June 25, 2010
Long before RICKY GERVAIS (born 1961) sold paper in Slough in the guise of David Brent, Steve Coogan was taking those elements of his own personality that irritated him the most and magnifying them into high-definition, cringe-filled wankerhood. It is Alan Partridge, the deluded never-was, not David Brent, who first featured in a love-to-hate-him pseudo-reality monograph. But Brent is Partridge 2.0. As a character he is much richer and as a critique of middle Britain he is much harsher. Why? Ricky Gervais lived the life of a deluded day-job day-dreamer until his mid 30s and you can tell. Every time David Brent wiggles his tie knot, forces a smile and fires a volley of supercilious clichés at the person behind the camera, you feel you are learning about Gervais and the tit he used to be (and, for many, still is). Extras; the podcast he records with Stephen Merchant and Karl Pilkington; his stand-up show: all of these mark Gervais out as a highly competent comedy craftsman (let’s ignore his various forays into Hollywood). But when he reveals, through his characterizations in The Office, the traumatic effects of spending half a lifetime buried alive along with your aspirations in the drab concrete of an English megaburb, we realize that we are watching the prophet of the service industry age.
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READ MORE about the Original Generation X (1954-63).
What do you think?
Yes! He has lived it, that’s why he is so awesome.
And I have to add his appropriately awesome uptempo RL version of “Free Love on the Freelove Freeway:”
Stay over in that right lane, Bon Jovi
There’s a terrific essay, “The Gervais Principle,” that offers a finely-honed analysis of The Office’s take on contemporary business/employment culture. In particular — the economic necessity of middle management living out a David Brent-style delusion/fantasy to protect them from the realization that they’re just a buffer between the sociopaths above them and the resigned losers below.
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