It’s time to reread… everything.
By: Joshua Glenn
Elizabeth Moon’s SPEED OF DARK
China Miéville’s THE SCAR
From SNOW CRASH and UNDER THE FROG to ALL THE PRETTY HORSES
Octavia E. Butler’s CLAY’S ARK
Carol Emshwiller’s THE MOUNT
By: Jeff Malmberg
A film gets to be many things, including sometimes a recipe.
By: Vicente Lozano
To Ahmad, the notebook is everything.
Ken MacLeod’s DARK LIGHT
“I know what we need. The Killer!”
By: Laura Miller
A passport to another world that Jeffrey only thinks he wants to visit.
From SARAH CANARY and DEADPOOL to ORBITAL RESONANCE.
By: Carlo Rotella
You spend the whole scene wondering when the hovering hand will start powdering again.
Trondheim and Larcenet’s ASTRONAUTS OF THE FUTURE
By: John Sellers
WHY DON’T THEY EAT THEIR KILL
By: Alix Lambert
In slowness there is a value, anticipation, a treasuring of the physical object.