SWERVE YOUR ENTHUSIASM (1)
July 2, 2021
One in a series of 25 enthusiastic posts, contributed by 25 HILOBROW friends and regulars, on the topic of our favorite unfinished masterworks, legendary obscurities and cherished almost-weres.
Collage by the author
ANDY WARHOL’S WHITMAN
In the fall of 1970 an item ran in a variety of publications, from Rolling Stone to the glossy earth-art magazine Avalanche, that in its terse and uncritical summary appeared to be an unaltered press release. Andy Warhol, it said, had received financial backing to make his first Hollywood movie, an adaptation of Walt Whitman’s Specimen Days. It would be shot in New Orleans. A search was underway for a lead actor — Allen Ginsberg, John Lennon, and Mick Jagger had all turned Warhol down.
And that’s it. The Avalanche citation is the only thing that comes up online when you search for “warhol specimen days.” The picture is unmentioned in contemporary books about Warhol, such as John Coplans’ (1970) or John Wilcock’s or Peter Gidal’s (both 1971). Although I haven’t researched the matter extensively, the film project does not seem to appear in Stephen Koch’s Stargazer (1973) nor more recently in Blake Gopnik’s doorstop bio (2020). According to every account, Warhol’s last picture as a director was Blue Movie (1970), which true to its name and nature was seized and buried and not shown publicly until 2005. Warhol, two years after his attempted murder, was in disarray, with only Interview magazine, which still looked like some hippie rag, as his single viable project. Maybe Warhol murmured the Specimen Days idea at a function where it would be overheard, and maybe he broached it in chatty phone calls with his putative stars, but it may never have existed on paper, let alone celluloid.
Nevertheless, Warhol did contrive the notion, however dimly imagined, of filming Specimen Days. What would that have looked like? I imagine Andy fixating on the wounded soldiers, rows and rows of them, each given a Screen Test-like extended closeup, all of them ragged and beautiful and wild-eyed — maybe from speed, but that could pass. I imagine his Walt framed stolidly by the lens as he speaks entire paragraphs of Whitman’s text, flat and uninflected. I imagine a set-piece at Pfaff’s, featuring all of Walt’s favorite coach drivers. I imagine plentiful breakings of the fourth wall — a rock band, miniskirted dancers doing the Frug, Ondine and Rotten Rita monologuing about what happened the night before at Max’s and who walked off with a favorite shirt without asking — all of this taking place in a vast nineteenth-century setting, maybe an armory with tall arched windows, in his version of the Inauguration Ball which was filled up with the wounded of second Bull Run and Antietam: “To-night, beautiful women, perfumes, the violins’ sweetness, the polka and the waltz; then the amputation, the blue face, the groan, the glassy eye of the dying, the clotted rag, the odor of wounds and blood…” It would be Vietnam, of course, and Andy’s memory of the bullets that entered him, and Freddie Herko’s suicide, and the nation coming apart at the seams. It would have been a signal movie of its time.
SWERVE YOUR ENTHUSIASM: SERIES INTRODUCTION by Adam McGovern | Luc Sante on WARHOL’S WALT WHITMAN | Peggy Nelson on THE CURSE OF QUIXOTE | Adrienne Crew on POOR DEVIL | Bishakh Som on KATE BUSH BOOTLEGS | Douglas Wolk on BIG NUMBERS #3 | Devin McKinney on THE ORIGINAL OF LAURA | Mandy Keifetz on BACKFIRE | Heather Quinlan on TRANSITIONAL DISNEY | Michael Grasso on STEELY DAN’S 2nd ARRANGEMENT | Kelly Jean Fitzsimmons on THE GREAT MOVIE RIDE | Josh Glenn on LE HIBOU PHILOSOPHE | Lynn Peril on 70, GIRLS, 70 | Ron Wimberly on SHIRATO SANPEI | Holly Interlandi on LONDON AFTER MIDNIGHT |Stan Chou on TYRAEL’S MIGHT | Nikhil Singh on JOURNEY TO IXTLAN | Brian Lozano on BLOWN BANNER | Adam McGovern on THE LEON SUITES | Sajan Saini on BRISCO COUNTY | Heather Kapplow on LORD OF LIGHT | Greg Rowland on SOLARNAUTS | Christopher-Rashee Stevenson on FLEDGLING | Crystal Durant on TURN-ON | Ran Xia on BYRON’S FRAGMENT | Carolyn Raship on BURNT BRONTË.
KOJAK YOUR ENTHUSIASM (2Q2022): MAUDE | WKRP IN CINCINNATI | WELCOME BACK, KOTTER | THE WHITE SHADOW | POLICE WOMAN | & 20 other Seventies (1974–1983) TV shows. KICK YOUR ENTHUSIASM (1Q2022): KUILL | CATO | COSMO | TRIXIE | VOLSTAGG & 20 other sidekicks. NERD YOUR ENTHUSIASM (4Q2021): TIME | THE POST OFFICE | ARDUIN | DOUBT | SUMMATIONS | & 20 other nerdy passions. SWERVE YOUR ENTHUSIASM (3Q2021): WARHOL’S WALT WHITMAN | 70, GIRLS, 70 | TYRAEL’S MIGHT | SHIRATO SANPEI | THE LEON SUITES | & 20 other never-realized cultural productions. FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.