CONVOY YOUR ENTHUSIASM (9)

By: Mandy Keifetz
August 9, 2019

One of 25 installments in a series of enthusiastic posts analyzing and celebrating some of our favorite action movies from the Seventies (1974–1983).

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DEATH RACE 2000 | d. PAUL BARTEL | 1975

The West 4th street subway poster for Death Race 2000 depicted David Carradine in a black gimp suit, a Corvette tricked out like a prehistoric shark, and Simone Griffeth’s hips and torso, her breasts scratched into googly eyes, in the poster-defacement style of the moment.

I became transfixed by the poster, trudging past on the way to school, and it was no special trick to sneak off to see the movie. I had no functional supervision of any kind, and I’d discovered it was easy enough to leave the ludicrous hotel suite – then recently vacated by Clifford Irving – in which I lived with my parents and monstrous older brother, make some noises about going to the Muhlenberg Library down the block (a thing I often did) and instead go to a movie. I think Death Race 2000 played at the Lyric, but it could’ve been any of the others. In 1975, city kids went where they wished to go, and were largely invisible.

It’s hard to look at the city New York has become, or even at my own daughter (9 this summer, as I was in 1975) and wrap my head around this, but it was a – tectonically – different time. I had a look at Roger Ebert’s Sun-Times review of Death Race 2000, and the entirety of the text was about the unsupervised under-10 set at the screening with him, laughing their heads off at the ultra-violence.

Death Race 2000, a slapped-together Corman B-goof, shot in glory by Tak Fujimoto and directed by Paul Bartels, depicts a dystopian America in which the national pastime is a transcontinental road race. The participants rack up points by killing people en route. Each driver has a sex companion/navigator. Babies, the elderly and infirm (“feebs” in the movie’s parlance) and women are worth the most points if splattered. The race is a murderous reality TV show. The seat of the American presidency is Moscow. There is a resistance faction who oppose the violence of the race, but they too resort to cartoon violence, straight out of the Wile E. Coyote book of tactics — but with more blood squibs.

For me, at 9, the big takeaway was that you could laugh your head off at the ultra-violence. You could view violence as funny. You could do this even if you were a kid. I still clutch that idea around me like a ghastly Nehru jacket. It was a formative lesson, and it’s giving me the distance I need to navigate the actual hellscape of the American 21st century. The ridiculous satirical true one which has too much in common with Death Race 2000 to even really joke about.

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CONVOY YOUR ENTHUSIASM: INTRODUCTION | Madeline Ashby on BLADE RUNNER | Erik Davis on BRING ME THE HEAD OF ALFREDO GARCIA | Mimi Lipson on CONVOY | Luc Sante on BLACK SUNDAY | Josh Glenn on THREE DAYS OF THE CONDOR | Lisa Jane Persky on SORCERER | Devin McKinney on THE TAKING OF PELHAM ONE TWO THREE | Adam McGovern on QUINTET | Mandy Keifetz on DEATH RACE 2000 | Peter Doyle on SOUTHERN COMFORT | Jonathan Lethem on STRAIGHT TIME | Heather Kapplow on THE KILLER ELITE | Tom Nealon on EVERY WHICH WAY BUT LOOSE | Mark Kingwell on THE EIGER SANCTION | Sherri Wasserman on ESCAPE FROM NEW YORK | Gordon Dahlquist on MARATHON MAN | David Levine on PARALLAX VIEW | Matthew Sharpe on ROLLERBALL | Ramona Lyons on ALIEN | Dan Piepenbring on WHITE LINE FEVER | Marc Weidenbaum on THIEF | Carolyn Kellogg on MAD MAX | Carlo Rotella on KUNG FU | Peggy Nelson on SMOKEY & THE BANDIT | Brian Berger on FRIDAY FOSTER.

MORE ENTHUSIASM at HILOBROW

FERB YOUR ENTHUSIASM (1Q2021): Animated TV series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.

What do you think?

  1. Beautifully put, and how… and how something so transgressive at the time has no place in our current culture. Because it’s too close to what’s actually happening. See the imbroglio regarding the cancelled feature The Hunt. That would have made the marquee at the Lyric in ‘75.

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