KOJAK YOUR ENTHUSIASM (14)
May 16, 2022
One in a series of 25 enthusiastic posts, contributed by 25 HILOBROW friends and regulars, on the topic of our favorite TV shows of the Seventies (1974–1983).
FAWLTY TOWERS | 1975; 1979
When I think about it, which I’d rather not, it’s surprising how much closer to panic we were in the anaesthetized, inert 1970s than we are in the alertly imperiled 2020s. The West’s suburban doldrum at the century’s midlife was a thin skin over roiling tensions, and not for nothing were tranquilizers the most popular drug; here at the seeming brink of extinction, the antagonisms are all on the surface and strangely much easier to absorb. We’re out of surprises, but with Basil Fawlty you never knew what was coming next.
Neither did he — marooned at the farthest midpoint between both Britain’s bygone upper crust and its revolutionary counterculture, devoid of ambition but feeling cheated and ignored anyway, his fuse, like the major powers’ nuclear stockpiles, could be lit at any minute. Possessing no social authority, he made his home a dictatorship. It was a phenomenon fully familiar to many kids of midcentury parents in our own domestic sphere, but if you kept facing the TV, Fawlty’s version was one you could laugh at.
The nightly tirades, the ambushes over slights that were imagined to begin with and then embellished to a boiling point, the fixation on financial gain by exploited error or mild fraud, the pitched combat with inanimate objects, all of which we were used to at home, were there in Fawlty’s explosive anger at his staff, and spouse, and life; his recriminations against guests who turned out not to be the aristocrats or inspectors he thought he had to feign respect for; his exultant and ephemeral acquisitions of someone else’s lost money; his sound thrashing of a stalled car with the nearest tree-branch.
Created by John Cleese and Connie Booth, one of two psychotherapists Cleese has, ironically, been married to, Fawlty’s indiscriminate animus was turned both inward and out: He tyrannizes straight-up stereotypes of the clueless immigrant (Manuel) and the conniving Irishman (Mr. O’Reilly), while being bullied by an Ugly American guest in one episode and tormented in all of them by the embodiment of fossilized, fatuous Britannic hauteur, the Major (who a highschool friend of mine very plausibly assumed to be Fawlty’s unidentified, amnesiac dad). He freaks out at both the descendants of England’s ancient enemies (the German guests) and the vanguard of its multicultural future (Sybil’s West African doctor).
Fawlty himself is the ultimate butt of the entire series’ joke, his character a kind of indulgence and immolation of Cleese’s hostilities, in the same way that watching the climactic moments of Fawlty losing his shit was both a catharsis of our anxieties about the despots in our lives, and a communion with someone who felt just as helpless. Comedy is Basil Fawlty dying for his sins and us watching over and over. His rages are the scary slapstick of the realization — his and ours — that no one is in charge. And he’s got no one altogether; but we’ve got him.
KOJAK YOUR ENTHUSIASM: INTRODUCTION by Josh Glenn | Lynn Peril on ONE DAY AT A TIME | Dan Reines on THE WHITE SHADOW | Carlo Rotella on BARNEY MILLER | Lucy Sante on POLICE WOMAN | Douglas Wolk on WHEW! | Susan Roe on THE LOVE BOAT | Peggy Nelson on THE BIONIC WOMAN | Michael Grasso on WKRP IN CINCINNATI | Josh Glenn on SHAZAM! | Vanessa Berry on IN SEARCH OF… | Mark Kingwell on BATTLESTAR GALACTICA | Tom Nealon on BUCK ROGERS | Heather Quinlan on LITTLE HOUSE ON THE PRAIRIE | Adam McGovern on FAWLTY TOWERS | Gordon Dahlquist on THE STREETS OF SAN FRANCISCO | David Smay on LAVERNE & SHIRLEY | Miranda Mellis on WELCOME BACK, KOTTER | Rick Pinchera on THE MUPPET SHOW | Kio Stark on WONDER WOMAN | Marc Weidenbaum on ARK II | Carl Wilson on LOU GRANT | Greg Rowland on STAR TREK: THE ANIMATED SERIES | Dave Boerger on DOCTOR WHO | William Nericcio on CHICO AND THE MAN | Erin M. Routson on HAPPY DAYS. Plus: David Cantwell on THE WALTONS.
KILL YOUR ENTHUSIASM (4Q2022): TBD. BLURB YOUR ENTHUSIASM (3Q2022): LEFT-CORNER BRICK | JOY IS RESISTANCE | THE FUTURE IS PASSÉ | EVERY MINUTE AN OCEAN | SHUT UP, HE EXPLAINED | & 20 other apothegms to live by. KOJAK YOUR ENTHUSIASM (2Q2022): ARK II | WKRP IN CINCINNATI | BUCK ROGERS | THE WHITE SHADOW | POLICE WOMAN | & 20 other Seventies (1974–1983) TV shows. KICK YOUR ENTHUSIASM (1Q2022): KUILL | CATO | COSMO | TRIXIE | VOLSTAGG | & 20 other sidekicks. NERD YOUR ENTHUSIASM (4Q2021): TIME | THE POST OFFICE | ARDUIN | DOUBT | SUMMATIONS | & 20 other nerdy passions. SWERVE YOUR ENTHUSIASM (3Q2021): WARHOL’S WALT WHITMAN | 70, GIRLS, 70 | TYRAEL’S MIGHT | SHIRATO SANPEI | THE LEON SUITES | & 20 other never-realized cultural productions. FIVE-O YOUR ENTHUSIASM (2Q2021): DARK SHADOWS | MANNIX | GET SMART | THE ADDAMS FAMILY | I DREAM OF JEANNIE | & 20 other Sixties (1964–1973) TV shows. FERB YOUR ENTHUSIASM (1Q2021): STEVEN UNIVERSE | TOP CAT | REN & STIMPY | SHE-RA AND THE PRINCESSES OF POWER | DRAGON BALL Z | & 20 other animated series. CARBONA YOUR ENTHUSIASM (2020): “Sex Bomb” | “Going Underground” | “Soft South Africans” | “Typical Girls” | “Human Fly” | & 20 other Seventies (1974–1983) punk singles. KLAATU YOU (2020 weekly): ZARDOZ | METROPOLIS | DARK STAR | SINS OF THE FLESHAPOIDS | SOLARIS | & dozens of other pre-STAR WARS sci-fi movies. CONVOY YOUR ENTHUSIASM (2019): THE TAKING OF PELHAM ONE TWO THREE | ROLLERBALL | BLACK SUNDAY | SORCERER | STRAIGHT TIME | & 20 other Seventies (1974–1983) action movies. SERIOCOMIC (2019 weekly): LITTLE LULU | VIZ | MARSUPILAMI | ERNIE POOK’S COMEEK | HELLBOY | & dozens of other comics. TUBE YOUR ENTHUSIASM (2018): LOONEY TUNES | THREE STOOGES | THE AVENGERS | ROCKY & BULLWINKLE | THE TWILIGHT ZONE | & 20 other Fifties (1954–1963) TV shows. WOWEE ZOWEE (2018 weekly): UNISEX | UNDER THE PINK | DUMMY | AMOR PROHIBIDO | HIPS AND MAKERS | & dozens of other Nineties (1994–2003) albums. KLUTE YOUR ENTHUSIASM (2017): THE KILLERS | BANDE À PART (BAND OF OUTSIDERS) | ALPHAVILLE | HARPER | BLOW-UP | & 20 other Sixties (1964–1973) neo-noir movies. #SQUADGOALS (2017 weekly): THE WILD BUNCH | BOWIE’S BAND | THE BLOOMSBURY GROUP | THE HONG KONG CAVALIERS | VI ÄR BÄST! & dozens of other squads. GROK MY ENTHUSIASM (2016 weekly): THE THEORY AND PRACTICE OF LUNCH | WEEKEND | MILLION YEAR PICNIC | LA BARONNE EMILE D’ERLANGER | THE SURVIVAL SAMPLER | & dozens more one-off enthusiasms. QUIRK YOUR ENTHUSIASM (2016): “Tainted Love” | “Metal” | “Frankie Teardrop” | “Savoir Faire” | “Broken English” | & 20 other Seventies (1974–1983) new wave singles. CROM YOUR ENTHUSIASM (2015): DARKER THAN YOU THINK | THE SWORD IN THE STONE | OUT OF THE SILENT PLANET | THIEVES’ HOUSE | QUEEN OF THE BLACK COAST | & 20 other Thirties (1934–1943) fantasy novels. KERN YOUR ENTHUSIASM (2014): ALDINE ITALIC | DATA 70 | TORONTO SUBWAY | JOHNSTON’S “HAMLET” | TODD KLONE | & 20 other typefaces. HERC YOUR ENTHUSIASM (2013): “Spoonin’ Rap” | “Rapper’s Delight” | “Rappin’ Blow” | “The Incredible Fulk” | “The Adventures of Super Rhyme” | & 20 other Seventies (1974–1983) hip-hop songs. KIRK YOUR ENTHUSIASM (2012): Justice or vengeance? | Kirk teaches his drill thrall to kiss | “KHAAAAAN!” | “No kill I” | Kirk browbeats NOMAD | & 20 other Captain Kirk scenes. KIRB YOUR ENTHUSIASM (2011): THE ETERNALS | BLACK MAGIC | DEMON | OMAC | CAPTAIN AMERICA | & 20 other Jack Kirby panels.