12 Days of Significance (2)
December 26, 2012
Second in a holiday-season series of posts that will reprint short fiction written — by twelve HiLobrow contributors — for the collection Significant Objects: 100 Extraordinary Stories About Ordinary Things, eds. Rob Walker and HILOBROW’s Joshua Glenn (Fantagraphics, August 2012).
The following story is by Patrick Cates. Enjoy!
The regular punters were not happy when Tony told them that he couldn’t afford to run the Haunch of Venison any more and that, after 20 years as landlord, he had no choice but to sell up to some toff who’d made a fortune in the City and now wanted his own gastropub. The Haunch of Venison was undoubtedly a rough old boozer that needed sharpening up — yellow walls from the days before the smoking ban; crumbling plaster on the Victorian, molded ceiling; carpet that was more stain than carpet. But it was a hub. A vital organ. A satellite of Smithfield meat market that tucked itself away up Charterhouse Street and brought together butchers, drivers, packers, farmers — anyone who had anything to do with the trade and who needed to soothe the pain of a seriously early start with a couple of pints and a fry-up.
“Jesus, Tone. The old man’ll be turning in his grave.”
Ray Burkiss had run the pub for 43 years until he retired. And in that time he had peppered the place with all manner of meat memorabilia. Tony was born upstairs, had started collecting glasses when he was still in shorts and, as soon as he had left school without so much as an O-level, had assumed the predictable position of Ray’s heir. And, when Ray died in 1980, Tony was crowned governor and carnal curator of the Haunch.
The Haunch’s final day came and whistled by. An all-day and all-night procession of meat-industry men lining up with chokes and tears to clench Tony tightly and tell him that it was a shocking state of affairs. At ten to eleven, a defeated Tony followed his usual routine. He pulled the wooden meat tenderizer out of the lamb skull where it sat all day, held it back over his shoulder and smashed it down on the brass bell that hung above the bar. Over the top of the fading clang, he bellowed “Last orders!” like a sergeant major and awaited the onrush. And then, ten minutes later, another smash with the hammer. “Time at the bar!”
When there were just five of us left, gathered silently in a boozy huddle on the public side of the bar, Tony pulled out an unopened litre of Teacher’s from under the counter and set it down in front of us. He unscrewed the cap, reached up for a glass with one hand and filled it with the other. He threw the glass up to his lips, bolted the contents and slammed the glass down. Another: fill, bolt, slam. And another. And another.
“Steady on, Tone.”
Sean broke the silence. Tony glared at him and, without looking away, picked up the bottle, put it to his lips and started glugging. A few shocked seconds elapsed before Sean reached over the bar and tried to yank the bottle away from Tony’s mouth. Tony yanked back, and in the fumble that followed, the bottle flew behind him, crashed into two of the optics, knocked them off their mountings and cracked a sprawling web across the Haunch’s most valuable artifact: a giant, wall-mounted mirror engraved with the image of a startled buck hemmed in by the name of the pub.
In a one-two of disbelief and devastation, Tony let out a violent roar, reached for the nearest weapon he could find, the meat tenderizer, and, with a backbeat of regular, heaving sobs, whirled round and round swiping at everything within his reach.
CROSS-POSTED FROM SIGNIFICANT OBJECTS: Matthew Battles on CANDYLAND | Patrick Cates on MEAT TENDERIZER | Matthew De Abaitua on PIGGY BANK | Mark Frauenfelder on JUG | Jason Grote on DOME DOLL | Mimi Lipson on HALSTON MUG | Annie Nocenti on JFK BUST | Gary Panter on DIVE MASK | James Parker on KITTY SAUCER | Greg Rowland on MUSHROOM SHAKER | Luc Sante on FLANNEL BALL | Douglas Wolk on PORTABLE HAIR DRYER | Annalee Newitz on COCONUT CUP | Cintra Wilson on TROPHY | Jen Collins on UNCOLA GLASS | Joanne McNeil on GRAIN THING | Jonathan Lethem on MISSOURI SHOTGLASS | Sarah Weinman on UNICORN FIGURINE | Shelley Jackson on CRUMB SWEEPER | Barbara Bogaev on JUST MARRIED CUP | Dan Reines on FRIDAY MUG | Jenny Offill on MINIATURE TURKEY DINNER | Katie Hennessey on WOODEN FIGURINE | James Hannaham on NAPKIN RING | Bruce Sterling on METAL BOOT | Colson Whitehead on WOODEN MALLET | Jenny Davidson on TOY HOT DOG | Kate Bernheimer on PINK HORSE | Lydia Millet on CHILI CAT | Matthew Sharpe on MULE FIGURINE | Meg Cabot on WOODEN ANIMAL | Sara Ryan on POPSICLE STICK CONSTRUCTION | Ed Park on COW VASE | Jessica Helfand on ELVIS CHOCOLATE TIN | Sheila Heti on CAPE COD SHOE | William Gibson on “HAWK” ASHTRAY | Ben Greenman on SMILING MUG | Dean Haspiel on KENTUCKY DISH | Doug Dorst on RUSSIAN FIGURE | Kurt Andersen on SANTA NUTCRACKER | Matt Brown on CRUMPTER | Chris Adrian on KANGAMOUSE | Nicholson Baker on MEAT THERMOMETER| Rachel Axler on FORTUNE TELLING DEVICE | Sean Howe on PABST BOTTLE OPENER | Susannah Breslin on NECKING TEAM BUTTON | Tim Carvell on ROUND BOX | Susanna Daniel on SHARK AND SEAL PENS | Curtis Sittenfeld on SPOTTED DOGS FIGURINE | Matthew Klam on DUCK VASE | Merrill Markoe on FLIP-FLOP FRAME | Blake Butler on UTAH SNOW GLOBE | Neil LaBute on RABBIT CANDLE | Rob Agredo on LIGHTER SHAPED LIKE SMALL POOL BALL | Rosecrans Baldwin on PRAYING HANDS | Rob Baedeker on FOPPISH FIGURINE | Scarlett Thomas on BIRTHDAY CANDLES | Wayne Koestenbaum on DUCK NUTCRACKER | Jeff Turrentine on “WOMEN & INFANTS” GLASS | Joe Lyons on LETTERS AND NUMBERS PLATE | Adam Davies on TROLL NUTCRACKER | Myla Goldberg on HAND-HELD BUBBLE BLOWER | Dan Chaon on COOKING FORK | Jenny Hayes on DOLPHIN BOX | Kevin Brockmeier on ROPE/WOOD MONKEY | Miranda Mellis on BRASS APPLE | Todd Pruzan on GOLF BALL BANK | Toni Schlesinger on 4-TILE | Stacey Levine on BAR MITZVAH BOOKENDS | Margot Livesey on CIGARETTE CASE | Joe Wenderoth on BALANCING BIRD THING | Charles Baxter on CERAMIC SHELL | Thomas Bartlett on DEVICE | Claire Zulkey on FLINTSTONE PEZ | Betsey Swardlick on DILBERT | Sung J. Woo on BIRD FIGURINE | Tom McNeely on CAT MUG | J. Robert Lennon on CHOIRBOY FIGURINE | Matthew J. Wells on BBQ SAUCE JAR | Maud Newton on CRACKER BARREL ORNAMENT | Stewart O’Nan on DUCK TRAY | Meghan O’Rourke on FELT MOUSE | Lauren Mechling on BLUE VASE | Mark Sarvas on AMACO YOYO | Andrew Ervin on IDOL | Rachel Berger on #1 MOM HOOKS | Nomi Kane on ALIEN TOY | Nick Asbury on CLOWN | Lucinda Rosenfeld on CREAMER COW | Ben Katchor on MAINE STATUTES DISH | Mark Doty on FISH SPOONS | Sarah Rainone on IRELAND COW PLATE | Stephen Elliott on HAWAIIAN UTENSILS | Ben Ehrenreich on JAR OF MARBLES | Glen David Gold on KNEELING MAN FIGURINE | Lizzie Skurnick on PEN STAND.
ALSO SEE: PROJECT:OBJECT homepage | POLITICAL OBJECTS (1Q2017) | TALISMANIC OBJECTS (2Q2017) | ILLICIT OBJECTS (3Q2017) | LOST OBJECTS vol. 1 (4Q2017) | FLAIR (2Q2018) | FOSSILS (4Q2018) | FETISHES (2Q2019) | LOST OBJECTS vol. 2 (4Q2019) | MOVIE OBJECTS (2Q2020) | SEMIO OBJECTS (2Q2021) | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website). ALSO SEE: SIGNIFICANT OBJECTS website | LOST OBJECTS (Hat & Beard Press, 2022) | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.
CURATED SERIES at HILOBROW: RETRO VIRUS by Douglas Wolk | UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website) | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators