By: Joshua Glenn

Samuel R. Delany’s TROUBLE ON TRITON

By: Joshua Glenn

From CHINAMAN’S CHANCE and THE EYE OF THE NEEDLE to UP THE WALLS OF THE WORLD

By: Elizabeth Foy Larsen

Did I make the bookends to remind my dad that he had a family back in Minnesota?

By: Marissa Frayer

It was my refuge, best friend, therapist, gateway and shield.

By: Joshua Glenn

Cordwainer Smith’s NORSTRILIA

By: Adam Harrison Levy

My hands were shaking as I unsnapped the pouch and took out my passport.

By: Kevin Brockmeier

“I made the mistake of running the saladmobile across her head.”

By: Joshua Glenn

Joanna Russ’s WE WHO ARE ABOUT TO…

By: Cynthia Joyce

You couldn’t get lost; you couldn’t bend or break the notes.

By: Sarah Rich

“I hadn’t thought about WestFest in probably 25 years…”

By: Joshua Glenn

From THE PRINCESS BRIDE to THE GODWULF MANUSCRIPT

By: Lynn Peril

“The so-called boyish type is an insane monstrosity to all aesthetic conventions of beauty.”

By: Joshua Glenn

Alejandro Jodorowsky and Jean Giraud (Moebius)’s THE INCAL

By: Kelly Horan

There’d been a spate of bank robberies. My name was on the registration found in the getaway car.

By: Jeff Lewonczyk

Jeff Lewonczyk on VELVET SCRAP