CONVOY YOUR ENTHUSIASM (12)
August 12, 2019
One of 25 installments in a series of enthusiastic posts analyzing and celebrating some of our favorite action movies from the Seventies (1974–1983).
THE KILLER ELITE | d. SAM PECKINPAH | 1975
I’ve never understood the thrill of the squealing-wheeled car chase, the joys of near-miss bullets zipping past intact temples, or the ever-increasing tension of an extended pursuit on foot through backyards, shipyards, junkyards or any other yards, no matter how industrial or exotic, even with the added layers of fence climbing and dogs snapping at heels. I think of action films as in the same category as mainstream porn: The genre does not in any way require a plot, so I’m always a little charmed by the earnestness involved when someone works ones in — even if it’s choppy. The Killer Elite has such a plot.
Some of it’s just there to get topless women onscreen within the first five minutes or to explain the presence of ninjas throughout — but parts of it seem like genuine, if shallow, attempts to explore the complexity of manhood and heterosexual male bonding. This plot’s primary themes are how someone can be your best friend and still shoot you, and that vitality and productivity are synonymous (with each other and with manhood, but in a nuanced way.)
This is a very slow-moving action film.
The main character, played by James Caan, is intentionally shot — the intention is to maim permanently, not kill — by his roommate, best friend and closest colleague, played by Robert Duvall. He’s shot on the job, for money. Because that’s what these guys do for a living: shoot people for money. Though the plot definitely explores betrayal, in the end, even though “revenge” is gotten, Caan kills Duvall with little malice, maybe even a little wistfulness. The real betrayal is higher up the food chain. Allegorically, if you want to go there, it’s a model of structural violence trickling down and becoming actual violence between parties that have no ill will for each other.
The actual action is pretty cheesy so I won’t bother with it beyond admitting that it exists with regularity and noting that there are some wholly weird, slapstick scenes (one with a car bomb and a cop; another with a flasher in an airport) that make no sense whatsoever.
My favorite choreography was not that of the fight scenes or car chases, but the hospital choreography when James Caan’s character gets rushed into treatment after being shot.
At least a third of the movie is about Caan’s character getting his mojo back after being shot. His sense of worthiness/productivity is rebuilt through failure after failure observed stoically by his new girlfriend — his nurse from the hospital. He falls down and he gets up. Falls down, gets up. It’s what gets him back on mission, and what makes him a man.
CONVOY YOUR ENTHUSIASM: INTRODUCTION | Madeline Ashby on BLADE RUNNER | Erik Davis on BRING ME THE HEAD OF ALFREDO GARCIA | Mimi Lipson on CONVOY | Luc Sante on BLACK SUNDAY | Josh Glenn on THREE DAYS OF THE CONDOR | Lisa Jane Persky on SORCERER | Devin McKinney on THE TAKING OF PELHAM ONE TWO THREE | Adam McGovern on QUINTET | Mandy Keifetz on DEATH RACE 2000 | Peter Doyle on SOUTHERN COMFORT | Jonathan Lethem on STRAIGHT TIME | Heather Kapplow on THE KILLER ELITE | Tom Nealon on EVERY WHICH WAY BUT LOOSE | Mark Kingwell on THE EIGER SANCTION | Sherri Wasserman on ESCAPE FROM NEW YORK | Gordon Dahlquist on MARATHON MAN | David Levine on PARALLAX VIEW | Matthew Sharpe on ROLLERBALL | Ramona Lyons on ALIEN | Dan Piepenbring on WHITE LINE FEVER | Marc Weidenbaum on THIEF | Carolyn Kellogg on MAD MAX | Carlo Rotella on KUNG FU | Peggy Nelson on SMOKEY & THE BANDIT | Brian Berger on FRIDAY FOSTER.
CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.