May 5, 2019
The seventh PROJECT:OBJECT volume is a 25-part series of true stories about fetishes. That is to say: objects with which we are obsessed, to which we are devoted, and from the influence of which we cannot escape.
I want a cloud that I can live on all the time and never have to leave. This longing has been going on for a while but it really kicked in when I bought a plastic cloud that lights up (with six double AA batteries) and comes with five erasable markers. I can make my thoughts come and go as they or I please and it’s so cheerful looking.
My cloud not the kind you access through a device, based in some computing center in Mesa, Arizona, or something. Nor is it a some misty white thing in the sky that looks lovely but can never be depended on, the kind that float around, disappear, turn dark in a storm.
Always being on my cloud means I wouldn’t have to have an apartment or dust or earn money or save up for home aides in case I live to 110, because there is no money on the cloud. I wouldn’t have to write, though I could still Instagram or email. I wouldn’t be lonely.
Because there are no physical concerns, I wouldn’t have to sleep, so I could stay up forever and listen to music and stream movies and download books (but nothing long) and solve mysteries. I don’t know if there are mysteries on the cloud, but I could cook some up.
I wouldn’t have to eat (so time-consuming to cook, swallow) — my food could go to the poor — or wonder if I drink too much because I wouldn’t need alcohol on the cloud or controlled substances or even candy.
I wouldn’t have to exercise or have biopsies or genetic testing, and stare at loving doctors who try not to have a scary look on their faces.
I wouldn’t have to go to parties and listen to people talk about how important they are and all the politicians they can’t stand — all of whom look alike and say the same things anyway.
I wouldn’t have to walk in nature and look at boring landscapes which are so predictable (sun rises, sun sets, autumn leaves fall). There are photos of that all over the internet anyway. So if I miss seeing a peony, I just look it up. I prefer architecture, design, fashion, and they photograph better on the internet anyway
I would never again have to apologize about using plastic.
There are two blips. What if I want to make things with paper and ribbons or fall in love in three dimensions — not just those internet professions of adoration? I’m still working that out.
But the biggest draw — I’ll never have to say goodbye.
FETISHES: INTRODUCTION | Josh Foer on DEATH MASK | Beth Lisick on MURDERED-OUT KFC BUCKET | Ramona Lyons on RABBIT BOX | Friederike Paetzold on OLD HANDS | Katya Apekina on MISSISSIPPI WATER | Matthew Daniel on PIPE CLEANER FIGURE | Christina Couch on LEECH ACTION FIGURE | Kenneth Goldsmith on THEWLIS SOCK | Matthew Sharpe on GLASSES | Katrina Brown Hunt on DAY OF THE DEAD FIGURINE | Niela Orr on IVERSON SNEAKERS | Toni Schlesinger on CLOUD ERASE BOARD | Carlo Rotella on TONE BAR | Hilary Greenbaum on FAMILY PHOTO | Mimi Lipson on CLAWFOOT TUB | Wayne Chambliss on MATRYOSHKA CHEST | Chelsea Barabas on SWITCHBLADE | Ciara O’Rourke on MOLLY McINTIRE DOLL | Kelli Anderson on MIURA-ORI FOLD | Shawn Wolfe on BOX OF AYDS | Alyssa Giacobbe on LOVE NOTE | Marc Weidenbaum on DUMMY JACK | Abby Rapoport on MAGNATILES | Bryn Smith on DUCK UMBRELLA | Kerry Lauerman on WALL ORGANIZER.
FOSSILS: INTRODUCTION | Allegra Huston on SKATAWAY JACKET | Kevin Obsatz on HOMEMADE NUNCHUKS | Ian Bogost on DESKTOP TELEPHONE | Jeff Lewonczyk on CHA-CHA JACKET SCRAP | Kelly Horan on VOLVO KEY | & 20 MORE.
FLAIR: INTRODUCTION | Cliff Kuang on ROLEX DATEJUST | Ethan Zuckerman on LAPTOP STICKERS | Ann Shoket on LEATHER JACKET | Kembrew McLeod on KEMBREW MERCH | Paola Antonelli on MERMAID TEARS | & 20 MORE.
LOST OBJECTS (vol. 1): INTRODUCTION | Kate Bernheimer on MULLET WIG (ill. Amy Evans) | Dan Piepenbring on COLOGNE (ill. Josh Neufeld) | Doug Dorst on STRATOCASTER (ill. John Holbo) | Paul Lukas on VANILLA BEAN (ill. Allison Bamcat) | Mimi Lipson on DODGE DART (ill. Mister Reusch) | & 20 MORE.
ILLICIT OBJECTS: INTRODUCTION | Kio Stark on PEEPSHOW TOKEN | Sari Wilson on TOMBSTONE PARTS | Annalee Newitz on CAR-BOMB REMNANT | Tito Bottitta on MOONINITE DEVICE | Eric Bennett on DIRTY MAGAZINE | & 20 MORE.
TALISMANIC OBJECTS: INTRODUCTION | Veda Hille on CROCHET SHEEP | Gary Panter on DINOSAUR BONES | Jami Attenberg on SELENITE CRYSTAL | Annie Nocenti on MINIATURE DICE | Wayne Curtis on CLOCK WINDING KEY | & 20 MORE.
POLITICAL OBJECTS: INTRODUCTION | Luc Sante on CAMPAIGN PAMPHLETS | Lydia Millet on PVC POLAR BEAR | Ben Greenman on MATCHBOX CAR | Rob Baedeker on PRESIDENTS PLACEMAT | L.A. Kauffman on WHEATPASTE POSTER | & 20 MORE.
SIGNIFICANT OBJECTS at HILOBROW: PROJECT:OBJECT homepage | PROJECT:OBJECT newsletter | PROJECT:OBJECT objects (Threadless shop — all profits donated to the ACLU) | POLITICAL OBJECTS series (1Q2017) | TALISMANIC OBJECTS series (2Q2017) | ILLICIT OBJECTS series (3Q2017) | LOST OBJECTS vol. 1 series (4Q2017) | FLAIR series (2Q2018) | FOSSIL series (4Q2018) | FETISHES series (2Q2019) | LOST OBJECTS vol. 2 series (4Q2019) | MOVIE OBJECTS series (2Q2020). ALSO SEE: SIGNIFICANT OBJECTS website | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.