12 DAYS OF SIGNIFICANCE (67)
December 31, 2020
One in an ongoing, seasonal series of posts in which we reprint stories originally written — by HILOBROW contributors and friends — for Josh Glenn and Rob Walker’s 2009–2010 anthropological-literary experiment SIGNIFICANT OBJECTS. This 2020–2021 installment of 12 stories will bring the series total to 72. See below for links to more info about both SIGNIFICANT OBJECTS and PROJECT:OBJECT.
The worst thing is: he sees the golf-ball bank two, maybe three full minutes before it breaks his nose. It’s sitting right there on the table, in full view of the whole room, next to a tiny recorder. This is 1980, and he’s never seen a recorder so small, except maybe in a James Bond movie. There are dozens of cameras in the room, but the photographers who will be craning for a shot of it just a few minutes from now, something to get out to the wires before five o’clock, aren’t paying the slightest attention to it. But oh, they will.
The woman who’s about to wing the golf-ball bank at the senator’s face is brandishing it with comic menace. She’s running her finger along the red laces, tracing the ball’s dimples. The senator is answering a question, but he’s thinking about the golf-ball bank, trying to figure it out. Let’s see: banking subcommittee, bill protecting The American People, he’s out playing the 18th hole at Burning Tree when he should be voting on it, hey, sorry, welcome to Washington.
So what the hell: he just calls on her. Young lady, with that golf-ball bank with the tennis shoes. Heads turn her way. Deadpan aside into the bank of live mics: You look like maybe you’re wantin’ to throw that thing at me. Chuckles from the other reporters — and then she just does it. She really does it. She stands and picks it up and throws the bank at him, hard — not at all like a girl, he’ll remember later — and nobody reacts, because it’s too fast, and then it’s flying and getting bigger and bigger until it breaks his nose, and finally, everyone gasps and shouts. The senator screams at an octave nobody realized he could reach, including himself. The audio will be replayed for months at inopportune moments on Saturday Night Live. Years after the general public has stopped recognizing it, a DJ in the Bronx will unearth the audio and turn the scream into a popular hip-hop sample.
The golf-ball bank hits the lectern first, then lands on the floor, on its feet. Two secret-service guards lunge for it, as though they really think it might run away, and clunk heads, hard. There’s a scrum of arms around the woman, who’s got straight blonde hair and enormous tinted glasses. Her chant, whatever it is, fades as she’s pulled further away from the front of the chamber. One of the guards, without thinking, hands the golf-ball bank to the senator. He probably thinks the senator dropped it. The golf-ball bank is unbroken, and there’s no blood.
The next morning, the New York Post is first out of the gate: FORE SCORE! One of his friends shows up at his Georgetown house with a copy of the paper. The senator signs: Craig — only 17 holes to go! Best wishes. The friend has a favor. He’s got a nonprofit doing a silent auction that Saturday. Can they auction off the golf-ball bank. A piece of Washingtoniana, a piece of Congressional history. It’s for a children’s hospital. All yours, says the senator, and hands it over.
The winning bid on the golf-ball bank gets raucous cheers — it gets as much as a pair of season tickets to the Redskins. The bank then sits on a coffee table for four years. Then the family moves, and it sits in a box for more than two decades, until the youngest son is in college and finds it in the attic when he’s looking for old VHS tapes. He mutters: No way.
The protester is retired now. She rarely does interviews, but when she does, she gets fired up again about the banking bill. It still gets to her. She doesn’t regret the 72 months in jail. She’s glad she did it.
The senator’s legacy isn’t in banking law but in Congressional security. Just try bringing a walking golf-ball bank into the Capitol Building today: you’re liable to spend a few hours explaining yourself to stern-looking police officers before they let you go. (You’re probably not really going to pull anything, they’ll decide, finally. Probably not worth our trouble.) Sir: We’re going to let you go, but you can’t be bringing that in here. Leave that bank at home.
REPRINTED FROM SIGNIFICANTOBJECTS.COM: Matthew Battles on CANDYLAND | Patrick Cates on MEAT TENDERIZER | Matthew De Abaitua on PIGGY BANK | Mark Frauenfelder on JUG | Jason Grote on DOME DOLL | Mimi Lipson on HALSTON MUG | Annie Nocenti on JFK BUST | Gary Panter on DIVE MASK | James Parker on KITTY SAUCER | Greg Rowland on MUSHROOM SHAKER | Luc Sante on FLANNEL BALL | Douglas Wolk on PORTABLE HAIR DRYER | Annalee Newitz on COCONUT CUP | Cintra Wilson on TROPHY | Jen Collins on UNCOLA GLASS | Joanne McNeil on GRAIN THING | Jonathan Lethem on MISSOURI SHOTGLASS | Sarah Weinman on UNICORN FIGURINE | Shelley Jackson on CRUMB SWEEPER | Barbara Bogaev on JUST MARRIED CUP | Dan Reines on FRIDAY MUG | Jenny Offill on MINIATURE TURKEY DINNER | Katie Hennessey on WOODEN FIGURINE | James Hannaham on NAPKIN RING | Bruce Sterling on METAL BOOT | Colson Whitehead on WOODEN MALLET | Jenny Davidson on TOY HOT DOG | Kate Bernheimer on PINK HORSE | Lydia Millet on CHILI CAT | Matthew Sharpe on MULE FIGURINE | Meg Cabot on WOODEN ANIMAL | Sara Ryan on POPSICLE STICK CONSTRUCTION | Ed Park on COW VASE | Jessica Helfand on ELVIS CHOCOLATE TIN | Sheila Heti on CAPE COD SHOE | William Gibson on “HAWK” ASHTRAY | Ben Greenman on SMILING MUG | Dean Haspiel on KENTUCKY DISH | Doug Dorst on RUSSIAN FIGURE | Kurt Andersen on SANTA NUTCRACKER | Matt Brown on CRUMPTER | Chris Adrian on KANGAMOUSE | Nicholson Baker on MEAT THERMOMETER| Rachel Axler on FORTUNE TELLING DEVICE | Sean Howe on PABST BOTTLE OPENER | Susannah Breslin on NECKING TEAM BUTTON | Tim Carvell on ROUND BOX | Susanna Daniel on SHARK AND SEAL PENS | Curtis Sittenfeld on SPOTTED DOGS FIGURINE | Matthew Klam on DUCK VASE | Merrill Markoe on FLIP-FLOP FRAME | Blake Butler on UTAH SNOW GLOBE | Neil LaBute on RABBIT CANDLE | Rob Agredo on LIGHTER SHAPED LIKE SMALL POOL BALL | Rosecrans Baldwin on PRAYING HANDS | Rob Baedeker on FOPPISH FIGURINE | Scarlett Thomas on BIRTHDAY CANDLES | Wayne Koestenbaum on DUCK NUTCRACKER | Jeff Turrentine on “WOMEN & INFANTS” GLASS | Joe Lyons on LETTERS AND NUMBERS PLATE | Adam Davies on TROLL NUTCRACKER | Myla Goldberg on HAND-HELD BUBBLE BLOWER | Dan Chaon on COOKING FORK | Jenny Hayes on DOLPHIN BOX | Kevin Brockmeier on ROPE/WOOD MONKEY | Miranda Mellis on BRASS APPLE | Todd Pruzan on GOLF BALL BANK | Toni Schlesinger on 4-TILE | Stacey Levine on BAR MITZVAH BOOKENDS | Margot Livesey on CIGARETTE CASE | Joe Wenderoth on BALANCING BIRD THING | Charles Baxter on CERAMIC SHELL.
SIGNIFICANT OBJECTS at HILOBROW: PROJECT:OBJECT homepage | PROJECT:OBJECT newsletter | PROJECT:OBJECT objects (Threadless shop — all profits donated to the ACLU) | POLITICAL OBJECTS series (1Q2017) | TALISMANIC OBJECTS series (2Q2017) | ILLICIT OBJECTS series (3Q2017) | LOST OBJECTS vol. 1 series (4Q2017) | FLAIR series (2Q2018) | FOSSIL series (4Q2018). 12 DAYS OF SIGNIFICANCE | 12 MORE DAYS OF SIGNIFICANCE | 12 DAYS OF SIGNIFICANCE (AGAIN) | ANOTHER 12 DAYS OF SIGNIFICANCE . ALSO SEE: SIGNIFICANT OBJECTS website | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.
CURATED SERIES at HILOBROW: RETRO VIRUS by Douglas Wolk | UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | 12 DAYS OF SIGNIFICANCE | 12 MORE DAYS OF SIGNIFICANCE | 12 DAYS OF SIGNIFICANCE (AGAIN) | ANOTHER 12 DAYS OF SIGNIFICANCE | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators