RADIUM AGE: 1903

By: Joshua Glenn
May 10, 2022

1903 Triscuit advertisement

A series of notes towards a comprehensive account of the science fiction genre’s Radium Age (1900–1935). More information on Josh’s ongoing efforts here and here.

RADIUM AGE TIMELINE: [1900 | 1901 | 1902 | 1903] | 1904 | 1905 | 1906 | 1907 | 1908 | 1909 | 1910 | 1911 | 1912 | 1913 | 1914 | 1915 | 1916 | 1917 | 1918 | 1919 | 1920 | 1921 | 1922 | 1923 | 1924 | 1925 | 1926 | 1927 | 1928 | 1929 | 1930 | 1931 | 1932 | 1933 | [1934 | 1935]. (The brackets, here, indicate “interregnum” years — i.e., periods of overlap between sf’s Radium Age and its Scientific Romance and so-called Golden Age eras.)


1903


According to my eccentric periodization scheme, the cultural era of the Nineteen-Oughts begins c. 1904. So the first few years of the Twentieth Century should be regarded as a kind of interregnum between sf’s Scientific Romance era and the Radium Age. As we look at the years 1900–1904, say, we will find elements of both eras intermingling; and all traces of the Scientific Romance era will not vanish even after 1904.

Street & Smith’s The Popular Magazine founded in 1903 — became the only direct competition to The Argosy. Landed the US serial rights to Haggard’s Ayesha in 1905. The Popular was one of the forerunners of the general adventure pulps that would reach their height of popularity in the 1920s and 30s. The magazine ran a total of 612 standard pulp format issues before merging with Complete Stories in 1931.

*

  • George C. Wallis’s “The Great Sacrifice” — Martians sacrifice their planet to protect Earth from a vast meteor shower. A riposte of sorts to The War of the Worlds.
  • 1904 illustration of “The Land Ironclads.”

  • H.G. Wells‘ “The Land Ironclads” — December issue of The Strand — in which he anticipates the devastating effect of tanks. Serialized here at HILOBROW in 2022.
  • Don Mark Lemon’s “A Bride in Ultimate” — about a woman trapped in a diamond. Appeared in The Black Cat
  • Dudbroke’s The Prots: A Weird Romance. Biological science fiction telling of the creation of protoplasm by chemical means and the fate of the Prots, the life forms brought into being as a result of the experiment.
  • John Antoine Nau’s Force ennemie. The main character is a poet who wakes up in a rubber room, locked away in a lunatic asylum, apparently at the request of a relative due to alcoholism (or perhaps jealousy.) He becomes possessed by an “Alien Force” from another planet, Kmôhoûn, whose voice is constantly screaming in his head. He then falls in love with a female inmate, Irene, whom he follows to the ends of the earth while the alien force cohabits his body. It won the inaugural Prix Goncourt in 1903.
  • L.T. Meade’s “The Sorceress of the Strand” (1902–1903, in The Strand, as with Robert Eustace). About a nihilist woman with claims to Immortality; because of her mixed blood, this is an early example of the Yellow Peril meme.
  • Mary Wilkins Freeman’s “The Hall Bedroom” — sort of about a tesseract but also kind of a ghost story. Falls into the gray area between occult and proto-sf.
  • Owen Oliver’s “The Black Shadow” — the inhabitants of the Moon mysteriously exercise control over humans (February issue of Cassell’s Magazine). English and German professors attempt to contact the Moon’s denizens. As a result, a child and then the English professor are possessed by a lunar dark cloud. “Like most of Oliver’s fiction,” says Bleiler, “not quite successful.” The author’s real name was Joshua Albert Flynn — a British economist.
  • Edith Allonby’s Jewel Sowers — see this list of Pre-1950 Utopias and Science Fiction by Women.
  • Agnes Castle (and Egerton Castle)’s The Star Dreamer — see this list of Pre-1950 Utopias and Science Fiction by Women.
  • Mary Holland McNeish Kinkaid’s Walda — see this list of Pre-1950 Utopias and Science Fiction by Women.
  • Sara Weiss’s Journeys to the Planet Mars or Our Mission to Ento (Mars), Being a record of visits made to Ento (Mars) by Sara Weiss, Psychic, under the guidance of a Spirit Band, for the purpose of conveying to the Entoans, a knowledge of the Continuity of Life. — see this list of Pre-1950 Utopias and Science Fiction by Women.
  • William Wallace Cook’s A Round Trip to the Year 2000, or A Flight Through Time (July-November in Argosy; 1925, as a book). A dime-novelish satire, by the author of the extraordinary Plotto. Hack novelists travel to the year 2000, where they observe the use of metallic robot slaves and more. In fact, the future is populated by an entire colony of refugees from 1900 — all of them hack novelists. Moskowitz’s History of the Scientific Romance says this novel is well worth serious study.
  • L.P. Gratacap’s The Certainty of a Future Life in Mars. Bleiler says: “An occult tinge to interplanetary life.” A Marconi-like scientist believes that humans are reincarnated on Mars. When he dies, he communicates from Mars via a radio-like apparatus with his son. (Hey, isn’t this the premise of the Dennis Quaid movie Frequency?) The evolved Martians live under a system of democratic socialism. Bleiler concludes: “A pretentious bore.”
  • Andrew Balfour’s The Golden Kingdom — Lost race adventure novel in which a golden city inhabited by a bronze-skinned race ruled by Whites is discovered in the interior of Africa.
  • Jack London’s “The Shadow and the Flash” — two competing scientific geniuses attain invisibility, one by perfecting a pigment that absorbs all light, the other by achieving pure transparency. — collected in Beyond the Gaslight: Science in Popular Fiction 1895–1905.
  • Edgar Earl Christopher’s The Invisibles — A secret society, The Invisible Hand, plans to overthrow Czarist Russia. The scientist-members of this terrorist organization, numbering some two thousand men, have invented explosives of fantastic power, built a submarine and created artificial diamonds, which they store in their headquarters, a seemingly endless series of caves near Chattanooga, Tennessee. Unfortunately, a French detective, who has devoted much of his career to tracking down the terrorists, and his companion find a way into the cave system and begin looting the society’s treasure. The intruders are killed, but an explosion of natural gas kills all the members of the society’s council except Jean Valdemere, its leader. The submarine is destroyed and the treasure is lost, but Valdemere, a man with paranormal abilities, vows to rebuild the organization. “Plots and conspiracies, with influence from the dime novel and Victor Hugo … Of no literary merit, but a curious example of subculture fiction trying to move up.” – Bleiler
  • Allen Upward’s near-future Romance of Politics sequence — Romance of Politics: High Treason (1903 chap; Note that the third edition I found online, from c. 1904, seems to be titled simply Treason) and Romance of Politics: The Fourth Conquest of England: a Sequel to “Treason” (1904 chap) – depicts the dire consequences of a Roman Catholic takeover of Britain, including a new Inquisition and the exile of the monarchy to Australia. Seems to be a response to the 1901 death of Queen Victoria, at which time surviving Jacobites — supporters of King James II and VII’s Stuart descendants, who’d been excluded from the succession by law because of their Roman Catholicism — pursued the claim of Maria Theresa of Austria-Este (or “Mary III”) to the crowns of England, Scotland, and Ireland as pretender. The first edition of Treason contains four pages advertising the Protestant Truth Society. Fun fact: Upward’s poetry was included in the first anthology of Imagist poetry, Des Imagistes, which was edited by Ezra Pound and published in 1914.
  • Fred M. White’s “The Dust of Death: The Story of the Great Plague of the Twentieth Century,” “The Four Days’ Night,” “The Four White Days,” “The Invincible Force,” “A Bubble Burst.” White is perhaps best known for his six-story Doom of London Disaster series for Pearson’s Magazine – “The River of Death: A Tale of London in Peril” would appear in 1904. In each, London and the UK are subjected to a calamity — many of them related to climate change. Not published by Pearson’s but part of the same creative impulse is “The Balance of Nature” (October 1907 The Windsor Magazine), in which London is infested by genetically engineered insects.
  • Edgar Franklin’s “The Hawkins Horse-Brake” — first in a series of humorous invention stories about a Mr Hawkins. Silly.

*

Also: Pierre Curie, Marie Curie, and Henri Becquerel share the Nobel Prize in Physics; Marie Curie is the first woman to win a Nobel. Rutherford and Soddy publish their “Law of Radioactive Change” — until then, atoms were assumed to be the indestructible basis of all matter, and although Curie had already suggested that radioactivity was an atomic phenomenon, the idea of the atoms of radioactive substances breaking up was a radically new idea. Orville and Wilbur Wright successfully fly a powered airplane. Jouffret’s Traité élémentaire de géometrie a quatre dimensions discusses the fourth dimension. Henry James’ The Ambassadors, Shaw’s Man and Superman (mocks the notion of “character”), London’s The Call of the Wild. Emmeline Pankhurst founds National Women’s Social and Political Union. Henry Ford founds the Ford Motor Company. Karl Kraus inveighing against the positivist science and philosophy of Vienna. The Souls of Black Folk by W. E. B. Du Bois will become a seminal work in the history of sociology and a cornerstone of African-American literature.

*

In 1903, the astronomer and applied mathematician Simon Newcomb (see 1900) would claim, of astronomy, “What lies before us is an illimitable field, the existence of which was scarcely suspected ten years ago, the exploration of which may well absorb the activities of our physical laboratories, and of the great mass of our astronomical observers and investigators for as many generations as were required to bring electrical science to its present state.”

*

The widely read Theosophical writer C.W. Leadbeater summarizes Hinton’s writing on the fourth dimension (and how we can each learn to perceive it) in his The Other Side of Death. Alos Leadbeater’s Man Visible and Invisible (1903) has some truly far-out illustrations. This and Leadbeater’s 1899 book Clairvoyance (which also promotes Hinton’s theories) would be published in French translation in 1910… likely influencing Apollinaire and other French writers and artists at that moment.

*

Bergson’s “Introduction to Metaphysics” (later reproduced as the centerpiece of The Creative Mind in 1934). Became a crucial reading guide for Bergson’s philosophy as a whole, and it marked the beginning of “Bergsonism” and of its influence on Cubism and literature. Through William James’s enthusiastic reading of this essay, Bergsonism influenced American Pragmatism. Here Bergson discusses duration — that is, reality, the absolute, a mobile unity-and-multiplicity that cannot be grasped through immobile concepts — and the use of intuition in grasping duration. Consider a city, Bergson says in this essay. Analysis/intelligence, or the creation of concepts through the divisions of points of view, can only ever give us relative knowledge, a model of the city via a construction of photographs taken from every possible point of view. Analysis/intelligence can never give us the rich experience of walking in the city itself; only intuition — which allows us to in a sense enter into the things in themselves, what James called “radical empiricism” — can do so.

*

Konstantin Tsiolkovsky’s The Exploration of Cosmic Space by Means of Reaction Devices. Along with the Frenchman Robert Esnault-Pelterie, the Germans Hermann Oberth and Fritz von Opel, and the American Robert H. Goddard, Tsiolkovsky is one of the founding fathers of modern rocketry and astronautics.

*

***

MORE RADIUM AGE SCI FI ON HILOBROW: HiLoBooks homepage! | What is Radium Age science fiction? |Radium Age 100: 100 Best Science Fiction Novels from 1904–33 | Radium Age Supermen | Radium Age Robots | Radium Age Apocalypses | Radium Age Telepaths | Radium Age Eco-Catastrophes | Radium Age Cover Art (1) | SF’s Best Year Ever: 1912 | Radium Age Science Fiction Poetry | Enter Highbrowism | Bathybius! Primordial ooze in Radium Age sf | War and Peace Games (H.G. Wells’s training manuals for supermen) | Radium Age: Context series | J.D. Beresford | Algernon Blackwood | Edgar Rice Burroughs | Karel Čapek | Buster Crabbe | August Derleth | Arthur Conan Doyle | Hugo Gernsback | Charlotte Perkins Gilman | Cicely Hamilton | Hermann Hesse | William Hope Hodgson | Aldous Huxley | Inez Haynes Irwin | Alfred Jarry | Jack Kirby (Radium Age sf’s influence on) | Murray Leinster | Gustave Le Rouge | Gaston Leroux | David Lindsay | Jack London | H.P. Lovecraft | A. Merritt | Maureen O’Sullivan | Sax Rohmer | Paul Scheerbart | Upton Sinclair | Clark Ashton Smith | E.E. “Doc” Smith | Olaf Stapledon | John Taine | H.G. Wells | Jack Williamson | Stanisław Ignacy Witkiewicz | S. Fowler Wright | Philip Gordon Wylie | Yevgeny Zamyatin

Categories

Radium Age SF, Sci-Fi