BLURB YOUR ENTHUSIASM (7)
July 21, 2022
One in a series of 25 enthusiastic posts, contributed by 25 HILOBROW friends and regulars, delivering brief remarks on mottos, mantras, speeches, slogans, and other words to live by. Series edited by Adam McGovern.
THE WORD FOR FLAUBERT
In the course of two letters to George Sand, written in March-April 1876, Gustave Flaubert formulated a credo for prose writers. In the first letter he wrote:
When I come upon a bad assonance or a repetition in my sentences, I’m sure I’m floundering in the false. By searching I find the proper expression, which is always the only one, and which is also harmonious. The word is never lacking when one possesses the idea.
A week or two later he continued:
Is there not, in this precise fitting-together of parts, something eternal, like a principle? If not, why should there be a relation between the right word and the musical word? Or why should the greatest compression of thought always result in a line of poetry?
Through my father, who had little formal education but appreciated good prose and had once aspired to becoming a writer, I was made familiar early on with the concept of the mot juste, the right word. At first it sounded like a superstition, or maybe some shibboleth that pertained strictly to the highly regimented nuances of French mandarin style. As a teenager I was all about overturning convention and flinging open the gates. Why wouldn’t there be a thousand right words?
At the time I wanted to be a poet, and was drawn to the New York School style I emulated by its demotic and counterintuitive and pop-art qualities. It was only a few years later when I started trying to write song lyrics, with the help of a friend who was a composer, that I began to understand the musicality of language, and what resulted when it was lacking. But my first attempts at musicality were overripe — liquid assonances bursting their skins, Dylan Thomas decorating a cake. I knew how to make a melody but not how to ground it, and I knew how to express a thought but not how to make it sing.
When I began to write prose for money, and thus found myself doing it all the time, I noticed that words are highly individuated — that there are really very few true synonyms. “Hate” and “scorn” and “despise” and “execrate” all mean roughly the same thing, but not exactly; only one of them will work in any specific context. I had by then begun to adopt, as a tactic, the very chancy proposition that there is nothing that cannot be expressed in writing, that there is always one particular alignment of words that will convey the exact nuance the writer has in mind. It was then that I stumbled upon the Flaubert citation. It was like finding religion; I had discovered the doctrine that confirmed my beliefs.
“Doctrine” continues to seem like the right word, because I can’t explain it. “First thought, best thought,” another writerly precept, is less a belief than a wager or a premise. Flaubert’s enunciation of his principle, by contrast, is both a declaration of faith and a description of a natural phenomenon. And while the latter can be observed in the field, again and again with no contradiction, it’s hard to see how the former could be proven. But somehow it endures, inscrutably — Eppur si muove.
BLURB YOUR ENTHUSIASM: INTRODUCTION by Adam McGovern | Ran Xia on BLACK CROW BELIEFS | Kelly Jean Fitzsimmons on LEFT-CORNER BRICK | Andrea Diaz on JOY IS RESISTANCE | Lynn Peril on TO THINE OWN SELF | Miranda Mellis on THE FUTURE IS PASSÉ | Bishakh Som on LET THE WEIRDNESS IN | Lucy Sante on FLAUBERT’S PERFECT WORD | Stefene Russell on CRYSTAL SETS | Crystal Durant on LIFE IS A BANQUET | Adam McGovern on EVERY MINUTE AN OCEAN | Josh Glenn on LUPUS LUPUM NON MORDET | Heather Quinlan on SHUT UP, HE EXPLAINED | Adrienne Crew on WATCH YOUR PENNIES | Art Wallace on COME ON AND GIVE A CHEER | Julia Lee Barclay-Morton on WILLIAM JAMES, UNADAPTED | Christopher-Rashee Stevenson on TO EACH HIS OWN | Nikhil Singh on ILLUMINATE OR DISSIPATE? | Mimi Lipson on CHEAP FOOD TASTES BETTER | Kahle Alford on NOT GONNA CRACK | Michele Carlo on YOU CAN’T ALWAYS GET WHAT YOU WANT | Marguerite Dabaie on WALKING ON WATER | Raymond Nat Turner on TRYIN’ AND TRANEIN’ | Bob Laine on WHEN YOU GROW UP | Fran Pado on THE SMILEY EMOJI | Deborah Wassertzug on PLACING YOUR BETS. PLUS: BLURB SERIES CODA by Lisa Levy.
DOLLY YOUR ENTHUSIASM (1Q2023): WE FOUND IT | TOGETHER AGAIN | SUNDAY MORNIN’ COMIN’ DOWN | BAD CASE OF THE BLUES | FANCY | & 20 other Sixties (1964–1973) Country songs. KILL YOUR ENTHUSIASM (4Q2022): LT. TASHA YAR | JOYCE SUMMERS | COL. HENRY BLAKE | MRS. LANDINGHAM | ALEX KAMAL | & 20 other TV deaths. BLURB YOUR ENTHUSIASM (3Q2022): LEFT-CORNER BRICK | JOY IS RESISTANCE | THE FUTURE IS PASSÉ | EVERY MINUTE AN OCEAN | SHUT UP, HE EXPLAINED | & 20 other apothegms to live by. KOJAK YOUR ENTHUSIASM (2Q2022): ARK II | WKRP IN CINCINNATI | BUCK ROGERS | THE WHITE SHADOW | POLICE WOMAN | & 20 other Seventies (1974–1983) TV shows. KICK YOUR ENTHUSIASM (1Q2022): KUILL | CATO | COSMO | TRIXIE | VOLSTAGG | & 20 other sidekicks. NERD YOUR ENTHUSIASM (4Q2021): TIME | THE POST OFFICE | ARDUIN | DOUBT | SUMMATIONS | & 20 other nerdy passions. SWERVE YOUR ENTHUSIASM (3Q2021): WARHOL’S WALT WHITMAN | 70, GIRLS, 70 | TYRAEL’S MIGHT | SHIRATO SANPEI | THE LEON SUITES | & 20 other never-realized cultural productions. FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.