TUBE YOUR ENTHUSIASM (5)
August 5, 2018
One of 25 installments in a series of enthusiastic posts analyzing and celebrating a few of our favorite TV shows from the Fifties (1954–1963).
“I guess a third of the shows were pretty damned good,” creator and lead writer Rod Serling said of the 156 episodes of The Twilight Zone, TV’s most memorable exploration of identity disorder and existential displacement. “Another third would have been passable. Another third were dogs.” Most of the dog episodes were whimsies and tearjerkers, usually centered on professional sports, the very old, the very young, or Burgess Meredith. The “passable” covered almost anything to do with aliens, dolls and mannequins, or Nazis. But the pretty damned good, upon whose irreducible substance the show’s legacy rests, conjured a cosmos of fearsome possibility. Ships and airplanes got lost in non-linear time, or stuck in eternal recurrence (“The Last Flight,” “Judgment Night,” “The Odyssey of Flight 33,” “The Thirty-Fathom Grave”). Ordinary people were outwitted and outrun by their own doppelgängers (“Mirror Image”); terrorized by phone calls from the dead (“Night Call”); forced to watch as evidence of their existence vanished before their eyes (“And When the Sky Was Opened,” “Person or Persons Unknown”); or beckoned on by a gentle, smiling Death (“Nothing in the Dark,” “The Hitch-Hiker”).
You are not yourself. That catches the premise, implications, and lasting savor, both astringent and pulpy, of The Twilight Zone. Other four-word rubrics would also do: You are not here. Here is not here. This is not this. The show was that basic, whatever byzantine bad dreams fed it and were in turn fed by it. For we always knew, whatever the introductory imagery of deep space suggested, that this “zone” was not some inconceivable nexus light years away. It was your house. It was the foyer. It was a bed, a window, a mirror. The commonest environment, the blandest approximation of middle-class comfort, held a gateway to derangement, an unbounded echo chamber of uncertainty. And it was all grounded in the Formica countertop, the antiseptic hospital hallway, the cut-rate modernism of a suburban home. If the show’s claim to novelty is that it used banality to tap into every universal fear, its claim to cultural greatness is that the tap still flows, between us and the tube, the instant we hear that music, spot that “signpost up ahead,” and enter that world, reassuring in every external, which will be revealed as a place we would do anything to escape.
TUBE YOUR ENTHUSIASM: Series Introduction | Luc Sante on LOONEY TUNES | Chris Spurgeon on THE THREE STOOGES | Adrienne Crew on MY THREE SONS | Barbara Bogaev on ROCKY & BULLWINKLE | Devin McKinney on THE TWILIGHT ZONE | James Hannaham on THE NAT KING COLE SHOW | Mimi Lipson on THE BEVERLY HILLBILLIES | Jessamyn West on THE JETSONS | Gary Panter on THE OUTER LIMITS | Peter Doyle on THE MANY LOVES OF DOBIE GILLIS | Mark Kingwell on ROUTE 66 | Josh Glenn on THE ANDY GRIFFITH SHOW | Lynn Peril on THE DICK VAN DYKE SHOW | Rob Walker on LEAVE IT TO BEAVER | Dan Reines on DAVEY & GOLIATH | Adam McGovern on HIGHWAY PATROL | Erik Davis on HAVE GUN — WILL TRAVEL | Greg Rowland on THE PHIL SILVERS SHOW | Annie Nocenti on THE AVENGERS | Elizabeth Foy Larsen on GUNSMOKE | Sarah Weinman on NAKED CITY | Douglas Rushkoff on THE HONEYMOONERS | Kio Stark on ALFRED HITCHCOCK PRESENTS | Gordon Dahlquist on PERRY MASON | Brian Berger on CAR 54, WHERE ARE YOU? | CODA: Crystal Durant on Marc Anthony & Pussyfoot shorts | CODA: Mike Watt on “A Stop at Willoughby”
CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “So Black I’m Blue” | “Human Fly” & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.