By: Joshua Glenn

Movie treatment for THE HIGH CRUSADE

By: Wayne Chambliss

A box, which is now filled — matryoshka-style — with many, many fetishes.

By: Joshua Glenn

From A FAREWELL TO ARMS to THE DAIN CURSE and LITTLE CAESAR

By: Mimi Lipson

There is no plan to install the tub.

By: Joshua Glenn

William Gibson’s COUNT ZERO

By: Hilary Greenbaum

I now own more photographs of other peoples’ families than I do of my own

By: Carlo Rotella

A magic finger that can make an electrified plank sing.

By: Toni Schlesinger

I want a cloud that I can live on all the time and never have to leave.

By: Joshua Glenn

Philip K. Dick’s RADIO FREE ALBEMUTH

By: Niela Orr

The Questions’ name is a cheeky reference to Iverson’s nom de play, “The Answer.”

By: Katrina Brown Hunt

I kept waiting for that moment to be spooked, see a shadow, hear a voice.

By: Joshua Glenn

Adventure terms from DAB HAND to DYNO

By: Joshua Glenn

Frank Miller’s THE DARK KNIGHT RETURNS

By: Joshua Glenn

From BEAU GESTE and THE SHIP OF ISHTAR to TARZAN AND THE ANT MEN

By: Matthew Sharpe

All pairs of glasses in the moment of their loss or destruction are the same.