Grok My Enthusiasm (13)

By: Mimi Lipson
April 6, 2016

One in a weekly series of enthusiastic posts contributed by HILOBROW friends and regulars.

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sears

In the mid-Eighties, my friend Lindsay worked for the filmmaker Frederick Wiseman. She hired a few of us to clean the basement of his house in Cambridge, MA. We spent a week or so going through film cans packed with unspooled outtakes. We’d hand Lindsay a scrap of film and she’d squint at it in the light from the open door. “Seraphita’s Diary,” she’d say. “The Store. Basic Training.” We’d coil up the film and label the tin with masking tape.

Things we found in Fred’s basement: his son’s bong, an unlabeled print of Titicut Follies, and this 1973 Sears Roebuck Spring/Summer catalog, which I slipped into my bag without asking.

A sticker on the cover gives the phone number of my childhood Sears store at 1815 Massachusetts Ave, where all my green Tuffskins and snorkel jackets came from, where I used to hang out after school admiring fishing lures and sitting on riding lawnmowers. The building was four-square Art Deco with a squat central tower. Seeing Sears stores in other towns and cities, I recognized their Searsness, and this thrilled me. The Cambridge of my childhood was still dominated by five and dimes, cobblers, mealworm-infested health food stores, and florists that only sold three kinds of flowers. Sears was our theme park of American consumer culture.

So I already had a thing for Sears when I got ahold of this 1973 catalog. The store on Mass Ave had recently closed and been repurposed in the Lesley College expansion, and maybe that’s why I wanted it. It was like a family photo album of a parallel childhood — one decorated with swag lamps and shag carpeting. The oily thumbprints on the cover and the inscription (HOLY BIBLE) attest to the use I made of it: as a visual dictionary for thirty years of art making.

"Sears Bra," painting by Mimi Lipson
“Sears Bra,” painting by Mimi Lipson

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GROK MY ENTHUSIASM: Rob Wringham on THE THEORY AND PRACTICE OF LUNCH | Gordon Dahlquist on WEEKEND | Joe Alterio on MILLION YEAR PICNIC | Adrienne Crew on LA BARONNE EMILE D’ERLANGER | Josh Glenn on THE SURVIVAL SAMPLER | Alix Lambert on THE SKIES BELONG TO US | Adam McGovern on PENELOPE and CHAVEZ RAVINE | Rob Wringham on THE LYKE WAKE WALK | Mark Kingwell on NORTH STAR SNEAKERS & GWG JEANS | Gordon Dahlquist on FELLINI SATYRICON | Erik Davis on AH! | Devin McKinney on WHISPERING AFRAID | Mimi Lipson on 1973 SEARS ROEBUCK CATALOG | Jessamyn West on MOSS | Josh Glenn on THE SCOUT HOW BOOK | Brian Berger on SLACKER | Alix Lambert on ABSOLUTE BEGINNERS | Chelsey Johnson on MONOTREMES | Devin McKinney on THE BUTCHER COVER | Flourish Klink on ONE DIRECTION | Gordon Dahlquist on FULL METAL JACKET | Allegra Huston on CLOTHESLINE | Jenny Davidson on POWERLIFTING | Evan Narcisse on REZ | Deborah Wassertzug on VEGETARIAN MEATBALLS | Chris Spurgeon on WALLACE AND GROMIT | Mandy Keifetz on BENEFICIAL MICROBES | Annie Nocenti on MARKS ON WALLS | Molly Sauter on THE GREAT BRITISH BAKE OFF | William Nericcio on LAND OF THE LOST | Dan Fox on “VOICE OF GOD” RADIO DJS | Brandi Brown on WIKIPEDIA TALK | Claire Lehmann on THE APPARATUS REVEAL | Alice Boone on COSTUME JEWELRY | Colin Dickey on WIDESPREAD PANIC | Anshuman Iddamsetty on THE FULL BODY PROJECT | John Hilgart on MAKING GRATEFUL DEAD ALBUMS | Rob Wringham on STEVEN UNIVERSE | John Overholt on DECKLE EDGES | James Hannaham on HABIT PATTERNS | Jessamyn West on THE PUBLIC LIBRARY SYSTEM | Adam McGovern on THE SPACE GIANTS | Brian Berger on MEDIUM COOL | Chris Spurgeon on THE DUNNING-KRUGER EFFECT | Joe Alterio on TABLETOP WARGAMING | Mimi Lipson on TRASH PICKING | Jason Grote on CZECH CINEMA | Roxane Gay on AUTOMATED CAR WASH | Dan Fox on JULIA DAVIS | Amy Thielen on BINGO | Steph Burt on FEIJOA.

MORE ENTHUSIASM at HILOBROW

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Enthusiasms