October 23, 2021
One in a series of 25 first-person narratives of offense, outrage, innocent transgression or principled affront, in attire, display, speech or spectacle.
In May of 2002, I was many things: teacher, paid audience member of a TV show, struggling artist, house painter, wanna-be club kid and member of the artist collective “Test Site.” The latter had offered me the opportunity to create installation art in the Congress Theater, a 2,900 seat, palace-like, historic Chicago landmark on the brink of demolition. Earlier that spring, I had witnessed some fringe art events there. One showcased the works of young professional fashion designers by having their models struggle through a military-grade boot camp obstacle course; all while the sound and video of fighter jets were projected on the walls. Another show was a classical ballet production of Black Sabbath’s “War Pigs.” Despite the respectable atmosphere of theater, there was some edgy stuff going on there, and I was prepared to do likewise.
I immediately claimed the men’s room for my project and Sex and Drugs as my themes. I screen printed life-sized male and female pinup models on giant mirrors, which leaned against the walls. Below these were several silver platters of novelty imitation vomit, with designer labels (Chanel, Vuitton, etc.) hand printed and sewn to each rubber puddle. A large parody Holy Trinity shrine was placed above the urinals, displaying mug shots of George Michael, Paul Reubens, and Robert Downey Jr. Below these were a row of gold-leafed beer bottles, each with a Polaroid photo of inebriated night clubbers taped to the label. And among them were numerous vintage cupid holiday cut-outs, either smoking bongs or 69-ing. The outside of the stalls were decorated with large, flesh-colored mandalas, created by literally cutting and pasting hundreds, if not thousands, of nude pin-up playing cards. I had a musical loop of the sleaziest music I could find playing from a boom box’s audiocassette. One visitor told me he appreciated hearing Iggy Pop’s “Penetration” during his bathroom trip.
None of this won me a rave review anywhere, nor did it convince anyone that I was some super cool provocateur. But, hey, the mandalas sold for a good price! And better yet, two blurry photos featuring one of them, the beer bottles and cupids are forever documented here.
PROJECT:OBJECTIONABLE: INTRODUCTION by Adam McGovern | Adrienne Crew on MAKIN’ BACON | Lynn Peril on BABY’S FIRST ASHTRAY | Lisa Levy on TOILETTE-À-TÊTE | Maria Swisher on STEALING GENIUS | Oliver Baer on CTHULHU SEX MAGAZINE | Yelena Tylkina on A DRINK TO DEATH | Elke Claus on URINAL SHRINE | Jeff Lewonczyk on SUSPENDERS OF DISBELIEF | Jenn Mehm on TWIN SKIN | Marlon Stern Lopez on SOUVENIR OF THE LAPD | Lauren Curtis on NAILED IT! | Josh Glenn on K-TEL TRUCKER TAPE | Fran Pado on THE BRIEF LIFE OF FRANCES POTTER | Nikhil Singh on HASHTAG FASHIONPOLICEPROBLEMS | Adam McGovern on PERSONA NON GRATA | Crystal Durant on LICENSE TO SHOCK | Dean Haspiel on DIRTY DOORKNOB | Justin J Bowen on UNKLE KRAMPUS | Annie Nocenti on STICKY FINGERS | Michele Carlo on THE MANY HATS OF CARMEN MOFONGO | Alice Meichi Li on BEDTIME FOR CATWOMAN | Whitney Matheson on GYNECOLOGICAL GOODFELLA | Ran Xia on PROJECT GREENCARD | Mimi Lipson on MEIN KITSCH | Art Wallace on ELECTRIC KOCH.
MOVIE OBJECTS: INTRODUCTION | Ramona Lyons on EYE OF THE SERPENT (CONAN THE BARBARIAN) | Faythe Levine on BEDKNOB (BEDKNOBS AND BROOMSTICKS) | Gerald Peary on CUP OF COFFEE (THE BIG HEAT) | Christopher Orr on TOM’S HAT (MILLER’S CROSSING) | Lynn Peril on TRANSISTOR RADIO (DR. STRANGELOVE) | & 20 MORE.
LOST OBJECTS (vol. 2): INTRODUCTION | Joe Yonan on MACRAMÉ ART (ill. Theo Ellsworth) | Ben Katchor on LUCITE CARRYING CASE | Debbie Millman on GLASS POODLE | Lydia Millet on ROCKY HORROR NOVEL (ill. Berta Valló) | Ben Greenman on WARHOL CAN (ill. Clara Selina Bach) | & 20 MORE.
FETISHES: INTRODUCTION | Josh Foer on DEATH MASK | Beth Lisick on MURDERED-OUT KFC BUCKET | Christina Couch on LEECH ACTION FIGURE | Kenneth Goldsmith on THEWLIS SOCK | Abby Rapoport on MAGNATILES | & 20 MORE.
FOSSILS: INTRODUCTION | Allegra Huston on SKATAWAY JACKET | Kevin Obsatz on HOMEMADE NUNCHUKS | Ian Bogost on DESKTOP TELEPHONE | Jeff Lewonczyk on CHA-CHA JACKET SCRAP | Kelly Horan on VOLVO KEY | & 20 MORE.
FLAIR: INTRODUCTION | Cliff Kuang on ROLEX DATEJUST | Ethan Zuckerman on LAPTOP STICKERS | Ann Shoket on LEATHER JACKET | Kembrew McLeod on KEMBREW MERCH | Paola Antonelli on MERMAID TEARS | & 20 MORE.
LOST OBJECTS (vol. 1): INTRODUCTION | Kate Bernheimer on MULLET WIG (ill. Amy Evans) | Dan Piepenbring on COLOGNE (ill. Josh Neufeld) | Doug Dorst on STRATOCASTER (ill. John Holbo) | Paul Lukas on VANILLA BEAN (ill. Allison Bamcat) | Mimi Lipson on DODGE DART (ill. Mister Reusch) | & 20 MORE.
ILLICIT OBJECTS: INTRODUCTION | Kio Stark on PEEPSHOW TOKEN | Sari Wilson on TOMBSTONE PARTS | Annalee Newitz on CAR-BOMB REMNANT | Tito Bottitta on MOONINITE DEVICE | Eric Bennett on DIRTY MAGAZINE | & 20 MORE.
TALISMANIC OBJECTS: INTRODUCTION | Veda Hille on CROCHET SHEEP | Gary Panter on DINOSAUR BONES | Jami Attenberg on SELENITE CRYSTAL | Annie Nocenti on MINIATURE DICE | Wayne Curtis on CLOCK WINDING KEY | & 20 MORE.
POLITICAL OBJECTS: INTRODUCTION | Luc Sante on CAMPAIGN PAMPHLETS | Lydia Millet on PVC POLAR BEAR | Ben Greenman on MATCHBOX CAR | Rob Baedeker on PRESIDENTS PLACEMAT | L.A. Kauffman on WHEATPASTE POSTER | & 20 MORE.
ALSO SEE: PROJECT:OBJECT homepage | POLITICAL OBJECTS (1Q2017) | TALISMANIC OBJECTS (2Q2017) | ILLICIT OBJECTS (3Q2017) | LOST OBJECTS vol. 1 (4Q2017) | FLAIR (2Q2018) | FOSSILS (4Q2018) | FETISHES (2Q2019) | LOST OBJECTS vol. 2 (4Q2019) | MOVIE OBJECTS (2Q2020) | SEMIO OBJECTS (2Q2021) | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website). ALSO SEE: SIGNIFICANT OBJECTS website | LOST OBJECTS (Hat & Beard Press, 2022) | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.