WOWEE ZOWEE (52)

By: Deb Chachra
December 26, 2018

One in a series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the subject of our favorite albums of the Nineties (1994–2003). A new installment in this series will appear each Wednesday during 2018.

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MASS ROMANTIC | THE NEW PORNOGRAPHERS | 2000

For years, I thought I had imagined the New Pornographers.

In the last few months of 2000 and the first few months of 2001, I was simultaneously putting twelve-hour days in at the lab to finish and write up my doctoral research, and organizing my first significant move as an adult, from Toronto, Ontario to Cambridge, Massachusetts. By March 2001, I had upended nearly everything in my life: I’d broken up with my partner of a decade, hit a round-number birthday, finished my PhD, and moved to a new country.

It wasn’t until a couple of years later, when I was settled into Boston, that I got a copy of The New Pornographers’ first album, Mass Romantic. And I was instantly confused: the CD came out in 2003, but I was sure that I had heard “Mass Romantic” and “Letters to the Occupant” on the radio before I left Canada. But the jangly, Brill Building harmonies of the album are atemporal — they didn’t really sound like anything else I was listening to. Maybe I was imagining things?

The mystery was solved when I realized that Mass Romantic had been released in the fall of 2000 in Canada, exactly in time for the cross-border supergroup, with band members including Canadians Dan Bejar and Carl Newman as well as American ‘alt-country chanteuse’ Neko Case, to soundtrack my tumultuous last few months in the country before what I thought would be a two-year stint in the US. Instead, I took on a permanent position in the US almost exactly when the album was released there, in the fall of 2003. Since then, the New Pornographers have released six more albums, and remain one of my most beloved bands — a cross-border band for my cross-border life.

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WOWEE ZOWEE: Stephanie Burt on UNISEX | Anindita Basu Sempere on UNDER THE PINK | Mark Kingwell on DUMMY | Bill Nericcio on AMOR PROHIBIDO | Sherri Wasserman on HIPS AND MAKERS | Mimi Lipson on THANK YOU | John Overholt on BEN FOLDS FIVE | Jordan Ellenberg on GET LOST | Chelsey Johnson on PERSONAL BEST | Marilyn Snell on MAXINQUAYE | Dan Fox on DIFFERENT CLASS | Devin McKinney on IF YOU’RE FEELING SINISTER | Alice Boone on MTV UNPLUGGED (ALICE IN CHAINS) | Rob Wringham on SPICE | Joe Alterio on BEATS, RHYMES AND LIFE | Jason Loeffler on SECOND TOUGHEST IN THE INFANTS | Rick Pinchera on EITHER/OR | Josh Glenn on THE LONESOME CROWDED WEST | Jennifer Krasinski on SUPA DUPA FLY | Sara Ryan on DIG ME OUT | Luc Sante on MEZZANINE | Molly Wright Steenson on I CAN HEAR THE HEART BEATING AS ONE | Franklin Bruno on ENGLAND MADE ME | Michael Campochiaro on IS THIS DESIRE? | Adrienne Crew on CALIFORNICATION | Drew Daniel on I SEE A DARKNESS | Veda Hille on THE SOFT BULLETIN | Vanessa Berry on TEENAGE SNUFF FILM | Tom Kipp on GET SKINTIGHT | David Hirmes on DOPETHRONE | John Hilgart on YORK BLVD. | Deborah Wassertzug on JOURNEY TO THE END OF THE NIGHT | Adam McGovern on INVINCIBLE SUMMER | Brian Berger on TIRED SOUNDS OF… | Michael Grasso on MUSIC HAS THE RIGHT TO CHILDREN | Jen Collins on HURRAH | Flourish Klink on THE TEACHES OF PEACHES | Judith Zissman on TALLAHASSEE | Lauren Oliver on SOUND-DUST | Jason Cohen on IS THIS IT | Matthew De Abaitua on THE RAINBOW CHILDREN | Jenny Davidson on TIME (THE REVELATOR) | Crystal Durant on LIVE THROUGH THIS | Gordon Dahlquist on GARBAGE | Erin M. Routson on WASHING MACHINE | Carl Wilson on TEMPTING | Jessamyn West on ALL HAIL WEST TEXAS | Kaleb Horton on STREETCORE | Tom Nealon on BAZOOKA TOOTH | Erik Davis on DOPESMOKER | David Levine on FEVER TO TELL | Deb Chachra on MASS ROMANTIC.

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Categories

Enthusiasms, Pop Music