No Man’s Land (1)
May 31, 2015
HiLoBooks is pleased to serialize John Buchan’s 1899 science fiction novella No Man’s Land. First published in Blackwood’s Magazine, the story is sometimes cited as an influence on Robert E. Howard and other pulp writers of Howard’s era. We are great admirers of Buchan’s, at HILOBROW: Seven of his books appear on our list of the 200 Greatest Adventure Novels, and we’ve previously serialized his 1922 adventure novel Huntingtower. Enjoy!
It was with a light heart and a pleasing consciousness of holiday that I set out from the inn at Allermuir to tramp my fifteen miles into the unknown. I walked slowly, for I carried my equipment on my back — my basket, fly-books and rods, my plaid of Grant tartan (for I boast myself a kinsman of that house), and my great staff, which had tried ere then the front of the steeper Alps. A small valise with books and some changes of linen clothing had been sent on ahead in the shepherd’s own hands. It was yet early April, and before me lay four weeks of freedom — twenty-eight blessed days in which to take fish and smoke the pipe of idleness. The Lent term had pulled me down, a week of modest enjoyment thereafter in town had finished the work; and I drank in the sharp moorish air like a thirsty man who has been forwandered among deserts.
I am a man of varied tastes and a score of interests. As an undergraduate I had been filled with the old mania for the complete life. I distinguished myself in the Schools, rowed in my college eight, and reached the distinction of practising for three weeks in the Trials. I had dabbled in a score of learned activities, and when the time came that I won the inevitable St. Chad’s fellowship on my chaotic acquirements, and I found myself compelled to select if I would pursue a scholar’s life, I had some toil in finding my vocation. In the end I resolved that the ancient life of the North, of the Celts and the Northmen and the unknown Pictish tribes, held for me the chief fascination. I had acquired a smattering of Gaelic, having been brought up as a boy in Lochaber, and now I set myself to increase my store of languages. I mastered Icelandic, and my first book — a monograph on the probable Celtic elements in the Eddic songs — brought me the praise of scholars and the deputy-professor’s chair of Northern Antiquities. So much for Oxford. My vacations had been spent mainly in the North — in Ireland, Scotland, and the Isles, in Scandinavia and Iceland, once even in the far limits of Finland. I was a keen sportsman of a sort, an old-experienced fisher, a fair shot with gun and rifle, and in my hillcraft I might well stand comparison with most men. April has ever seemed to me the finest season of the year even in our cold northern altitudes, and the memory of many bright Aprils had brought me up from the South on the night before to Allerfoot, whence a dogcart had taken me up Glen Aller to the inn at Allermuir; and now the same desire had set me on the heather with my face to the cold brown hills.
You are to picture a sort of plateau, benty and rook-strewn, running ridgewise above a chain of little peaty lochs and a vast tract of inexorable bog. In a mile the ridge ceased in a shoulder of hill, and over this lay the head of another glen, with the same doleful accompaniment of sunless lochs, mosses, and a tortuous water. East and west and north, in every direction save the south, rose walls of gashed and serrated hills. It was a grey day with blinks of sun, and when a ray chanced to fall on one of the great dark faces, lines of light and colour sprang into being which told of mica and granite. I was in high spirits, as on the eve of holiday; I had breakfasted excellently on eggs and salmon steaks; I had no cares to speak of, and my prospects were not uninviting. But in spite of myself the landscape began to take me in thrall and crush me. The silent vanished peoples of the hills seemed to be stirring; dark primeval faces seemed to stare at me from behind boulders and jags of rock. The place was so still, so free from the cheerful clamour of nesting birds, that it seemed a temenos sacred to some old-world god. At my feet the lochs lapped ceaselessly; but the waters were so dark that one could not see bottom a foot from the edge. On my right the links of green told of snake-like mires waiting to crush the unwary wanderer. It seemed to me for the moment a land of death, where the tongues of the dead cried aloud for recognition.
My whole morning’s walk was full of such fancies. I lit a pipe to cheer me, but the things would not be got rid of. I thought of the Gaels who had held those fastnesses; I thought of the Britons before them, who yielded to their advent. They were all strong peoples in their day, and now they had gone the way of the earth. They had left their mark on the levels of the glens and on the more habitable uplands, both in names and in actual forts, and graves where men might still dig curios. But the hills that black stony amphitheatre before me — it seemed strange that the hills bore no traces of them. And then with some uneasiness I reflected on that older and stranger race who were said to have held the hilltops. The Picts, the Picti — what in the name of goodness were they? They had troubled me in all my studies, a sort of blank wall to put an end to speculation. We knew nothing of them save certain strange names which men called Pictish, the names of those hills in front of me — the Muneraw, the Yirnie, the Calmarton. They were the corpus vile for learned experiment; but Heaven alone knew what dark abyss of savagery once yawned in the midst of this desert.
And then I remembered the crazy theories of a pupil of mine at St. Chad’s, the son of a small landowner on the Aller, a young gentleman who had spent his substance too freely at Oxford, and was now dreeing his weird in the Backwoods. He had been no scholar; but a certain imagination marked all his doings, and of a Sunday night he would come and talk to me of the North. The Picts were his special subject, and his ideas were mad. “Listen to me,” he would say, when I had mixed him toddy and given him one of my cigars; “I believe there are traces — ay, and more than traces — of an old culture lurking in those hills and waiting to be discovered. We never hear of the Picts being driven from the hills. The Britons drove them from the lowlands, the Gaels from Ireland did the same for the Britons; but the hills were left unmolested. We hear of no one going near them except outlaws and tinklers. And in that very place you have the strangest mythology. Take the story of the Brownie. What is that but the story of a little swart man of uncommon strength and cleverness, who does good and ill indiscriminately, and then disappears? There are many scholars, as you yourself confess, who think that the origin of the Brownie was in some mad belief in the old race of the Picts, which still survived somewhere in the hills. And do we not hear of the Brownie in authentic records right down to the year 1756? After that, when people grew more incredulous, it is natural that the belief should have begun to die out; but I do not see why stray traces should not have survived till late.”
“Do you not see what that means?” I had said in mock gravity. “Those same hills are, if anything, less known now than they were a hundred years ago. Why should not your Picts or Brownies be living to this day?”
“Why not, indeed?” he had rejoined, in all seriousness.
* tae dree one’s weird — To surrender to one’s fate.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.” More info here.
READ GORGEOUS PAPERBACKS: HiLoBooks has reissued the following 10 obscure but amazing Radium Age science fiction novels in beautiful print editions: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. For more information, visit the HiLoBooks homepage.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable |
Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire”.
ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”
What do you think?
@HILOBROW good to see this one made more public, but I’d not have described it as sf. Horror; weird (‘the Old Weird?’); or fantasy, yes.
Lost Race novels — along with other outliers, like Prehistoric Man novels — have, historically, been included under the sci-fi umbrella.
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