By: George C. Wallis
July 7, 2021

Illustration, by Victor Prout, from this story’s original publication in The Harmsworth Magazine (July 1901).

HiLoBooks is pleased to serialize George C. Wallis’s 1901 proto-sf story “The Last Days of Earth: Being the story of the launching of the ‘Red Sphere’,” for HILOBROW’s readers.

ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5.


Then Celia answered: “Yes, Alwyn; Man, life, everything, is a most miserable folly. But we have nothing to do with that; we can’t help it. We don’t know, until we try, what fortune may yet meet us. We should be untrue to our ancestors, cowards and recreants to ourselves, if we drew back now. Even in face of the unconscious enmity of the whole Universe of Matter, let us remember that we are living and conscious yet.”

As so often in the past, the woman was the man’s strengthener in the time of need. Alwyn pulled over the lever, and cried, with antique impulsiveness:—

“Forgive me, Celia! We will not give in, not even against a hostile universe! She moves! — we go!”

There was a sudden shock that threw them staggering against each other for a moment; a rending, tearing, rolling crash of masonry and metal, and the Red Sphere rose through the falling ruins of the house and soared up into the night, slanting slightly to the west as it rose. One brief glimpse they had of the dials of the Time Indicator falling across a gap of the ruin; and then their eyes were busy with the white face of earth beneath and the clear brilliance of the starry dome above.

They were still clinging to each other, when both caught sight of a small dark object approaching them from beneath. It came, apparently, from a black spot on the chill whiteness of the landscape to the west of their abandoned home, and it was travelling faster than themselves.

They gazed down at it with sudden interest, that, as they gazed, turned into acute apprehension, and then to a numb horror.

“The other Sphere!”

“Amy and her lover!”

While they spoke it grew definitely larger, and they saw that a collision was unavoidable. By what caprice of fate it had so fallen out that the helpless paths of the two Red Spheres should thus come to coincide in point of space and time, they could not imagine. The idea of leaving the earth might, by magnetic sympathy, have occurred to both couples at about the same time, but the rest of the unlucky coincidence was inexplicable. They turned from looking at the second Sphere and sought each other’s eyes and hands, saying much by look and pressure that words could not convey.

“They did not mean to keep the pledge of the Decision,” said Alwyn. “The desire for life must have come to them as it came to me to-day, and Amy must have remembered the Instructions. I can understand them coming up faster than us, because their Sphere was in a sheet-metal shed in the open, and so would start with less opposition and greater initial velocity. But it is strange that their path should be so nearly ours. It can only be a matter of minutes, at the rate they are gaining, before the end comes for all of us. It will be before we get through the atmosphere and gather our full speed. And it will be the end of Humanity’s troubled dream… And Amy is in that…”

The thought of possible malice, impulsive or premeditated, on the part of the occupants of the second Red Sphere, never entered into the minds of those of the first.

“The responsibility of action rests upon us,” said Celia. “They evidently cannot see us, against the background of the black sky. They are coming up swiftly, dear.”

“It will have to be that: there is no other way. Better one than both,” said the man.

“Be what, Alwyn?”

“The fulminate of sterarium.”

“It will not injure them?”

“No; not if we fire the fuse within — about — three minutes. It must seem hard to you, Celia, to know that my hand will send you to the Silence so that Amy may have the last desperate chance of life. Somehow, these last few hours, I have felt the ancient emotions surging back.”

The hand that clasped his gave a gentle pressure.

“And I, too, Alwyn; but their reign will be brief. I would rather die with you now than live without you. I am ready. Do not be too late with the fulminate, Alwyn.”

They swayed together; their arms were about each other; their lips met in the last kiss. While their faces were yet very near, Alwyn’s disengaged right hand touched a tiny white button that was embedded in the padding of the interior.

There was an instantaneous flash of light and roar of sound, and the man and woman in the second sphere were startled by the sudden glare and concussion of it, as their metal shell drove upwards through the cloud of elemental dust that was all that remained of the first Red Sphere and its occupants.

The silence and clear darkness that had been round them a moment before, had returned when they recovered their balance; and in that silence and clear darkness, the man and woman who had not been chosen passed out into the abyss of the Beyond, ignorant of the cause and meaning of that strange explosion in the air, and knew that they were alone in Space, bound they knew not whither.


RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.

SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master”.

ORIGINAL FICTION: HILOBROW has serialized three novels: James Parker’s The Ballad of Cocky The Fox (“a proof-of-concept that serialization can work on the Internet” — The Atlantic); Karinne Keithley Syers’s Linda Linda Linda (which includes original music); and Robert Waldron’s roman à clef The School on the Fens. We also publish original stories and comics. These include: Matthew Battles’s stories “Gita Nova“, “Makes the Man,” “Imago,” “Camera Lucida,” “A Simple Message”, “Children of the Volcano”, “The Gnomon”, “Billable Memories”, “For Provisional Description of Superficial Features”, “The Dogs in the Trees”, “The Sovereignties of Invention”, and “Survivor: The Island of Dr. Moreau”; several of these later appeared in the collection The Sovereignties of Invention | Peggy Nelson’s “Mood Indigo“, “Top Kill Fail“, and “Mercerism” | Annalee Newitz’s “The Great Oxygen Race” | Flourish Klink’s Star Trek fanfic “Conference Comms” | Charlie Mitchell’s “A Fantasy Land” | Charlie Mitchell’s “Sentinels” | Joshua Glenn’s “The Lawless One”, and the mashup story “Zarathustra vs. Swamp Thing” | Adam McGovern and Paolo Leandri’s Idoru Jones comics | John Holbo’s “Sugarplum Squeampunk” | “Another Corporate Death” (1) and “Another Corporate Death” (2) by Mike Fleisch | Kathryn Kuitenbrouwer and Frank Fiorentino’s graphic novel “The Song of Otto” (excerpt) | John Holbo’s graphic novel On Beyond Zarathustra (excerpt) | “Manoj” and “Josh” by Vijay Balakrishnan | “Verge” by Chris Rossi, and his audio novel Low Priority Hero | EPIC WINS: THE ILIAD (1.408-415) by Flourish Klink | EPIC WINS: THE KALEVALA (3.1-278) by James Parker | EPIC WINS: THE ARGONAUTICA (2.815-834) by Joshua Glenn | EPIC WINS: THE MYTH OF THE ELK by Matthew Battles | TROUBLED SUPERHUMAN CONTEST: Charles Pappas, “The Law” | CATASTROPHE CONTEST: Timothy Raymond, “Hem and the Flood” | TELEPATHY CONTEST: Rachel Ellis Adams, “Fatima, Can You Hear Me?” | OIL SPILL CONTEST: A.E. Smith, “Sound Thinking | LITTLE NEMO CAPTION CONTEST: Joe Lyons, “Necronomicon” | SPOOKY-KOOKY CONTEST: Tucker Cummings, “Well Marbled” | INVENT-A-HERO CONTEST: TG Gibbon, “The Firefly” | FANFICTION CONTEST: Lyette Mercier’s “Sex and the Single Superhero”