FETISHES (1)

By: Josh Foer
April 2, 2019

The seventh PROJECT:OBJECT volume is a 25-part series of true stories about fetishes. That is to say: objects with which we are obsessed, to which we are devoted, and from the influence of which we cannot escape.

*

On the wall of my living room, visible to passers-by on the street below, hang four dozen plaster busts of famous dead people. They mostly come from an age before photography, when the best way to capture a celebrity’s likeness for posterity was to create a death mask. Among my collection are Franz Liszt (and his forehead wart), Friedrich Nietzsche (with his bushy moustache that must have been a beast to plaster), and Benjamin Disraeli (to whom I have posthumously awarded a yarmulke). Now, you might object that these objects lack any Benjaminian “aura,” as they are all nth-order copies of copies of copies of…. Well, yes, but at the end of that chain of reproductions was the dead flesh of Beethoven, Bentham, and Burr. And so these busts connect me directly to those great men’s last superterranean moments. There is only one woman on my wall, the nineteenth-century opera diva Maria Malibran. My collection lacks the one mask that ought to have been the easiest to come by, for it is undoubtedly the most copied death mask in history.

In the late 1880s, the body of an unidentified young woman, an apparent suicide, washed up on the banks of the Seine in Paris. The mortician who tended to her body was supposedly so taken with her beauty that he cast a surreptitious mold of her face. Somehow copies of the death mask of l’Inconnue de la Seine began to proliferate across Paris, appearing first in the city’s salons and ultimately in its literature. Nabokov wrote a poem about her. Rilke mentioned her in his only novel. Man Ray photographed her. A character in Louis Aragon’s novel Aurélien tries to resurrect her. She’s pretty enough — but hardly a “drowned Mona Lisa,” which was how Camus described her. But then, the Mona Lisa was hardly a Mona Lisa. In 1958, when the creators of the CPR mannequin “Rescue Annie” needed a head for their doll, they chose the Inconnue; as a result, it is said that the poor suicide’s face has now become “the most kissed” of all time.

Over the years, as my collection of death masks grew, the Inconnue has continued to elude me. Second-rate casts make an appearance on eBay now and again. A sculptor outside of Paris offered to sell me a copy for an exorbitant fee. My search for the unknown woman goes on.

*

FETISHES: INTRODUCTION | Josh Foer on DEATH MASK | Beth Lisick on MURDERED-OUT KFC BUCKET | Ramona Lyons on RABBIT BOX | Friederike Paetzold on OLD HANDS | Katya Apekina on MISSISSIPPI WATER | Matthew Daniel on PIPE CLEANER FIGURE | Christina Couch on LEECH ACTION FIGURE | Kenneth Goldsmith on THEWLIS SOCK | Matthew Sharpe on GLASSES | Katrina Brown Hunt on DAY OF THE DEAD FIGURINE | Niela Orr on IVERSON SNEAKERS | Toni Schlesinger on CLOUD ERASE BOARD | Carlo Rotella on TONE BAR | Hilary Greenbaum on FAMILY PHOTO | Mimi Lipson on CLAWFOOT TUB | Wayne Chambliss on MATRYOSHKA CHEST | Chelsea Barabas on SWITCHBLADE | Ciara O’Rourke on MOLLY McINTIRE DOLL | Kelli Anderson on MIURA-ORI FOLD | Shawn Wolfe on BOX OF AYDS | Alyssa Giacobbe on LOVE NOTE | Marc Weidenbaum on DUMMY JACK | Abby Rapoport on MAGNATILES | Bryn Smith on DUCK UMBRELLA | Kerry Lauerman on WALL ORGANIZER.

FOSSILS: INTRODUCTION | Allegra Huston on SKATAWAY JACKET | Kevin Obsatz on HOMEMADE NUNCHUKS | Ian Bogost on DESKTOP TELEPHONE | Jeff Lewonczyk on CHA-CHA JACKET SCRAP | Kelly Horan on VOLVO KEY | & 20 MORE.

FLAIR: INTRODUCTION | Cliff Kuang on ROLEX DATEJUST | Ethan Zuckerman on LAPTOP STICKERS | Ann Shoket on LEATHER JACKET | Kembrew McLeod on KEMBREW MERCH | Paola Antonelli on MERMAID TEARS | & 20 MORE.

LOST OBJECTS (vol. 1): INTRODUCTION | Kate Bernheimer on MULLET WIG (ill. Amy Evans) | Dan Piepenbring on COLOGNE (ill. Josh Neufeld) | Doug Dorst on STRATOCASTER (ill. John Holbo) | Paul Lukas on VANILLA BEAN (ill. Alison Bamcat) | Mimi Lipson on DODGE DART (ill. Mister Reusch) | & 20 MORE.

ILLICIT OBJECTS: INTRODUCTION | Kio Stark on PEEPSHOW TOKEN | Sari Wilson on TOMBSTONE PARTS | Annalee Newitz on CAR-BOMB REMNANT | Tito Bottitta on MOONINITE DEVICE | Eric Bennett on DIRTY MAGAZINE | & 20 MORE.

TALISMANIC OBJECTS: INTRODUCTION | Veda Hille on CROCHET SHEEP | Gary Panter on DINOSAUR BONES | Jami Attenberg on SELENITE CRYSTAL | Annie Nocenti on MINIATURE DICE | Wayne Curtis on CLOCK WINDING KEY | & 20 MORE.

POLITICAL OBJECTS: INTRODUCTION | Luc Sante on CAMPAIGN PAMPHLETS | Lydia Millet on PVC POLAR BEAR | Ben Greenman on MATCHBOX CAR | Rob Baedeker on PRESIDENTS PLACEMAT | L.A. Kauffman on WHEATPASTE POSTER | & 20 MORE.

SIGNIFICANT OBJECTS at HILOBROW: PROJECT:OBJECT homepage | PROJECT:OBJECT newsletter | PROJECT:OBJECT objects (Threadless shop — all profits donated to the ACLU) | POLITICAL OBJECTS series (1Q2017) | TALISMANIC OBJECTS series (2Q2017) | ILLICIT OBJECTS series (3Q2017) | LOST OBJECTS vol. 1 series (4Q2017) | FLAIR series (2Q2018) | FOSSIL series (4Q2018) | FETISHES series (2Q2019) | LOST OBJECTS vol. 2 series (4Q2019) | MOVIE OBJECTS series (2Q2020). ALSO SEE: SIGNIFICANT OBJECTS website | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.

Categories

Codebreaking, Read-outs

What do you think?

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.