By: James Parker

The upbringing of Kullervo: “And so he grew sebaceous/and turned into a teen.”

By: Joshua Glenn

Jack London’s THE IRON HEEL — in which fascism triumphs in the United States.

By: Alix Lambert

Alfred Hitchcock’s I CONFESS: Each micro movement of Clift’s face shows us everything.

By: Joshua Glenn

Maurice LeBlanc’s THE TREMENDOUS EVENT — a new landmass arises between England and France!

By: Joshua Glenn

Victor Rousseau’s THE MESSIAH OF THE CYLINDER — an early dystopia.

By: James Parker

Vainamoinen: “Wherever I walk, I step in golden turds of language.”

By: Joshua Glenn

E.E. “Doc” Smith’s SPACEHOUNDS OF IPC — an early space opera.

By: Joshua Glenn

Maurice Renard’s DOCTEUR LERNE — in which the Minotaur myth comes to life!

By: Lynn Peril

“The only problem with Candy Jones’ story is this: do you believe it?”

By: Joshua Glenn

John Collier’s NO TRAVELLER RETURNS — by one of the New Yorker’s best writers.

By: Joshua Glenn

John Taine’s THE TIME STREAM

By: Joshua Glenn

Francis Stevens’s THE HEADS OF CERBERUS — a proto-PKD epistemological thriller!

By: Joshua Glenn

Rose Macaulay’s WHAT NOT — an early sci-fi novel about selective breeding for intelligence.

By: Alix Lambert

THE CHALK GARDEN: a crime film without a crime.

By: Joshua Glenn

From THE MURDER OF ROGER ACKROYD to THE DEVIL’S GUARD.