Armageddon — 2419 A.D. (10)
April 23, 2013
HILOBROW is pleased to present the tenth installment of our serialization of Philip Francis Nowlan’s Armageddon —2419 A.D.. New installments will appear each Tuesday for 13 weeks.
In Philip Francis Nowlan’s novella Armageddon 2419 A.D., which first appeared in the August 1928 issue of the pulp magazine Amazing Stories (the same issue which launched E.E. “Doc” Smith’s serial The Skylark of Space), 29-year-old WWI vet and mining engineer Anthony Rogers falls into a state of suspended animation in the year 1927. Five hundred years later, he wakes up in an America that for the past three centuries has been a backward province of the globe-spanning, part-Mongolian part-alien Han Empire. Taken in by a gang of American rebels, he becomes a freedom fighter in the Second War of Independence.
Nowlan’s long-running and much-imitated Buck Rogers comic strip, illustrated by Dick Calkins, first appeared in January 1929. The protagonist was renamed in imitation of the popular cowboy actor Buck Jones.
The Fight in the Tower
So far we had not laid eyes on a Han. The tower seemed deserted. Blash and Gaunt, however, assured me that there would be at least one man on “duty” in the military offices, though he would probably be asleep, and two or three in the library proper and the projectoscope plant.
“We’ve got to put them out of commission,” I said. “Did you bring the ‘dope’ cans, Wilma?”
“Yes,” she said, “two for each. Here,” and she distributed them.
We were now two levels below the roof, and at the point where we were to separate.
I did not want to let Wilma out of my sight, but it was necessary.
According to our plan, Barker was to make his way to the projectoscope plant, Blash and I to the library, and Wilma and Gaunt to the military office.
Blash and I traversed a long corridor, and paused at the great arched doorway of the library. Cautiously we peered in. Seated at three great switchboards were library operatives. Occasionally one of them would reach lazily for a lever, or sleepily push a button, as little numbered lights winked on and off. They were answering calls for electrograph and viewplate records on all sorts of subjects from all sections of the city.
I apprised my companions of the situation.
“Better wait a bit,” Blash added. “The calls will lessen shortly.”
Wilma reported an officer in the military office sound asleep.
“Give him the can, then,” I said.
Barker was to do nothing more than keep watch in the projectoscope plant, and a few moments later he reported himself well concealed, with a splendid view of the floor.
“I think we can take a chance now,” Blash said to me, and at my nod, he opened the lid of his dope can. Of course, the fumes did not affect us, through our helmets. They were absolutely without odor or visibility, and in a few seconds the librarians were unconscious. We stepped into the room.
There ensued considerable cautious observation and experiment on the part of Gaunt, working from the military office, and Blash in the library; while Wilma and I, with drawn swords and sharply attuned microphones, stood guard, and occasionally patrolled nearby corridors.
“I hear something approaching,” Wilma said after a bit, with excitement in her voice. “It’s a soft, gliding sound.”
“That’s an elevator somewhere,” Barker cut in from the projectoscope floor. “Can you locate it? I can’t hear it.”
“It’s to the east of me,” she replied.
“And to my west,” said I, faintly catching it. “It’s between us, Wilma, and nearer you than me. Be careful. Have you got any information yet, Blash and Gaunt?”
“Getting it now,” one of them replied. “Give us two minutes more.”
“Keep at it then,” I said. “We’ll guard.”
The soft, gliding sound ceased.
“I think it’s very close to me,” Wilma almost whispered. “Come closer, Tony. I have a feeling something is going to happen. I’ve never known my nerves to get taut like this without reason.”
In some alarm, I launched myself down the corridor in a great leap toward the intersection whence I knew I could see her.
In the middle of my leap my ultrophone registered her gasp of alarm. The next instant I glided to a stop at the intersection to see Wilma backing toward the door of the military office, her sword red with blood, and an inert form on the corridor floor. Two other Hans were circling to either side of her with wicked-looking knives, while a third evidently a high officer, judging by the resplendence of his garb tugged desperately to get an electrophone instrument out of a bulky pocket. If he ever gave the alarm, there was no telling what might happen to us.
I was at least seventy feet away, but I crouched low and sprang with every bit of strength in my legs. It would be more correct to say that I dived, for I reached the fellow head on, with no attempt to draw my legs beneath me.
Some instinct must have warned him, for he turned suddenly as I hurtled close to him. But by this time I had sunk close to the floor, and had stiffened myself rigidly, lest a dragging knee or foot might just prevent my reaching him. I brought my blade upward and over. It was a vicious slash that laid him open, bisecting him from groin to chin, and his dead body toppled down on me, as I slid to a tangled stop.
The other two startled, turned. Wilma leaped at one and struck him down with a side slash. I looked up at this instant, and the dazed fear on his face at the length of her leap registered vividly. The Hans knew nothing of our inertron belts, it seemed, and these leaps and dives of ours filled them with terror.
As I rose to my feet, a gory mess, Wilma, with a poise and speed which I found time to admire even in this crisis, again leaped. This time she dove head first as I had done and, with a beautifully executed thrust, ran the last Han through the throat.
Uncertainly, she scrambled to her feet, staggered queerly, and then sank gently prone on the corridor. She had fainted.
At this juncture, Blash and Gaunt reported with elation that they had the record we wanted.
“Back to the roof, everybody!” I ordered, as I picked Wilma up in my arms. With her inertron belt, she felt as light as a feather.
Gaunt joined me at once from the military office, and at the intersection of the corridor, we came upon Blash waiting for us. Barker, however, was not in evidence.
“Where are you, Barker?” I called.
“Go ahead,” he replied. “I’ll be with you on the roof at once.”
We came out in the open without any further mishap, and I instructed Gibbons in the ship to light the knob on the end of the ultron wire. It flashed dully a few feet away from us. Just how he had maneuvered the ship to keep our end of the line in position, without its swinging in a tremendous arc, I have never been able to understand. Had not the night been an unusually still one, he could not have checked the initial pendulum-like movements. As it was, there was considerable air current at certain of the levels, and in different directions too. But Gibbons was an expert of rare ability and sensitivity in the handling of a rocket ship, and he managed, with the aid of his delicate instruments, to sense the drifts almost before they affected the fine ultron wire, and to neutralize them with little shifts in the position of the ship.
Blash and Gaunt fastened their rings to the wire, and I hooked my own and Wilma’s on, too. But on looking around, I found Barker was still missing.
“Barker, come!” I called. “We’re waiting.”
“Coming!” he replied, and indeed, at that instant, his figure appeared up the ramp. He chuckled as he fastened his ring to the wire, and said something about a little surprise he had left for the Hans.
“Don’t reel in the wire more than a few hundred feet,” I instructed Gibbons. “It will take too long to wind it in. We’ll float up, and when we’re aboard, we can drop it.”
In order to float up, we had to dispense with a pound or two of weight apiece. We hurled our swords from us, and kicked off our shoes as Gibbons reeled up the line a bit, and then letting go of the wire, began to hum upward on our rings with increasing velocity.
The rush of air brought Wilma to, and I hastily explained to her that we had been successful. Receding far below us now, I could see our dully shining knob swinging to and fro in an ever widening arc, as it crossed and recrossed the black square of the tower roof. As an extra precaution, I ordered Gibbons to shut off the light, and to show one from the belly of the ship, for so great was our speed now, that I began to fear we would have difficulty in checking ourselves. We were literally falling upward, and with terrific acceleration.
Fortunately, we had several minutes in which to solve this difficulty, which none of us, strangely enough, had foreseen. It was Gibbons who found the answer.
“You’ll be all right if all of you grab the wire tight when I give the word,” he said. “First I’ll start reeling it in at full speed. You won’t get much of a jar, and then I’ll decrease its speed again gradually, and its weight will hold you back. Are you ready? One — two — three!”
We all grabbed tightly with our gloved hands as he gave the word. We must have been rising a good bit faster than he figured, however, for it wrenched our arms considerably, and the maneuver set up a sickening pendulum motion.
For a while all we could do was swing there in an arc that may have been a quarter of a mile across, about three and a half miles above the city, and still more than a mile from our ship.
Gibbons skilfully took up the slack as our momentum pulled up the line. Then at last we had ourselves under control again, and continued our upward journey, checking our speed somewhat with our gloves.
There was not one of us who did not breathe a big sigh of relief when we scrambled through the hatch safely into the ship again, cast off the ultron line and slammed the trap shut.
Little realizing that we had a still more terrible experience to go through, we discussed the information Blash and Gaunt had between them extracted from the Han records, and the advisability of ultrophoning Hart at once.
RADIUM AGE SCIENCE FICTION: “Radium Age” is HILOBROW’s name for the 1904–33 era, which saw the discovery of radioactivity, the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. This era also saw the publication of genre-shattering writing by Edgar Rice Burroughs, Sax Rohmer, E.E. “Doc” Smith, Jack London, Arthur Conan Doyle, Aldous Huxley, Olaf Stapledon, Karel Čapek, H.P. Lovecraft, Charlotte Perkins Gilman, Yevgeny Zamyatin, Philip Gordon Wylie, and other pioneers of post-Verne/Wells, pre-Golden Age “science fiction.”
HILOBOOKS: The mission of HiLoBooks is to serialize novels (both original and reissued) on HiLobrow, and to reissue Radium Age science fiction in beautiful new print editions. The following titles can be read in serial form via HiLobrow.com and/or purchased in gorgeous paperback form online or via your local independent bookstore: Jack London’s The Scarlet Plague, Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”), Arthur Conan Doyle’s The Poison Belt, H. Rider Haggard’s When the World Shook, Edward Shanks’ The People of the Ruins, William Hope Hodgson’s The Night Land, J.D. Beresford’s Goslings, E.V. Odle’s The Clockwork Man, Cicely Hamilton’s Theodore Savage, and Muriel Jaeger’s The Man with Six Senses. Also serialized on HiLobrow: W.E.B. DuBois’s “The Comet”, Homer Eon Flint’s The Devolutionist, Philip Francis Nowlan’s Armageddon — 2419 A.D., Jack London’s “The Red One”. For more information, visit the HiLoBooks homepage.
ORIGINAL FICTION from HILOBROW: James Parker’s swearing-animal fable The Ballad of Cocky The Fox, later published in limited-edition paperback by HiLoBooks; plus: a newsletter, The Sniffer, by Patrick Cates, and further stories: “The Cockarillion”) | Karinne Keithley Syers’s hollow-earth adventure Linda, later published in limited-edition paperback; plus: ukulele music, and a “Floating Appendix”) | Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention, published by Red Lemonade | Robert Waldron’s high-school campus roman à clef The School on the Fens | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE ILIAD by Stephen Burt | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | EPIC WINS: GOTHAMIAD by Chad Parmenter | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”