UNBORED CANON (7)
February 24, 2020
One in a series of posts reprinting book and movie lists from three books co-authored by Josh Glenn: UNBORED: The Essential Field Guide to Serious Fun (2012), UNBORED Games (2014), and UNBORED Adventure (2015).
UNBORED CANON: DIY FICTION | GRAPHIC NOVELS | GROWNUP-FREE ADVENTURES | PUZZLER & MAKER FICTION | MOVIES FROM AROUND THE WORLD | CAR-FREE MOVIES | ANIMAL MOVIES | ADVENTURE MOVIES | DYSTOPIAN ADVENTURES | SPOOKY HOUSE ADVENTURES
There are a million cute animal movies out there, most of them cartoons with happy-sappy endings, from Dumbo and 101 Dalmatians to Finding Nemo and Kung Fu Panda.
True, some of the movies on this list are cartoons. And yes, most of them end happily. But these movies aren’t for little kids — they’re neither sappy nor silly.
So avoid Marley & Me and Beethoven, Stuart Little and Free Willy. Watch these instead.
Directed by Merian C. Cooper and Ernest B. Schoedsack
Though the movie is a thriller — and it is exciting and scary, even if the stop-motion animation isn’t as “realistic” as the digital effects we’re used to these days — you will also find it quite tragic. Try to overlook the stereotyped island natives; focus on the gorilla and the girl he loves. Don’t be surprised if you end up in tears.
BRINGING UP BABY
Directed by Howard Hawks
The great Cary Grant plays a geeky paleontologist; the equally great Katharine Hepburn plays a kooky rich woman with a tame leopard. When a dangerous leopard escapes from a nearby circus, they don’t know which one is which. Hijinks ensue.
PS: The white-haired fox terrier in the movie is Asta, one of Hollywood’s most famous dogs.
Directed by David Hand
Considered one of the three best animated movies of all time, Bambi is not for the faint of heart. Bambi’s mother is killed by hunters, he has to fight a duel (nearly to the death) with another buck, and then the forest goes up in flames. It’s a wild ride.
PS: Former Beatle Paul McCartney credits his animal rights activism to his having seen Bambi as a child. This sort of thing — outrage about killing cute animals, though not always un-cute ones — is so common that it’s known as the Bambi Effect.
LASSIE COME HOME
Directed by Fred M. Wilcox
A poor English boy named Joe — played by Roddy McDowall, who’d grow up to portray a chimpanzee scientist in the Planet of the Apes movies — is forced to sell his beloved dog Lassie (a long-haired collie, bred for herding sheep) to a duke. Lassie keeps escaping to Joe, no matter how far away she’s taken.
PS: Pal, the dog who plays Lassie in this movie, went on to portray Lassie in six other movies. In 1954, the first in a series of Pal’s descendants played Lassie in a long-running TV show of that title.
Directed by Clarence Brown
Velvet, a 12-year-old English girl, saves a horse named “the Pie” from the glue factory — and helps train it for the Grand National steeplechase, a dangerous form of horse racing that involves jumping ditches and fences. Only male jockeys are allowed to ride in the race… so Velvet ends up disguising herself as a man. One of the greatest sports movies.
Directed by John Halas and Joy Batchelor
Pigs lead a revolution against their farm’s human owner… but soon they’re treating their fellow farm animals even worse than he used to do. This adaptation of George Orwell’s dystopian science fiction novel was funded by the Central Intelligence Agency, which was trying to brainwash children in the name of national security and defense.
SAMMY THE WAY-OUT SEAL
Directed by Norman Tokar
Two brothers smuggle a mischief-loving seal home from summer vacation and try to hide it from their parents. Like other live-action Disney movies from the 1950s and early ’60s — That Darn Cat, The Shaggy Dog, The Three Lives of Thomasina — its animal star represents the spirit of rebellion against everyday life.
PLANET OF THE APES
Directed by Franklin J.Schaffner
Astronauts crash on a planet where apes rule and humans can’t speak — and don’t wear much clothing. They are captured by the apes, who cage them and treat them as cruelly as we humans often treat animals. There is some violent action, a couple of naked bottoms, and a surprise plot twist that will freak you out forever.
Between 1968 and 1973, five Planet of the Apes movies were filmed. In the 1970s there were also two Planet of the Apes TV shows (one live-action, one animated) that weren’t very good but which boasted amazing action figures. The 2001 remake of the original Planet of the Apes wasn’t as good as the original; but the 2011 series reboot, Rise of the Planet of the Apes, was terrific.
Directed by Ken Loach
Billy is a neglected, bullied English schoolboy who doesn’t want to end up a coal miner like his grown-up brother. When he finds a young kestrel (falcon), he steals a book about falconry and trains the bird, which makes him happy for the first time. But then his brother gets angry at Billy, and takes revenge on his pet. Although it’s a bleak movie, it’s well-made and worth seeing; in fact, in 2005 the British Film Institute included it on a list of “The 50 films you should see by the age of 14.”
DOUGAL AND THE BLUE CAT
Directed by Serge Danot
A weird, funny stop-motion animated French movie (later dubbed in English) about a grumpy, candy-loving Skye terrier named Dougal — and Buxton, a cat who helps sinister Madam Blue take over the Magic Garden. It’s like the Beatles’ Yellow Submarine, but with animals instead of a band named after insects.
PS: The movie is based on a French TV show, The Magic Round-about, whose English-language version (created for the BBC by Eric Thompson) is a cult classic.
NAPOLEON & SAMANTHA
Directed by Bernard McEveety
When 11-year-old Napoleon is orphaned, he runs away to the mountains with his friend Samantha (played by the child actress Jodie Foster), a rooster, and Major, a retired circus lion. A cougar and a bear attack them, but Major saves the day.
PS: During the movie’s filming, the lion playing Major grabbed Jodie Foster in his mouth, held her sideways, and shook her like a doll. She still has scars from this incident, not to mention an irrational fear of cats.
Directed by Martin Rosen
Adapted from a well-known novel by Richard Adams, the movie tells the story of scrappy rabbits who form their own warren against all odds. It switches between stylized animation, for scenes about rabbit mythology, and more realistic animation.
PS: This animated movie about fluffy bunnies is a lot darker — scary, sometimes violent — than you might expect. You might want to avoid it.
THE BLACK STALLION
Directed by Carroll Ballard
A boy named Alec is saved from a shipwreck by a wild Arabian stallion, in this beautifully filmed and mostly wordless adaptation of a classic
1941 children’s novel by Walter Farley. Stranded on an uninhabited island, the horse (Alec calls him “The Black”) and the boy become friends. Once back in America, Alec and The Black enter a race. Who will win?
PS: The movie was followed by a 1983 sequel, The Black Stallion Returns; and by a 1990–1993 TV series. Neither of these is as compelling as the 1979 movie. Ballard worked as second unit director on George Lucas’s Star Wars before becoming known as a director of animal films.
NEVER CRY WOLF
Directed by Carroll Ballard
The film dramatizes the true story of Farley Mowat, a government biologist who is sent to the Canadian tundra to investigate the harm that wolves were supposedly doing to caribou herds. Tyler (the character based on Mowat) discovers that wolves aren’t marauding killers; in fact, they play a key role in the Arctic ecosystem.
You’ll enjoy the scene where Mowat pees on rocks around his campsite; and maybe the mouse-eating, too. What you will not enjoy is the unhappy ending.
HARRY AND THE HENDERSONS
Directed by William Dear
On their way home from a camping trip, a Seattle family runs over a legendary cryptid: Bigfoot. They name him Harry and take him home. Though critics panned the silly comedy, John Lithgow’s performance as the gentle, misunderstood Harry will remain with you — for better or worse — for the rest of your life.
MY NEIGHBOR TOTORO
Directed by Hayao Miyazaki
In this anime movie by one of the genre’s greatest directors, two young girls befriend Totoro, a friendly spirit-creature with rabbit ears who represents and protects Japan’s satoyama — the border zone between settled areas and mountainous wilderness. Totoro lives inside a camphor tree, rides around on a bus-shaped giant cat, and dances to help seeds sprout into new trees.
WILD HEARTS CAN’T BE BROKEN
Directed by Steve Minor
Sonora, an orphaned tomboy, runs away from home and becomes the star of a Death-Defying Diving Horse Girl Show in 1930s Atlantic City, New Jersey. Then she’s blinded in a horse-diving accident. But she doesn’t give up! She keeps diving with horses! And the son of the show’s owner falls in love with her! They live happily ever after! The craziest thing about this seemingly outlandish story? It’s based on the real-life events chronicled in Sonora Webster Carver’s 1961 memoir, A Girl and Five Brave Horses.
Directed by Chris Noonan
Babe is a piglet raised by a sheepdog on Farmer Hoggett’s farm. He turns out to be good at herding — particularly after Maa, an elderly sheep, suggests he ask them politely (“Excuse me, ladies”), instead of chasing them like a dog. So Farmer Hoggett enters Babe in a competitive sheep-herding contest. Trouble follows.
PS: The movie is an adaptation of the 1983 novel, The Sheep-Pig, by Dick King-Smith. The film was nominated by seven Oscars, and was followed by a 1998 sequel, Babe: Pig in the City, which some (but by no means all) fans claim is even more entertaining than the original.
FLY AWAY HOME
Directed by Carroll Ballard
Amy, a 13-year-old girl, accidentally becomes a surrogate mother to a flock of Canada geese. To protect them from having their wings clipped by the game warden, Amy’s inventor father figures out a way to get the geese to fly to a bird sanctuary — by having Amy lead them there, piloting an ultralight aircraft.
Directed by Gore Verbinski
Two grownup brothers inherit a falling-down mansion and a failing string factory. They decide to fix up the mansion and sell it. But first they need to get rid of the mansion’s inhabitant, a mouse. Despite adopting an insane cat (Catzilla) and hiring an exterminator, the brothers can’t kill the mouse — who ends up saving the factory. A dark but funny movie.
Directed by Carroll Ballard
The director of The Black Stallion, Never Cry Wolf, and Fly Away Home adapts a real-life story about Xan, an African boy whose family has a pet cheetah, Duma. Xan must return Duma to the wild before the cheetah is put into a zoo. So the duo head out, by motorcycle and on foot, into the scorching desert and dangerous mountains.
MARCH OF THE PENGUINS
Directed by Luc Jacquet
Forget Happy Feet. In this amazing and emotional French documentary, we watch the emperor penguins of Antarctica leave their usual habitat (that is, the ocean) and march inland to their breeding grounds, where they lay eggs. Both the male and female penguins are needed to keep the egg warm through the winter. And then it gets even tougher — life for an emperor penguin chick is a constant struggle for survival.
PS: The movie won, and richly deserved, an Oscar for Best Documentary Feature. The director later told an interviewer that no matter how human the penguins may seem, “I find it intellectually dishonest to impose this viewpoint on something that’s part of nature… You have to let penguins be penguins and humans be humans.”
Directed by Hayao Miyazaki
This lovely animated movie is about Ponyo, a fish-girl who lives beneath the waves, and her new friend Sosuke, a five-year-old human boy. Ponyo wants to become human — so her sea-goddess grandmother tests them by flooding the land with water. Sosuke and Ponyo must rescue Sosuke’s mother.
Directed by Chris Williams and Byron Howard
There are so many animated movies about animals from Walt Disney — how to decide which ones to mention here? In the case of Bolt, the answer is: because of Rhino, the TV-obsessed hamster-in-a-plastic-ball character who steals the movie. Voiced by Mark Walton, Rhino is the ultimate fanboy and a surprisingly effective sidekick. In fact, Rhino should get his own movie some day.
FANTASTIC MR. FOX
Directed by Wes Anderson
When Mr. Fox, a retired poultry thief, and his opossum friend steal food from three farmers (Boggis, Bunce, and Bean), his home gets destroyed and his nephew is captured. What to do now? This stop-motion adaptation of Roald Dahl’s children’s novel is rated PG (for action, smoking, and slang humor) but it’s innocent fun.
— Originally published in UNBORED: The Essential Field Guide to Serious Fun (2012).
CURATED SERIES at HILOBROW: UNBORED CANON by Josh Glenn | CARPE PHALLUM by Patrick Cates | MS. K by Heather Kasunick | HERE BE MONSTERS by Mister Reusch | DOWNTOWNE by Bradley Peterson | #FX by Michael Lewy | PINNED PANELS by Zack Smith | TANK UP by Tony Leone | OUTBOUND TO MONTEVIDEO by Mimi Lipson | TAKING LIBERTIES by Douglas Wolk | STERANKOISMS by Douglas Wolk | MARVEL vs. MUSEUM by Douglas Wolk | NEVER BEGIN TO SING by Damon Krukowski | WTC WTF by Douglas Wolk | COOLING OFF THE COMMOTION by Chenjerai Kumanyika | THAT’S GREAT MARVEL by Douglas Wolk | LAWS OF THE UNIVERSE by Chris Spurgeon | IMAGINARY FRIENDS by Alexandra Molotkow | UNFLOWN by Jacob Covey | ADEQUATED by Franklin Bruno | QUALITY JOE by Joe Alterio | CHICKEN LIT by Lisa Jane Persky | PINAKOTHEK by Luc Sante | ALL MY STARS by Joanne McNeil | BIGFOOT ISLAND by Michael Lewy | NOT OF THIS EARTH by Michael Lewy | ANIMAL MAGNETISM by Colin Dickey | KEEPERS by Steph Burt | AMERICA OBSCURA by Andrew Hultkrans | HEATHCLIFF, FOR WHY? by Brandi Brown | DAILY DRUMPF by Rick Pinchera | BEDROOM AIRPORT by “Parson Edwards” | INTO THE VOID by Charlie Jane Anders | WE REABSORB & ENLIVEN by Matthew Battles | BRAINIAC by Joshua Glenn | COMICALLY VINTAGE by Comically Vintage | BLDGBLOG by Geoff Manaugh | WINDS OF MAGIC by James Parker | MUSEUM OF FEMORIBILIA by Lynn Peril | ROBOTS + MONSTERS by Joe Alterio | MONSTOBER by Rick Pinchera | POP WITH A SHOTGUN by Devin McKinney | FEEDBACK by Joshua Glenn | 4CP FTW by John Hilgart | ANNOTATED GIF by Kerry Callen | FANCHILD by Adam McGovern | BOOKFUTURISM by James Bridle | NOMADBROW by Erik Davis | SCREEN TIME by Jacob Mikanowski | FALSE MACHINE by Patrick Stuart | 12 DAYS OF SIGNIFICANCE | 12 MORE DAYS OF SIGNIFICANCE | 12 DAYS OF SIGNIFICANCE (AGAIN) | ANOTHER 12 DAYS OF SIGNIFICANCE | UNBORED MANIFESTO by Joshua Glenn and Elizabeth Foy Larsen | H IS FOR HOBO by Joshua Glenn | 4CP FRIDAY by guest curators