for the rage I feel 87.346% of the time. I promise that this is about Agent 355, whose name, if I recall correctly, was never revealed during the run of Brian K. Vaughan and Pia Guerra’s Y: The Last Man (2002–2008).
When I first came to New York, in the early 2000s, I lived off the Q train, so I was most confident in two primary destinations: Times Square and Union Square. These stops were mercifully adjacent to Forbidden Planet and Midtown Comics, respectively. Before I secured employment, I would often spend hours reading, standing in the aisles, unmolested. Ex Machina, The Walking Dead (which quickly became so woefully dystopian, that I feared it might influence my own actual depression), Rex Mundi — which never resolved(?), Incognegro, and also, Y: The Last Man. Certainly I bought this trade because it featured a badass black chick sporting dreads about the same length as my own. Plus, she possessed this extendable rod weapon that introduced me to “THINK” as an onomatopoeia. Years passed. My hair grew. And so did Agent 355’s. Queer apparently, but also in love with the Last Man himself, Yorick Brown.
Notorious B.I.G opined “Somebody’s gotta die,” which made Agent 355’s third-eye-blinding so heart-wrenching. Love, unrequited. Dressed in a smartly tailored and sexy cocktail dress, this was supposed to be the moment of resolved embrace. A capitulation of romance. Submission to all the feelings built by the quest of the entire Saga. So, of course, the black woman was the sacrifice — American style.
Our dreadlocks were the same length.
As I reflect on Michelle Obama and her imminent triumph as the author of the highest-selling autobiography in publishing history, or the blind and armless monuments of black womanhood on the High Line and at the Guggenheim, I marvel at our continued relevance in the promotion of basically anything that can be enhanced by the visual presence of black women, hashtag Dove Beauty.
Still, I wonder. After all of this political savior-ism that we embody, or the awed personification of resilience and black-don’t-crack-ery, à la Cicely Tyson, or this #blackgirlmagic and #blacklivesmatter and Oprah’s #bestLife that is now everyone’s mantra, will we still find ourselves in the sights of a sniper? Shot in the forehead?
And I contemplate.
SERIOCOMIC: Mimi Lipson on LITTLE LULU | Sara Ryan on AMPHIGOREY | Gary Panter on THE NUT BROS./THE SQUIRREL CAGE | Gordon Dahlquist on POGO | Robert Wringham on VIZ | Matthew De Abaitua on CAPTAIN BRITAIN | Jessamyn West on FUN HOME | Bradley Peterson on HELLBOY | Stephanie Burt on KITTY PRYDE RETURNS | Jenny Davidson on OOR WULLIE | Luc Sante on MARSUPILAMI | Susan Roe on BLOOM COUNTY | Marilyn Berlin Snell on CHARLES ADDAMS | Deb Chachra on ARKHAM ASYLUM | Judith Zissman on ERNIE POOK’S COMEEK | Alexandra Lange on BETTY (ARCHIE) | Catherine Newman on VERONICA (ARCHIE) | Josh Glenn on SPIRE CHRISTIAN COMICS | Adam McGovern on THE CREW | William Nericcio on ERRATA STIGMATA | Chelsey Johnson on DYKES TO WATCH OUT FOR | Sherri Wasserman on TANK GIRL | Tom Nealon on MEGATON MAN | Erin M. Routson on THE WEDDING OF SCOTT SUMMERS & JEAN GREY | Douglas Wolk on FRANK IN THE RIVER | Annie Nocenti on DICK TRACY | James Parker on 2000 AD | Adrienne Crew on NUTS | Vanessa Berry on MEAT CAKE | John Holbo on WITZEND | Michael Campochiaro on SPIDER-WOMAN | Miranda Mellis on RED SONJA & BÊLIT | Michael Grasso on THE NEW MUTANTS | Ty Burr on BINKY BROWN | Bishakh Som on AMAR CHITRA KATHA | Mark Kingwell on CLASSICS ILLUSTRATED | Brian Berger on JIMBO | Kenya (Robinson) on AGENT 355 | Seth on THE ETERNALS ANNUAL | Susannah Breslin on SLASHER | Lisa Kahlden on JACK CHICK TRACTS | Mandy Keifetz on KRAZY KAT | Tom Devlin on DUM-DUM POSSE READER | Eric Reynolds on ACTION COMICS #460 | Rick Pinchera on EIGHTBALL #16 | Juan Recondo on DAYTRIPPER | Elizabeth Foy Larsen on ROZ CHAST | J.E. Anckorn on HALO JONES | Deborah Wassertzug on GREAT POP THINGS | Peggy Nelson on MAD MOVIE SATIRES | Holly Interlandi on ANGEL SANCTUARY | Karen Green on THE SMITHSONIAN COLLECTION OF NEWSPAPER COMICS.
FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.