LOST OBJECTS (28)
October 9, 2019
One in an ongoing series of nonfiction stories about lost objects. In 2017, Project:Object’s Josh Glenn and Rob Walker asked 25 writers to tell us about a significant object they’d lost (or thrown away, or destroyed), then assigned these stories to 25 illustrators. The first Lost Objects series was such a hit with readers, and so fun for us to publish, that we’ve decided it deserves a sequel.
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I forgave my ex-husband a lot, which is probably only fair as I’m the one who left him. We fought over only one possession — an outstanding piece of Baltimore screen art, a wedding gift — and he stole only one book that really mattered to me. (David Thomson’s Suspects, easily replaced.) But we were still happily married — or were we? — when he broke my most beloved childhood toy, a wooden Brio labyrinth box, on which one guided a small metal ball along a narrow, twisty path that ran past 60 numbered holes.
I was, as the saying goes, hard on my things. Not a lot of my toys made it to my adulthood. But labyrinth was special, the one thing at which I excelled as a child. No one else in the family could manipulate that board as I could. I could go up and back, up and back. I knew the hard parts that looked simple, and the simple parts that looked hard. And I never lost my knack. Well into my 30s, I would take it off the shelf when kids came over and they would clamor to play with it. Almost no one ever got past hole #4, but I could still go 1-60, 60-1.
And then he broke it. Cleaning, he said, which sounded suspect. It can never be replaced. Oh, sure, there are still versions made, but none of them has the action of my old Brio. My original game had a very particular feel that no modern version can capture. It’s as if I used to be a wizard and now I have been defrocked.
The Brio probably represented my first brush with the so-called 10,000-hour rule, although I think it took me fewer than 100 hours to crack it. It was definitely the first thing I was truly good at. For a while, I kept the top of the box and the ball. Now, it’s just the ball, rattling around in a metal box, and while I am generally anti-clutter and without sentiment, I cannot bear to throw it away.
ABOUT THE AUTHOR: See sidebar.
ABOUT THE ARTIST: Laura Didyk is an artist, illustrator, writer, and editor based in Great Barrington, MA. Her illustration series, It Takes All Kinds, appears weekly in The Berkshire Edge.
LOST OBJECTS 2: INTRODUCTION | Geoff Manaugh on MOROCCAN TRINKET (ill. Mariana Pita) | Joe Yonan on MACRAMÉ ART (ill. Theo Ellsworth) | Laura Lippman on LABYRINTH GAME (ill. Laura Didyk) | Ben Katchor on LUCITE CARRYING CASE | Neil LaBute on PICKLED OCTOPUS (ill. Disa Wallander) | Miranda Mellis on SEQUINED SCARF (ill. Adam Goldberg) | Chris Piascik on GENERAL HUSTLER BMX | Jenny Kroik on MISSING TOY PIECES | Anita Kunz on FLOWER NECKLACE | Debbie Millman on GLASS POODLE | Heather Kapplow on CERAMIC ARTWORK (ill. Matt Wuerker) | Lydia Millet on ROCKY HORROR NOVEL (ill. Berta Valló) | Ben Greenman on WARHOL CAN (ill. Clara Selina Bach) | Leah Hennessey on BATMAN RING (ill. Dean Haspiel) | Kathryn Davis on PRAYER CARD (ill. Dina Noto) | Mikita Brottman on PINK ELEPHANTS (ill. Sarah Williamson) | Nathaniel Rich on AUTOGRAPHED BASEBALL (ill. Ellen Rose) | Charles Glaubitz on TRACK SHOES | Seth on ENTERPRISE MODEL | Becky Stern on SKELETON SWEATER (ill. Monica Garwood) | Mark Dery on GRANDFATHER PHOTO (ill. Kelli Anderson) | Paola Antonelli on VINYL SKIRT (ill. Guillermo Meraz) | Sara Ryan on FINGER PUPPET (ill. Steve Lieber) | Alex Gerasev on KARMA PARKA | Margaret Wertheim on ECCENTRIC BOOK (ill. Armando Veve).
FETISHES: INTRODUCTION | Josh Foer on DEATH MASK | Beth Lisick on MURDERED-OUT KFC BUCKET | Christina Couch on LEECH ACTION FIGURE | Kenneth Goldsmith on THEWLIS SOCK | Abby Rapoport on MAGNATILES | & 20 MORE.
FOSSILS: INTRODUCTION | Allegra Huston on SKATAWAY JACKET | Kevin Obsatz on HOMEMADE NUNCHUKS | Ian Bogost on DESKTOP TELEPHONE | Jeff Lewonczyk on CHA-CHA JACKET SCRAP | Kelly Horan on VOLVO KEY | & 20 MORE.
FLAIR: INTRODUCTION | Cliff Kuang on ROLEX DATEJUST | Ethan Zuckerman on LAPTOP STICKERS | Ann Shoket on LEATHER JACKET | Kembrew McLeod on KEMBREW MERCH | Paola Antonelli on MERMAID TEARS | & 20 MORE.
LOST OBJECTS (vol. 1): INTRODUCTION | Kate Bernheimer on MULLET WIG (ill. Amy Evans) | Dan Piepenbring on COLOGNE (ill. Josh Neufeld) | Doug Dorst on STRATOCASTER (ill. John Holbo) | Paul Lukas on VANILLA BEAN (ill. Alison Bamcat) | Mimi Lipson on DODGE DART (ill. Mister Reusch) | & 20 MORE.
ILLICIT OBJECTS: INTRODUCTION | Kio Stark on PEEPSHOW TOKEN | Sari Wilson on TOMBSTONE PARTS | Annalee Newitz on CAR-BOMB REMNANT | Tito Bottitta on MOONINITE DEVICE | Eric Bennett on DIRTY MAGAZINE | & 20 MORE.
TALISMANIC OBJECTS: INTRODUCTION | Veda Hille on CROCHET SHEEP | Gary Panter on DINOSAUR BONES | Jami Attenberg on SELENITE CRYSTAL | Annie Nocenti on MINIATURE DICE | Wayne Curtis on CLOCK WINDING KEY | & 20 MORE.
POLITICAL OBJECTS: INTRODUCTION | Luc Sante on CAMPAIGN PAMPHLETS | Lydia Millet on PVC POLAR BEAR | Ben Greenman on MATCHBOX CAR | Rob Baedeker on PRESIDENTS PLACEMAT | L.A. Kauffman on WHEATPASTE POSTER | & 20 MORE.
SIGNIFICANT OBJECTS at HILOBROW: PROJECT:OBJECT homepage | PROJECT:OBJECT newsletter | PROJECT:OBJECT objects (Threadless shop — all profits donated to the ACLU) | POLITICAL OBJECTS series (1Q2017) | TALISMANIC OBJECTS series (2Q2017) | ILLICIT OBJECTS series (3Q2017) | LOST OBJECTS vol. 1 series (4Q2017) | FLAIR series (2Q2018) | FOSSIL series (4Q2018) | FETISHES series (2Q2019) | LOST OBJECTS vol. 2 series (4Q2019) | MOVIE OBJECTS series (2Q2020). ALSO SEE: SIGNIFICANT OBJECTS website | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.