WOWEE ZOWEE (17)

By: Rick Pinchera
April 25, 2018

One in a series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the subject of our favorite albums of the Nineties (1994–2003). A new installment in this series will appear each Wednesday during 2018.

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EITHER/OR | ELLIOTT SMITH | 1997

After five years of living in Portland, Oregon, it was time to reverse the move and head back East. Fretting about what I could be leaving behind — meaningful friendships, a culture of grit and independence, a perspective on what it meant to be truly open and creative — I went ahead and followed the girl anyway. For fear of slipping back into the life I’d worked hard to shed, I held onto Portland things, most especially Either/Or by Elliott Smith.

The album was the featured act in my small vinyl collection and has always been of a piece with the second-hand turntable that was dragged across the country with it. As Elliott Smith turned toward his truer self, allowing painful themes to be buoyed by an emerging pop mastery, I let every moment pour into me whenever I put it on. Every warm bassline, every harmony he backed himself on, every strum of his acoustic guitar, every whispered word was reheard and digested again. To this day I don’t put it on unless I can give it my full attention for fear of missing something.

In Portland, I would see Elliott on the street and on the stage, initially with the rock group Heatmiser, and later in tiny spaces and clubs by himself. I was introduced to him once and we’re the same age — but we never connected personally. I am grateful for that because of how all of his music has clung to me, unmuddled. Either/Or is built with confidence and clarity of vision by a man ready to move on. The narrators of the stories that are told don’t have any of that peace of mind, so when their confessions and desires are laid bare with catchy melodies and musical charm, it’s disarming in the best way possible.

Elliott Smith did move on. He eventually left Portland too and his balladry continued to emerge from him, thematically desperate at times, shimmering always. He pushed himself further on subsequent albums with remarkable success, but Either/Or remains, to me, his most enduring work, a perfect portrait of imperfection.

It was right for me to leave Portland when I did. And if I’ve ever questioned that decision, “Say Yes,” the last and most optimistic song on Either/Or, always reminds me why.

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ILLUSTRATION BY RICK PINCHERA

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WOWEE ZOWEE: Stephanie Burt on UNISEX | Anindita Basu Sempere on UNDER THE PINK | Mark Kingwell on DUMMY | Bill Nericcio on AMOR PROHIBIDO | Sherri Wasserman on HIPS AND MAKERS | Mimi Lipson on THANK YOU | John Overholt on BEN FOLDS FIVE | Jordan Ellenberg on GET LOST | Chelsey Johnson on PERSONAL BEST | Marilyn Snell on MAXINQUAYE | Dan Fox on DIFFERENT CLASS | Devin McKinney on IF YOU’RE FEELING SINISTER | Alice Boone on MTV UNPLUGGED (ALICE IN CHAINS) | Rob Wringham on SPICE | Joe Alterio on BEATS, RHYMES AND LIFE | Jason Loeffler on SECOND TOUGHEST IN THE INFANTS | Rick Pinchera on EITHER/OR | Josh Glenn on THE LONESOME CROWDED WEST | Jennifer Krasinski on SUPA DUPA FLY | Sara Ryan on DIG ME OUT | Luc Sante on MEZZANINE | Molly Wright Steenson on I CAN HEAR THE HEART BEATING AS ONE | Franklin Bruno on ENGLAND MADE ME | Michael Campochiaro on IS THIS DESIRE? | Adrienne Crew on CALIFORNICATION | Drew Daniel on I SEE A DARKNESS | Veda Hille on THE SOFT BULLETIN | Vanessa Berry on TEENAGE SNUFF FILM | Tom Kipp on GET SKINTIGHT | David Hirmes on DOPETHRONE | John Hilgart on YORK BLVD. | Deborah Wassertzug on JOURNEY TO THE END OF THE NIGHT | Adam McGovern on INVINCIBLE SUMMER | Brian Berger on TIRED SOUNDS OF… | Michael Grasso on MUSIC HAS THE RIGHT TO CHILDREN | Jen Collins on HURRAH | Flourish Klink on THE TEACHES OF PEACHES | Judith Zissman on TALLAHASSEE | Lauren Oliver on SOUND-DUST | Jason Cohen on IS THIS IT | Matthew De Abaitua on THE RAINBOW CHILDREN | Jenny Davidson on TIME (THE REVELATOR) | Crystal Durant on LIVE THROUGH THIS | Gordon Dahlquist on GARBAGE | Erin M. Routson on WASHING MACHINE | Carl Wilson on TEMPTING | Jessamyn West on ALL HAIL WEST TEXAS | Kaleb Horton on STREETCORE | Tom Nealon on BAZOOKA TOOTH | Erik Davis on DOPESMOKER | David Levine on FEVER TO TELL | Deb Chachra on MASS ROMANTIC.

MORE ENTHUSIASM at HILOBROW

CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.

Categories

Enthusiasms, Pop Music

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