Kirb Your Enthusiasm (12)
February 28, 2011
Twelfth in a series of posts, each one analyzing a single panel from a Jack Kirby-drawn comic book.
In the years immediately following the end of World War II, Jack Kirby and his collaborator Joe Simon faced a dilemma: superhero comics weren’t selling. Meanwhile, magazines like True Romance and True Confessions were flying off the racks. Simon wondered whether adult women might buy a similar type of comic book, one filled with tales of heartache and redemption, told by a first-person narrator; Kirby thought the idea might work. A first attempt lasted only four issues, but when Young Romance #1 appeared in 1947, it sold over a million copies. Kirby and Simon, it seemed, had invented a new genre. They quickly followed up with other titles (Young Love, Western Love, In Love), as did their competitors.
Whether set in a penthouse or on a dude ranch, romance comics revolve around the simple theme of girl meets boy. Alas, the course of true love cannot run smoothly, or there would be no story. Thus, our heroine is conflicted. She cannot recognize Romance when it pulls up in front of her rooming house and asks her to go for a ride. She does not want a Second Hand Love who has been engaged before. Perhaps she is intrigued but reluctant because she carries a torch for the Wrong Man. Maybe she harbors a secret that she believes makes her Unfit for Love. Sometimes her True Love presents himself as a “Resort Romeo,” and it’s only when the heroine realizes — spoiler alert! — (a) he’s blind, and (b) despite his handicap, the best mountain climber she’s ever seen, that the scales fall from her own eyes. (Regarding the way in which the young and beautiful heroines of these comics so frequently and inexplicably fall for arrogant blowhards of dubious charm, it is perhaps best to remember that although most — but not all — of these “true” stories were told from a female point of view, they were written by middle-aged men.)
The final issue of Young Romance appeared in 1975, around the time that the genre itself declined. But one has only to look at the vivid colors, brash angles, and melodramatic text of this panel from Young Love (May 1950) to understand why Roy Lichtenstein appropriated images from the romance comics (though not necessarily Kirby’s work) for his mid-1960s pop paintings — a high-culture hat tip to a “low-brow” art form.
2011: KIRB YOUR ENTHUSIASM (Jack Kirby panels): Douglas Rushkoff on THE ETERNALS | John Hilgart on BLACK MAGIC | Gary Panter on DEMON | Dan Nadel on OMAC | Deb Chachra on CAPTAIN AMERICA | Mark Frauenfelder on KAMANDI | Jason Grote on MACHINE MAN | Ben Greenman on SANDMAN | Annie Nocenti on THE X-MEN | Greg Rowland on THE FANTASTIC FOUR | Joshua Glenn on TALES TO ASTONISH | Lynn Peril on YOUNG LOVE | Jim Shepard on STRANGE TALES | David Smay on MISTER MIRACLE | Joe Alterio on BLACK PANTHER | Sean Howe on THOR | Mark Newgarden on JIMMY OLSEN | Dean Haspiel on DEVIL DINOSAUR | Matthew Specktor on THE AVENGERS | Terese Svoboda on TALES OF SUSPENSE | Matthew Wells on THE NEW GODS | Toni Schlesinger on REAL CLUE | Josh Kramer on THE FOREVER PEOPLE | Glen David Gold on JOURNEY INTO MYSTERY | Douglas Wolk on 2001: A SPACE ODYSSEY | MORE EXEGETICAL COMMENTARIES: Joshua Glenn on Kirby’s Radium Age Sci-Fi Influences | Chris Lanier on Kirby vs. Kubrick | Scott Edelman recalls when the FF walked among us | Adam McGovern is haunted by a panel from THE NEW GODS | Matt Seneca studies the sensuality of Kirby’s women | Btoom! Rob Steibel settles the Jack Kirby vs. Stan Lee question | Galactus Lives! Rob Steibel analyzes a single Kirby panel in six posts | Danny Fingeroth figgers out The Thing | Adam McGovern on four decades (so far) of Kirby’s “Fourth World” mythos | Jack Kirby: Anti-Fascist Pipe Smoker
ALSO ON HILOBROW: Joe Alterio’s Cablegate Comix | HiLobrow posts about comics and cartoonists | HiLobrow posts about science fiction | The New Gods generation
2014: KERN YOUR ENTHUSIASM (typefaces): Matthew Battles on ALDINE ITALIC | Adam McGovern on DATA 70 | Sherri Wasserman on TORONTO SUBWAY | Sarah Werner on JOHNSTON’S “HAMLET” | Douglas Wolk on TODD KLONE | Mark Kingwell on GILL SANS | Joe Alterio on AKZIDENZ-GROTESK | Suzanne Fischer on CALIFORNIA BRAILLE | Gary Panter on SHE’S NOT THERE | Deb Chachra on FAUX DEVANAGARI | Peggy Nelson on FUTURA | Tom Nealon on JENSON’S ROMAN | Rob Walker on SAVANNAH SIGN | Tony Leone on TRADE GOTHIC BOLD CONDENSED NO. 20 | Chika Azuma on KUMON WORKSHEET | Chris Spurgeon on ELECTRONIC DISPLAY | Amanda French on DIPLOMA REGULAR | Steve Price on SCREAM QUEEN | Alissa Walker on CHICAGO | Helene Silverman on CHINESE SHIPPING BOX | Tim Spencer on SHATTER | Jessamyn West on COMIC SANS | Whitney Trettien on WILKINS’S REAL CHARACTER | Cintra Wilson on HERMÈS vs. HOTDOG | Jacob Covey on GOTHAM.
2013: HERC YOUR ENTHUSIASM (old-school hip hop tracks): Luc Sante on “Spoonin’ Rap” | Dallas Penn on “Rapper’s Delight” | Werner Von Wallenrod on “Rappin’ Blow” | DJ Frane on “The Incredible Fulk” | Paul Devlin on “The Adventures of Super Rhyme” | Phil Dyess-Nugent on “That’s the Joint” | Adam McGovern on “Freedom” | David Abrams on “Rapture” | Andrew Hultkrans on “The New Rap Language” | Tim Carmody on “Jazzy Sensation (Bronx Version)” | Drew Huge on “Can I Get a Soul Clap” | Oliver Wang on “The Adventures of Grandmaster Flash on the Wheels of Steel” | Douglas Wolk on “Making Cash Money” | Adrienne Crew on “The Message” | Dart Adams on “Pak Jam” | Alex Belth on “Buffalo Gals” | Joshua Glenn on “Ya Mama” | Phil Freeman on “No Sell Out” | Nate Patrin on “Death Mix Live, Pt. 2” | Brian Berger on “White Lines (Don’t Do It)” | Cosmo Baker on “Here We Go (Live at the Funhouse)” | Colleen Werthmann on “Rockit” | Roy Christopher on “The Coldest Rap” | Dan Reines on “The Dream Team is in the House” | Franklin Bruno on The Lockers.
2012: KIRK YOUR ENTHUSIASM (Captain Kirk scenes): Dafna Pleban: Justice or vengeance? | Mark Kingwell : Kirk teaches his drill thrall to kiss | Nick Abadzis: “KHAAAAAN!” | Stephen Burt: “No kill I” | Greg Rowland: Kirk browbeats NOMAD | Zack Handlen: Kirk’s eulogy for Spock| Peggy Nelson: The joke is on Kirk | Kevin Church: Kirk vs. Decker | Enrique Ramirez: Good Kirk vs. Evil Kirk | Adam McGovern: Captain Camelot | Flourish Klink: Koon-ut-kal-if-fee | David Smay: Federation exceptionalism | Amanda LaPergola: Wizard fight | Steve Schneider: A million things you can’t have | Joshua Glenn: Debating in a vacuum | Kelly Jean Fitzsimmons: Klingon diplomacy | Trav S.D.: “We… the PEOPLE” | Matthew Battles: Brinksmanship on the brink | Annie Nocenti: Captain Smirk | Ian W. Hill: Sisko meets Kirk | Gabby Nicasio: Noninterference policy | Peter Bebergal: Kirk’s countdown | Matt Glaser: Kirk’s ghost | Joe Alterio: Watching Kirk vs. Gorn | Annalee Newitz: How Spock wins
What do you think?
So glad you wrote about one of Kirby’s romance comics, Lynn, since he spent such a large chunk of the Fifties drawing this sort of thing!
PS: I’m pretty sure that after Peggy steps out of Bob’s car, she finds a mega-rod on the side of the highway and transforms into BIG BARDA.
Just to avoid any confusion.
Joe Simon was Kirby’s business partner. Simon certainly didn’t write anything for Kirby in the 50’s.
Simon wrote a few things of his own, and supplied sketchy plots to Simon and Kirby Studio writers on occasion.
In two different interviews by Jim Amash S&K studio writers Kim Aamodt, and Walter Geier both confirmed that Kirby not only wrote his own material for the stories he penciled, but routinely supplied the other writers with detailed plots.
Geier even said, “They were Jack’s stories, I just filled in the balloons.”
Gil Kane, Jack Katz, and others have also confirmed Kirby wrote the stories he penciled.
As the KIRB YOUR ENTHUSIASM series editor, I’ve tried to avoid using the word “collaborator” too often when talking about Joe Simon, but it’s tough to know what else to call him. As you say, he wasn’t a writer for Kirby like Stan Lee was (at times); however, “business partner” doesn’t make Simon sound like a creative talent in his own right. The subtitle of a book about Simon I’ve seen (but not read) — “The Man Behind the Comics” — is equally vague.
So… I guess it’s back to “collaborator.”
It’s certainly appears that Joe, still with us, was a good guy. He was a lot shrewder than Jack, and negotiated some good business deals (SImon still owns some rights to Captain America.)
Great to see a romance piece inhere too. Few would say that Kirby’s forte was drawing beautiful female faces, so it’s a great testament to his powers that he launched this genre!
I actually emailed Joe Simon’s amanuensis, trying to persuade Simon to contribute to this series…
I’ve tried to contact Joe’s son a couple of times about getting the delux signed edition of his book, but the conversation has always petered out from their end. I gave up as I don’t really want to hassle a 95-year old guy for the purposes of one fan-boy’s collecting gratification.
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