
OUTBOUND TO MONTEVIDEO (7)
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Whatever else I do, I am looking at stuff on the walls.
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Whatever else I do, I am looking at stuff on the walls.
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I’ve never taken any kind of dance class, and it seems a little crazy to start with tango.
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Javier tried to explain Foucault to me, but I am too dumb.
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Everything looks familiar from a distance and less so on approach.
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Before learning that I would be outbound to Montevideo, I had barely thought of Uruguay.
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Dolly Mixture’s “How Come You’re Such A Hit With The Boys, Jane?” — a rebuke to phonies.
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The 1973 Sears Roebuck Spring/Summer catalog — family album of a parallel childhood.
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