WOWEE ZOWEE (39)

By: Lauren Oliver
September 26, 2018

One in a series of enthusiastic posts, contributed by HILOBROW friends and regulars, on the subject of our favorite albums of the Nineties (1994–2003). A new installment in this series will appear each Wednesday during 2018.

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Talking to Gilles Peterson for some magazine that summer before, poolside at some Sunset Strip hotel, I observed that our narrow, insouciant generation had never faced any sweeping challenge of character, and what was to be made of that?

I had acquired nine-tenths possession of a once-magnificent, Havana-style pink palace with a secret tropical solarium, rotting in a vintage Los Angeles neighborhood where the spindly palm trees lined the noir boulevards. We had saturated the place with twin fumaroles of cigarette smoke and encaustic fumes; at night, we escaped to Koreatown, drinking at the Prince and eating at Taylor’s steak house where all the waitresses were 70 and called you honey.

The dreadful business surrounding the election left us stunned and bloodless, and our signature funereal savories — Low, Smog, Cat Power, Palace, Arab Strap, Elliott Smith, the Jackass B-sides — quickly became unbearable, along with the headlines. We started giving these insane parties, even though we were more than less broke, and extravagant soundtrack-crafting for each event became a repository for some expert denial. I was on permanent safari for anything French and bubbly, Hello Kitty twee, Mod Ipanema or Sea-y and Cake-y to mix and mingle with our still-wet canvases and ratty mid-century decor.

Stereolab’s elegant, literate cocktail of electrons and melancholy was the alpha and the omega of our junior pretensions. Sound-Dust hit the record stores that last Tuesday in August, and I still have a detailed image in my mind of the ceremonial de-cellophaning. The record commenced in typical fashion — like an urgent message from outer space. The second track began likewise before exploding into what can only be described as a %$#@! happy jam, buoyant and loping, followed by the bouncy, keyboard-banging, relatively anthemic “Captain Easychord,” complete with trumpet flourishes and slide guitar. Our long national nightmare is over, set to music. And I believed it, in that brief lull, in that dead airtime over those last, languid, precious weeks of summer.

At a sufficient distance, a pivoting figure appears to slow to a halt, just for a moment.

The next year hit Stereolab pretty hard. Laetitia and Tim apparently split up and then their beloved band member Mary Hansen was killed in a terrible accident.

A decade later, I passed by Laetitia at a solo performance. We exchanged glances and I tapped my heart with my palm, as a hello.

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WOWEE ZOWEE: Stephanie Burt on UNISEX | Anindita Basu Sempere on UNDER THE PINK | Mark Kingwell on DUMMY | Bill Nericcio on AMOR PROHIBIDO | Sherri Wasserman on HIPS AND MAKERS | Mimi Lipson on THANK YOU | John Overholt on BEN FOLDS FIVE | Jordan Ellenberg on GET LOST | Chelsey Johnson on PERSONAL BEST | Marilyn Snell on MAXINQUAYE | Dan Fox on DIFFERENT CLASS | Devin McKinney on IF YOU’RE FEELING SINISTER | Alice Boone on MTV UNPLUGGED (ALICE IN CHAINS) | Rob Wringham on SPICE | Joe Alterio on BEATS, RHYMES AND LIFE | Jason Loeffler on SECOND TOUGHEST IN THE INFANTS | Rick Pinchera on EITHER/OR | Josh Glenn on THE LONESOME CROWDED WEST | Jennifer Krasinski on SUPA DUPA FLY | Sara Ryan on DIG ME OUT | Luc Sante on MEZZANINE | Molly Wright Steenson on I CAN HEAR THE HEART BEATING AS ONE | Franklin Bruno on ENGLAND MADE ME | Michael Campochiaro on IS THIS DESIRE? | Adrienne Crew on CALIFORNICATION | Drew Daniel on I SEE A DARKNESS | Veda Hille on THE SOFT BULLETIN | Vanessa Berry on TEENAGE SNUFF FILM | Tom Kipp on GET SKINTIGHT | David Hirmes on DOPETHRONE | John Hilgart on YORK BLVD. | Deborah Wassertzug on JOURNEY TO THE END OF THE NIGHT | Adam McGovern on INVINCIBLE SUMMER | Brian Berger on TIRED SOUNDS OF… | Michael Grasso on MUSIC HAS THE RIGHT TO CHILDREN | Jen Collins on HURRAH | Flourish Klink on THE TEACHES OF PEACHES | Judith Zissman on TALLAHASSEE | Lauren Oliver on SOUND-DUST | Jason Cohen on IS THIS IT | Matthew De Abaitua on THE RAINBOW CHILDREN | Jenny Davidson on TIME (THE REVELATOR) | Crystal Durant on LIVE THROUGH THIS | Gordon Dahlquist on GARBAGE | Erin M. Routson on WASHING MACHINE | Carl Wilson on TEMPTING | Jessamyn West on ALL HAIL WEST TEXAS | Kaleb Horton on STREETCORE | Tom Nealon on BAZOOKA TOOTH | Erik Davis on DOPESMOKER | David Levine on FEVER TO TELL | Deb Chachra on MASS ROMANTIC.

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Categories

Enthusiasms, Pop Music