12 DAYS OF SIGNIFICANCE (78)
December 30, 2021
One in an ongoing, seasonal series via which we cross-post stories originally written — by HILOBROW contributors and friends — for Josh Glenn and Rob Walker’s 2009–2010 anthropological-literary experiment SIGNIFICANT OBJECTS. This 2021–2022 installment of 12 stories will bring the series total to 84. See below for links to more info about both SIGNIFICANT OBJECTS and PROJECT:OBJECT.
The day after the day I turned seventeen, three weeks after the recital in which I received the award for distinguished effort in solo violin performance, five months after my older brother was arrested for dealing cocaine and thrown out of college and came home and ever since had been living in his old attic room which he had transformed into his personal domain during the last semester of high school when he had the argument with our father which our mother believed had contributed, however indirectly, to the stroke which killed him some weeks later, I stood on the stair landing gazing out through the tiny hexagonal window overlooking the back yard and saw my mother gardening there, and her bent form among the vegetables moved me, yes, but in an unexpected way — somehow the sight of her vertebrae humped underneath her purple blouse and the thick white bra strap visible through the fabric, even from here, filled me with anger, for the way she had pushed me, the way she had forced me to practice the same pieces over and over again those cold afternoons when I alone was sitting beside the radiator perspiring through my thick sweatshirt, and though my mother was frail already at forty-eight, worn down by the relentless belittlement of my father, I wanted to march down the stairs and tell her she had ruined me, that I hated her, to smash my violin against the cracked and disintegrating cement cherub that stood in the center of her flower garden, which my father had bought her in a happier time, or perhaps a time in which unhappiness was still latent, not yet fully expressed — but instead I reached out to the squat and ugly little end table that stood in the corner of the landing and took into my hand the nearest of her china figurines, all of them together a mystery, for they were cheap and tacky and beneath her deluded sense of herself as the wife of a man of wealth and power, which my father was not, rather he was a second-rate businessman in a third-rate city, and in any event dead now for three years; and when my brother came loping down the stairs from his room, reeking of weed and holding between his chin and extended left hand an imaginary violin, which he limp-wristedly sawed at with the imaginary bow in his right, while emitting a mocking squeak intended to represent my playing at its worst, I turned to him and punched him with all the strength I could muster, shattering both his nose and the choirboy figurine in my hand — and my brother fell back against the stairs gagging on blood, and I felt the shards of choirboy slice through my palm and the muscles of my fingers, which even at that moment I understood would take six months to heal if they ever healed at all, ending my nascent career as a classical performer, and I wish I could say that it was with satisfaction that I regarded my brother lying on the carpeted stairs with his hand over his other hand over his face, and that it was with relief that I regarded my ruined hand as the fingers jerked open, raining blood and choirboy pieces onto the oriental runner, but in fact I felt neither, I felt only the foolishness that accompanies any discharge of rage, and the very beginnings of shame as my mother, as though sensing this disturbance through the hexagonal glass and sixty feet of late spring air, turned her kerchiefed head to squint up at the house where everything she had hoped would make her happy was continuing to fall apart.
CROSS-POSTED FROM SIGNIFICANT OBJECTS: Matthew Battles on CANDYLAND | Patrick Cates on MEAT TENDERIZER | Matthew De Abaitua on PIGGY BANK | Mark Frauenfelder on JUG | Jason Grote on DOME DOLL | Mimi Lipson on HALSTON MUG | Annie Nocenti on JFK BUST | Gary Panter on DIVE MASK | James Parker on KITTY SAUCER | Greg Rowland on MUSHROOM SHAKER | Luc Sante on FLANNEL BALL | Douglas Wolk on PORTABLE HAIR DRYER | Annalee Newitz on COCONUT CUP | Cintra Wilson on TROPHY | Jen Collins on UNCOLA GLASS | Joanne McNeil on GRAIN THING | Jonathan Lethem on MISSOURI SHOTGLASS | Sarah Weinman on UNICORN FIGURINE | Shelley Jackson on CRUMB SWEEPER | Barbara Bogaev on JUST MARRIED CUP | Dan Reines on FRIDAY MUG | Jenny Offill on MINIATURE TURKEY DINNER | Katie Hennessey on WOODEN FIGURINE | James Hannaham on NAPKIN RING | Bruce Sterling on METAL BOOT | Colson Whitehead on WOODEN MALLET | Jenny Davidson on TOY HOT DOG | Kate Bernheimer on PINK HORSE | Lydia Millet on CHILI CAT | Matthew Sharpe on MULE FIGURINE | Meg Cabot on WOODEN ANIMAL | Sara Ryan on POPSICLE STICK CONSTRUCTION | Ed Park on COW VASE | Jessica Helfand on ELVIS CHOCOLATE TIN | Sheila Heti on CAPE COD SHOE | William Gibson on “HAWK” ASHTRAY | Ben Greenman on SMILING MUG | Dean Haspiel on KENTUCKY DISH | Doug Dorst on RUSSIAN FIGURE | Kurt Andersen on SANTA NUTCRACKER | Matt Brown on CRUMPTER | Chris Adrian on KANGAMOUSE | Nicholson Baker on MEAT THERMOMETER| Rachel Axler on FORTUNE TELLING DEVICE | Sean Howe on PABST BOTTLE OPENER | Susannah Breslin on NECKING TEAM BUTTON | Tim Carvell on ROUND BOX | Susanna Daniel on SHARK AND SEAL PENS | Curtis Sittenfeld on SPOTTED DOGS FIGURINE | Matthew Klam on DUCK VASE | Merrill Markoe on FLIP-FLOP FRAME | Blake Butler on UTAH SNOW GLOBE | Neil LaBute on RABBIT CANDLE | Rob Agredo on LIGHTER SHAPED LIKE SMALL POOL BALL | Rosecrans Baldwin on PRAYING HANDS | Rob Baedeker on FOPPISH FIGURINE | Scarlett Thomas on BIRTHDAY CANDLES | Wayne Koestenbaum on DUCK NUTCRACKER | Jeff Turrentine on “WOMEN & INFANTS” GLASS | Joe Lyons on LETTERS AND NUMBERS PLATE | Adam Davies on TROLL NUTCRACKER | Myla Goldberg on HAND-HELD BUBBLE BLOWER | Dan Chaon on COOKING FORK | Jenny Hayes on DOLPHIN BOX | Kevin Brockmeier on ROPE/WOOD MONKEY | Miranda Mellis on BRASS APPLE | Todd Pruzan on GOLF BALL BANK | Toni Schlesinger on 4-TILE | Stacey Levine on BAR MITZVAH BOOKENDS | Margot Livesey on CIGARETTE CASE | Joe Wenderoth on BALANCING BIRD THING | Charles Baxter on CERAMIC SHELL | Thomas Bartlett on DEVICE | Claire Zulkey on FLINTSTONE PEZ | Betsey Swardlick on DILBERT | Sung J. Woo on BIRD FIGURINE | Tom McNeely on CAT MUG | J. Robert Lennon on CHOIRBOY FIGURINE | Matthew J. Wells on BBQ SAUCE JAR | Maud Newton on CRACKER BARREL ORNAMENT | Stewart O’Nan on DUCK TRAY | Meghan O’Rourke on FELT MOUSE | Lauren Mechling on BLUE VASE | Mark Sarvas on AMACO YOYO | Andrew Ervin on IDOL | Rachel Berger on #1 MOM HOOKS | Nomi Kane on ALIEN TOY | Nick Asbury on CLOWN | Lucinda Rosenfeld on CREAMER COW | Ben Katchor on MAINE STATUTES DISH | Mark Doty on FISH SPOONS | Sarah Rainone on IRELAND COW PLATE | Stephen Elliott on HAWAIIAN UTENSILS | Ben Ehrenreich on JAR OF MARBLES | Glen David Gold on KNEELING MAN FIGURINE | Lizzie Skurnick on PEN STAND.
ALSO SEE: PROJECT:OBJECT homepage | POLITICAL OBJECTS (1Q2017) | TALISMANIC OBJECTS (2Q2017) | ILLICIT OBJECTS (3Q2017) | LOST OBJECTS vol. 1 (4Q2017) | FLAIR (2Q2018) | FOSSILS (4Q2018) | FETISHES (2Q2019) | LOST OBJECTS vol. 2 (4Q2019) | MOVIE OBJECTS (2Q2020) | SEMIO OBJECTS (2Q2021) | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website). ALSO SEE: SIGNIFICANT OBJECTS website | LOST OBJECTS (Hat & Beard Press, 2022) | SIGNIFICANT OBJECTS collection, ed. Rob Walker and Josh Glenn (Fantagraphics, 2012) | TAKING THINGS SERIOUSLY, ed. Josh Glenn (Princeton Architectural Press, 2007) | TAKING THINGS SERIOUSLY excerpts.
CURATED SERIES at HILOBROW: RETRO VIRUS by Douglas Wolk | UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | SIGNIFICANT OBJECTS (cross-posted from Significant Objects website) | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators