Crom Your Enthusiasm (6)

By: James Parker
August 8, 2015

The_Hobbit_JRR_Tolkien_First_Edition_Original_Cover_1937

One of 25 installments in a series of posts analyzing and celebrating a few of our favorite fantasy novels from the Thirties (1934–1943). Enjoy!

THE HOBBIT | J.R.R. TOLKIEN | 1937

The Hobbit, so full of hints, trances, echoes, and sudden deepenings, fascinates because it is a half-book, or even a quarter-book. It acts germinally on the imagination because it doesn’t yet know what it contains. Although he’d been carving into the glittering back-brain of his Silmarillion for years already, uncovering the neurological architecture of the myth, Tolkien began this little sub-story with no real idea of how or where it would connect to the larger enterprise. The first line bobbed up complete from his unconscious, in Anglo-Saxon sing-song: “In a hole in the ground there lived a hobbit.” Down the hole he went, clueless, thinking he was writing a story for children, and so was produced the peculiar, dislocating magic of The Hobbit — the nursery-rhyme foreground of hobbitry, bright and busy, eggs and bacon, singing kettles and shiny doorknobs and little woolly-toed people saying “Bother!” and “Blow!”, and the huge, haunted obscurity behind it, the shadowy lore and the roots of mountains, the delved-out languages, Tolkien’s dream of antiquity awaiting its fuller dreaming-out.

There’s something here of “the intersection of the timeless with time” that Eliot was (contemporaneously) exploring in Four Quartets. Bilbo, in his parlour, hears the song of the visiting dwarves: “The dark came into the room from the little window that opened in the side of the Hill; the firelight flickered…” A visionary entrance occurs, and he is transported, pulled out of his life. The moment in the arbour where the rain beat/The moment in the draughty church at smokefall. Poetry is all around The Hobbit; it has impulses to become a poem itself: “Far, far away in the West, where things were blue and faint…” Listen to that cadence, that four-footed folk pulse. Bilbo looks back at the Shire, and what we hear is A.E. Housman, a don pining for his “blue remembered hills.” But Housman, gazing on the land of lost content – Tolkien would have called it The Land of Lost Content – was harrowed by regret; Bilbo resets himself sturdily, and carries on with his adventure.

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CROM YOUR ENTHUSIASM (2015): Erik Davis on Jack Williamson’s DARKER THAN YOU THINK | Sara Ryan on T.H. White’s THE SWORD IN THE STONE | Mark Kingwell on C.S. Lewis’s OUT OF THE SILENT PLANET | David Smay on Fritz Leiber’s THIEVES’ HOUSE | Natalie Zutter on Robert E. Howard’s QUEEN OF THE BLACK COAST | James Parker on J.R.R. Tolkien’s THE HOBBIT | Adrienne Crew on Dion Fortune’s THE SEA PRIESTESS | Gabriel Boyer on Clark Ashton Smith’s ZOTHIQUE stories | John Hilgart on H.P. Lovecraft’s THE CASE OF CHARLES DEXTER WARD | Barbara Bogaev on William Sloane’s TO WALK THE NIGHT | Rob Wringham on Flann O’Brien’s THE THIRD POLICEMAN | Dan Fox on Hergé’s THE SEVEN CRYSTAL BALLS | Flourish Klink on C.S. Lewis’s PERELANDRA | Tor Aarestad on L. Sprague de Camp and Fletcher Pratt’s THE ROARING TRUMPET | Anthony Miller on H.P. Lovecraft’s THE SHADOW OVER INNSMOUTH | Suzanne Fischer on E.R. Eddison’s MISTRESS OF MISTRESSES | Molly Sauter on Herbert Read’s THE GREEN CHILD | Diana Leto on Edgar Rice Burroughs’s TARZAN AND THE LION MAN | Joshua Glenn on Robert E. Howard’s THE HOUR OF THE DRAGON | Andrew Hultkrans on H.P. Lovecraft’s AT THE MOUNTAINS OF MADNESS | Lynn Peril on Fritz Leiber’s CONJURE WIFE | Gordon Dahlquist on H.P. Lovecraft’s THE SHADOW OUT OF TIME | Adam McGovern on C.L. Moore’s JIREL OF JOIRY stories | Tom Nealon on Fritz Leiber’s TWO SOUGHT ADVENTURE | John Holbo on Robert E. Howard’s CONAN MYTHOS.

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KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | GILL SANS | AKZIDENZ-GROTESK | CALIFORNIA BRAILLE | SHE’S NOT THERE | FAUX DEVANAGARI | FUTURA | JENSON’S ROMAN | SAVANNAH SIGN | TRADE GOTHIC BOLD CONDENSED NO. 20 | KUMON WORKSHEET | ELECTRONIC DISPLAY | DIPLOMA REGULAR | SCREAM QUEEN | CHICAGO | CHINESE SHIPPING BOX | SHATTER | COMIC SANS | WILKINS’S REAL CHARACTER | HERMÈS vs. HOTDOG | GOTHAM.

HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | “That’s the Joint” | “Freedom” | “Rapture” | “The New Rap Language” | “Jazzy Sensation (Bronx Version)” | “Can I Get a Soul Clap” | “The Adventures of Grandmaster Flash on the Wheels of Steel” | “Making Cash Money” | “The Message” | “Pak Jam” | “Buffalo Gals” | “Ya Mama” | “No Sell Out” | “Death Mix Live, Pt. 2” | “White Lines (Don’t Do It)” | “Here We Go (Live at the Funhouse)” | “Rockit” | “The Coldest Rap” | “The Dream Team is in the House” | The Lockers.

KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | Kirk’s eulogy for Spock| The joke is on Kirk | Kirk vs. Decker | Good Kirk vs. Evil Kirk | Captain Camelot | Koon-ut-kal-if-fee | Federation exceptionalism | Wizard fight | A million things you can’t have | Debating in a vacuum | Klingon diplomacy | “We… the PEOPLE” | Brinksmanship on the brink | Captain Smirk | Sisko meets Kirk | Noninterference policy | Kirk’s countdown | Kirk’s ghost | Watching Kirk vs. Gorn | How Spock wins

KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | KAMANDI | MACHINE MAN | SANDMAN | THE X-MEN | THE FANTASTIC FOUR | TALES TO ASTONISH | YOUNG LOVE | STRANGE TALES | MISTER MIRACLE | BLACK PANTHER | THOR | JIMMY OLSEN | DEVIL DINOSAUR | THE AVENGERS | TALES OF SUSPENSE | THE NEW GODS | REAL CLUE | THE FOREVER PEOPLE | JOURNEY INTO MYSTERY | 2001: A SPACE ODYSSEY

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