WOWEE ZOWEE (14)
April 4, 2018
One in a series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the subject of our favorite albums of the Nineties (1994–2003). A new installment in this series will appear each Wednesday during 2018.
SPICE | SPICE GIRLS | 1996
My first taste of Spice was on 9 July 1996 on a patch of British suburbia called Parkes Lane. I know this because I was a compulsive teenage diarist. The album itself didn’t come out until 19 September, so this would have been the advance release of “Wannabe,” the first single from the album. I was 14 and, according to the diary, walking to school when I spotted a girl I was a tiny bit in love with, listening to her personal stereo. “What are you listening to?” was my clever gambit. “The Spice Girls,” she said, airily, as if they weren’t the exciting, new, hot-off-the-press thing. “Oh,” I said, pretending to have heard of them. Despite this indelible musical experience being intended for her and not me, she was generous enough to give me an earpiece. What I heard — “make it last forever, friendship never ends” — struck me at first (sorry) as a tad banal but I still said “Yeah! Great!” Over the next few days, weeks and months, the album rolled unstoppably into local popular consciousness. Everyone was listening to it, avoiding it, cynically mocking while secretly loving it, whistling it while washing the car. The music, so glittery and rainbow-positive, didn’t take long to grow on me. It was the first time my younger sister and I had admitted to liking the same thing since Mr. Nanny. I liked the album with the exception of the revolting “Mama,” but the “Wannabe” video was my favourite part of the spicy gesamtkunstwerk thanks to, well, Mel B’s green tube top. I remember people saying the Spice Girls would be big because they came from the same musical production line as boyband Take That, but I don’t think anyone in 1996 knew quite how internationally mighty they’d become and how ridiculous it would seem that they’d need a boost from the likes of Take That. These days, at 35, I’m a fan of smart-arse bands like The Fall, but I don’t know their lyrics as well as I know the lyrics of that Spice Girls album. And on that confession, I’m off to kill myself.
WOWEE ZOWEE: Stephanie Burt on UNISEX | Anindita Basu Sempere on UNDER THE PINK | Mark Kingwell on DUMMY | Bill Nericcio on AMOR PROHIBIDO | Sherri Wasserman on HIPS AND MAKERS | Mimi Lipson on THANK YOU | John Overholt on BEN FOLDS FIVE | Jordan Ellenberg on GET LOST | Chelsey Johnson on PERSONAL BEST | Marilyn Snell on MAXINQUAYE | Dan Fox on DIFFERENT CLASS | Devin McKinney on IF YOU’RE FEELING SINISTER | Alice Boone on MTV UNPLUGGED (ALICE IN CHAINS) | Rob Wringham on SPICE | Joe Alterio on BEATS, RHYMES AND LIFE | Jason Loeffler on SECOND TOUGHEST IN THE INFANTS | Rick Pinchera on EITHER/OR | Josh Glenn on THE LONESOME CROWDED WEST | Jennifer Krasinski on SUPA DUPA FLY | Sara Ryan on DIG ME OUT | Luc Sante on MEZZANINE | Molly Wright Steenson on I CAN HEAR THE HEART BEATING AS ONE | Franklin Bruno on ENGLAND MADE ME | Michael Campochiaro on IS THIS DESIRE? | Adrienne Crew on CALIFORNICATION | Drew Daniel on I SEE A DARKNESS | Veda Hille on THE SOFT BULLETIN | Vanessa Berry on TEENAGE SNUFF FILM | Tom Kipp on GET SKINTIGHT | David Hirmes on DOPETHRONE | John Hilgart on YORK BLVD. | Deborah Wassertzug on JOURNEY TO THE END OF THE NIGHT | Adam McGovern on INVINCIBLE SUMMER | Brian Berger on TIRED SOUNDS OF… | Michael Grasso on MUSIC HAS THE RIGHT TO CHILDREN | Jen Collins on HURRAH | Flourish Klink on THE TEACHES OF PEACHES | Judith Zissman on TALLAHASSEE | Lauren Oliver on SOUND-DUST | Jason Cohen on IS THIS IT | Matthew De Abaitua on THE RAINBOW CHILDREN | Jenny Davidson on TIME (THE REVELATOR) | Crystal Durant on LIVE THROUGH THIS | Gordon Dahlquist on GARBAGE | Erin M. Routson on WASHING MACHINE | Carl Wilson on TEMPTING | Jessamyn West on ALL HAIL WEST TEXAS | Kaleb Horton on STREETCORE | Tom Nealon on BAZOOKA TOOTH | Erik Davis on DOPESMOKER | David Levine on FEVER TO TELL | Deb Chachra on MASS ROMANTIC.
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