12 DAYS OF SIGNIFICANCE (83)
January 4, 2022
One in an ongoing, seasonal series via which we cross-post stories originally written — by HILOBROW contributors and friends — for Josh Glenn and Rob Walker’s 2009–2010 anthropological-literary experiment SIGNIFICANT OBJECTS. This 2021–2022 installment of 12 stories will bring the series total to 84. See below for links to more info about both SIGNIFICANT OBJECTS and PROJECT:OBJECT.
It was during Charlotte Sanger and Georgia Howard’s punk period — which actually had nothing to do with music and everything to do with mustard nailpolish and slinking away from Pine Ridge High School ‘s mandatory double-period orchestra — that Charlotte spotted her mother in the front of the Pine View movie theater, waiting for the lights to dim and the 11:50 a.m. screening of Wayne’s World to begin. She was feeding herself popcorn, her right arm windshield wipering in unthinkingly perfect time.
“Crap.” Charlotte instinctively pulled her REM sweatshirt hood over her head. The last thing she needed was a run-in with her mother, who’d just last week moved up her curfew in response to her B minus in English.
Georgia, who’d pulled a zine out of her backpack, had no idea what was going on. And, come to think of it, neither did Charlotte. What on earth was her mother doing at a Wayne’s World screening when she had a deadline she’s been bitching about all week? Was she having an affair? Dread pooled in Charlotte’s stomach, but when she leaned a few inches further up and got a better picture of her mother, she wished the answer had been so tacky and simple. She was eating the popcorn out of the blue family vase, the same clumpy one that was on permanent display on the living room mantel, next to the photograph of Charlotte and her brother, Dec. The popcorn carton was nowhere in sight — it must have been on the seat next to her, or the floor. Christ.
Had the vase been vaguely attractive, that might have explained it — her mother was a fan of “dressing to impress” and storing Nilla wafers in a crystal cookie jar. But that wasn’t it. Transferring popcorn to a weird case was just about the least impressive thing a suburban mother could do. Christ, Charlotte thought again. Her mother was going insane.
Charlotte and Georgia left before the movie was over — orchestra was one thing, but they couldn’t afford to miss 7th period. The rest of the day, Charlotte felt a shade of blue that was new to her. There were no hues of anger or hysteria or self-congratulation. Just blue.
When she came home that afternoon, she was expecting to find some sort of catastrophe. But Dec was watching “Family Ties” and her mother was upstairs, working on a drawing, per usual. The vase was in its rightful place, in all its lumpen glory.
It’s remained there to this day. Her mother has continued to function— there have been no signs of lunacy. And every winter, when Charlotte returns home, she waits until she’s alone in the living room to share a meaningful moment with the vase. Your mother is going to unravel, it tells her. All it will take is the tug of one thread.
CROSS-POSTED FROM SIGNIFICANT OBJECTS: Matthew Battles on CANDYLAND | Patrick Cates on MEAT TENDERIZER | Matthew De Abaitua on PIGGY BANK | Mark Frauenfelder on JUG | Jason Grote on DOME DOLL | Mimi Lipson on HALSTON MUG | Annie Nocenti on JFK BUST | Gary Panter on DIVE MASK | James Parker on KITTY SAUCER | Greg Rowland on MUSHROOM SHAKER | Luc Sante on FLANNEL BALL | Douglas Wolk on PORTABLE HAIR DRYER | Annalee Newitz on COCONUT CUP | Cintra Wilson on TROPHY | Jen Collins on UNCOLA GLASS | Joanne McNeil on GRAIN THING | Jonathan Lethem on MISSOURI SHOTGLASS | Sarah Weinman on UNICORN FIGURINE | Shelley Jackson on CRUMB SWEEPER | Barbara Bogaev on JUST MARRIED CUP | Dan Reines on FRIDAY MUG | Jenny Offill on MINIATURE TURKEY DINNER | Katie Hennessey on WOODEN FIGURINE | James Hannaham on NAPKIN RING | Bruce Sterling on METAL BOOT | Colson Whitehead on WOODEN MALLET | Jenny Davidson on TOY HOT DOG | Kate Bernheimer on PINK HORSE | Lydia Millet on CHILI CAT | Matthew Sharpe on MULE FIGURINE | Meg Cabot on WOODEN ANIMAL | Sara Ryan on POPSICLE STICK CONSTRUCTION | Ed Park on COW VASE | Jessica Helfand on ELVIS CHOCOLATE TIN | Sheila Heti on CAPE COD SHOE | William Gibson on “HAWK” ASHTRAY | Ben Greenman on SMILING MUG | Dean Haspiel on KENTUCKY DISH | Doug Dorst on RUSSIAN FIGURE | Kurt Andersen on SANTA NUTCRACKER | Matt Brown on CRUMPTER | Chris Adrian on KANGAMOUSE | Nicholson Baker on MEAT THERMOMETER| Rachel Axler on FORTUNE TELLING DEVICE | Sean Howe on PABST BOTTLE OPENER | Susannah Breslin on NECKING TEAM BUTTON | Tim Carvell on ROUND BOX | Susanna Daniel on SHARK AND SEAL PENS | Curtis Sittenfeld on SPOTTED DOGS FIGURINE | Matthew Klam on DUCK VASE | Merrill Markoe on FLIP-FLOP FRAME | Blake Butler on UTAH SNOW GLOBE | Neil LaBute on RABBIT CANDLE | Rob Agredo on LIGHTER SHAPED LIKE SMALL POOL BALL | Rosecrans Baldwin on PRAYING HANDS | Rob Baedeker on FOPPISH FIGURINE | Scarlett Thomas on BIRTHDAY CANDLES | Wayne Koestenbaum on DUCK NUTCRACKER | Jeff Turrentine on “WOMEN & INFANTS” GLASS | Joe Lyons on LETTERS AND NUMBERS PLATE | Adam Davies on TROLL NUTCRACKER | Myla Goldberg on HAND-HELD BUBBLE BLOWER | Dan Chaon on COOKING FORK | Jenny Hayes on DOLPHIN BOX | Kevin Brockmeier on ROPE/WOOD MONKEY | Miranda Mellis on BRASS APPLE | Todd Pruzan on GOLF BALL BANK | Toni Schlesinger on 4-TILE | Stacey Levine on BAR MITZVAH BOOKENDS | Margot Livesey on CIGARETTE CASE | Joe Wenderoth on BALANCING BIRD THING | Charles Baxter on CERAMIC SHELL | Thomas Bartlett on DEVICE | Claire Zulkey on FLINTSTONE PEZ | Betsey Swardlick on DILBERT | Sung J. Woo on BIRD FIGURINE | Tom McNeely on CAT MUG | J. Robert Lennon on CHOIRBOY FIGURINE | Matthew J. Wells on BBQ SAUCE JAR | Maud Newton on CRACKER BARREL ORNAMENT | Stewart O’Nan on DUCK TRAY | Meghan O’Rourke on FELT MOUSE | Lauren Mechling on BLUE VASE | Mark Sarvas on AMACO YOYO | Andrew Ervin on IDOL | Rachel Berger on #1 MOM HOOKS | Nomi Kane on ALIEN TOY | Nick Asbury on CLOWN | Lucinda Rosenfeld on CREAMER COW | Ben Katchor on MAINE STATUTES DISH | Mark Doty on FISH SPOONS | Sarah Rainone on IRELAND COW PLATE | Stephen Elliott on HAWAIIAN UTENSILS | Ben Ehrenreich on JAR OF MARBLES | Glen David Gold on KNEELING MAN FIGURINE | Lizzie Skurnick on PEN STAND | R.K. Scher on INDIAN MAIDEN | Christopher Sorrentino on MR. PICKWICK COAT HOOK | David Shields on MILITARY FIGURE | Josh Kramer on FAKE BANANA | Laura Lippman on MOTEL ROOM KEY | Jim Hanas on WIRE BASKET | Stephanie Reents on OCEAN SCENE GLOBE | Tom Vanderbilt on MARINES LOGO MUG | Adam Harrison Levy on STAR OF DAVID PLATE | Aimee Bender on SEAHORSE LIGHTER | Bruce Holland Rogers on UMBRELLA TRINKET | Bruno Maddox on THAI HOOKS.
ALSO SEE: PROJECT:OBJECT homepage | POLITICAL OBJECTS (1Q2017) | TALISMANIC OBJECTS (2Q2017) | ILLICIT OBJECTS (3Q2017) | LOST OBJECTS vol. 1 (4Q2017) | FLAIR (2Q2018) | FOSSILS (4Q2018) | FETISHES (2Q2019) | LOST OBJECTS vol. 2 (4Q2019) | MOVIE OBJECTS (2Q2020) | SEMIO OBJECTS (2Q2021) | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website). ALSO SEE: SIGNIFICANT OBJECTS website | LOST OBJECTS (Hat & Beard Press, 2022) | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.
CURATED SERIES at HILOBROW: RETRO VIRUS by Douglas Wolk | UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website) | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators