MOVIE OBJECTS (8)
April 22, 2020
CALCULATOR WATCH | THE BREAKFAST CLUB | d. JOHN HUGHES | 1985
A brain, an athlete, a basket case, a princess and a criminal. Those were the options given to us Gen X kids when we watched The Breakfast Club, John Hughes’ 1985 film starring, respectively, Anthony Michael Hall, Emilio Estevez, Ally Sheedy, Molly Ringwald and Judd Nelson, about five high school students serving a day of Saturday detention. And they were assigned to write an essay: who are you?
For me, it was obvious; I was the brain. Or, in less generous terms; the nerd, the geek. And there could be no clearer signifier of my connection to Hall’s character, Brian, than the calculator watch on both of our wrists.
It was not a good time to be an ungainly, unpopular high school freshman who liked to learn. Revenge of the Nerds had just come out the previous year, seemingly giving us dorks our triumphant moment in the sun, but really just dragging us into the light to be ridiculed. To see in Hall, my self (I even had the same high waters), was to be both enthralled and horrified.
Each character had his or her signifiers. Estevez had his varsity jacket. Ringwald had her lipstick and sushi. Sheedy had her hair in her face and shoulder bag of stolen goods. Nelson had his fingerless gloves and pierced left ear. (Plus boots, flannel… Come to think of it, he doesn’t get the credit he deserves for being proto-grunge.)
Hall had the watch. He doesn’t do anything with it. It’s just there representing a kid who wants to do well in school, likes something practical and doesn’t know anything about fashion cues.
Up to eighth grade, I loved my calculator watch. I had gone to a small school where fashion and accessory signifiers were like colors in a black-and-white film. They just didn’t show up. My watch could do math! You could write the numbers 01134, flip it over, and it would read, “hello.” So cool!
The thing is, I didn’t understand my watch wasn’t so cool until I saw it on Hall’s wrist. Hughes’ brilliant film — a stroke of genius, really, to turn a one-day detention session into a parable for a generation — made us see ourselves. Never mind the irony that The Breakfast Club‘s ultimate message — that the five kids were more than those labels and in fact had more commonalities than one would think — had the opposite effect on many of us. It was a movie of reckoning.
Good times for a change, though. Within a year, I had lost the watch because it didn’t go with the New Wave kid I was becoming. I had an asymmetrical haircut, doing my best to look like an effete Manchester rocker. I was developing a new identity and Hughes’ Pretty in Pink was in theaters providing the soundtrack.
MOVIE OBJECTS: INTRODUCTION | Ramona Lyons on EYE OF THE SERPENT (CONAN THE BARBARIAN) | Faythe Levine on BEDKNOB (BEDKNOBS AND BROOMSTICKS) | Gerald Peary on CUP OF COFFEE (THE BIG HEAT) | Christopher Orr on TOM’S HAT (MILLER’S CROSSING) | Lynn Peril on TRANSISTOR RADIO (DR. STRANGELOVE) | Whitney Bowers on DUCT TAPE (NOW AND THEN) | Kio Stark on CANDLE (DEBBIE DOES DALLAS) | Tom Roston on CALCULATOR WATCH (BREAKFAST CLUB) | Miranda Mellis on LIMOUSINE (MELANCHOLIA) | Carolina A. Miranda on HAUNTED ACCORDION (THE WIND JOURNEYS) | Vanessa Berry on FIBREGLASS MARLIN (LOVE SERENADE) | June Thomas on CERAMIC DUCKS (A TASTE OF HONEY) | Madeline Ashby on LETTERS OF TRANSIT (CASABLANCA) | Dave Walker on ETTINAUER 226-XL (REAL LIFE) | Jonathan Lethem on SINGLE-JACK HAMMER (EARTH ABIDES) | Guy Trebay on STAMPS (CHARADE) | Annie Nocenti on PASSPORT (THE PASSENGER) | Tony Arcabascio on SHEEPSKIN COAT (BEAT STREET) | Alix Lambert on TYPEWRITER (MARY AND MAX) | John Sellers on WHITEBOARD (A QUIET PLACE) | Carlo Rotella on POWDERING CONE (REIGN OF TERROR) | Laura Miller on SEVERED EAR (BLUE VELVET) | Josh Glenn on CASSETTE TAPE (BREATHLESS) | Vicente Lozano on NOTEBOOK (WHERE IS THE FRIEND’S HOME?) | Jeff Malmberg on SPAGHETTI SAUCE (THE GODFATHER).
LOST OBJECTS (vol. 2): INTRODUCTION | Joe Yonan on MACRAMÉ ART (ill. Theo Ellsworth) | Ben Katchor on LUCITE CARRYING CASE | Debbie Millman on GLASS POODLE | Lydia Millet on ROCKY HORROR NOVEL (ill. Berta Valló) | Ben Greenman on WARHOL CAN (ill. Clara Selina Bach) | & 20 MORE.
FETISHES: INTRODUCTION | Josh Foer on DEATH MASK | Beth Lisick on MURDERED-OUT KFC BUCKET | Christina Couch on LEECH ACTION FIGURE | Kenneth Goldsmith on THEWLIS SOCK | Abby Rapoport on MAGNATILES | & 20 MORE.
FOSSILS: INTRODUCTION | Allegra Huston on SKATAWAY JACKET | Kevin Obsatz on HOMEMADE NUNCHUKS | Ian Bogost on DESKTOP TELEPHONE | Jeff Lewonczyk on CHA-CHA JACKET SCRAP | Kelly Horan on VOLVO KEY | & 20 MORE.
FLAIR: INTRODUCTION | Cliff Kuang on ROLEX DATEJUST | Ethan Zuckerman on LAPTOP STICKERS | Ann Shoket on LEATHER JACKET | Kembrew McLeod on KEMBREW MERCH | Paola Antonelli on MERMAID TEARS | & 20 MORE.
LOST OBJECTS (vol. 1): INTRODUCTION | Kate Bernheimer on MULLET WIG (ill. Amy Evans) | Dan Piepenbring on COLOGNE (ill. Josh Neufeld) | Doug Dorst on STRATOCASTER (ill. John Holbo) | Paul Lukas on VANILLA BEAN (ill. Alison Bamcat) | Mimi Lipson on DODGE DART (ill. Mister Reusch) | & 20 MORE.
ILLICIT OBJECTS: INTRODUCTION | Kio Stark on PEEPSHOW TOKEN | Sari Wilson on TOMBSTONE PARTS | Annalee Newitz on CAR-BOMB REMNANT | Tito Bottitta on MOONINITE DEVICE | Eric Bennett on DIRTY MAGAZINE | & 20 MORE.
TALISMANIC OBJECTS: INTRODUCTION | Veda Hille on CROCHET SHEEP | Gary Panter on DINOSAUR BONES | Jami Attenberg on SELENITE CRYSTAL | Annie Nocenti on MINIATURE DICE | Wayne Curtis on CLOCK WINDING KEY | & 20 MORE.
POLITICAL OBJECTS: INTRODUCTION | Luc Sante on CAMPAIGN PAMPHLETS | Lydia Millet on PVC POLAR BEAR | Ben Greenman on MATCHBOX CAR | Rob Baedeker on PRESIDENTS PLACEMAT | L.A. Kauffman on WHEATPASTE POSTER | & 20 MORE.
SIGNIFICANT OBJECTS at HILOBROW: PROJECT:OBJECT homepage | PROJECT:OBJECT newsletter | PROJECT:OBJECT objects (Threadless shop — all profits donated to the ACLU) | POLITICAL OBJECTS series (1Q2017) | TALISMANIC OBJECTS series (2Q2017) | ILLICIT OBJECTS series (3Q2017) | LOST OBJECTS vol. 1 series (4Q2017) | FLAIR series (2Q2018) | FOSSIL series (4Q2018) | FETISHES series (2Q2019) | LOST OBJECTS vol. 2 series (4Q2019) | MOVIE OBJECTS series (2Q2020). ALSO SEE: SIGNIFICANT OBJECTS website | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.