By: Joshua Glenn

From CONSIDER PHLEBAS to THE BLACK DAHLIA

By: Joshua Glenn

Iain M. Banks’s INVERSIONS

By: Joshua Glenn

Octavia E. Butler’s PARABLE OF THE TALENTS

By: Joshua Glenn

Jonathan Lethem’s GIRL IN LANDSCAPE

By: Joshua Glenn

From THE REVERSE OF THE MEDAL to HOWL’S MOVING CASTLE

By: Joshua Glenn

Connie Willis’s TO SAY NOTHING OF THE DOG

By: Joshua Glenn

Jonathan Lethem’s AS SHE CLIMBED ACROSS THE TABLE

By: Joshua Glenn

From THE HANDMAID’S TALE and BLOOD MERIDIAN to CRISIS ON INFINITE EARTHS

By: Joshua Glenn

Warren Ellis’s TRANSMETROPOLITAN

By: Joshua Glenn

Molly Gloss’s THE DAZZLE OF THE DAY

By: Joshua Glenn

William Gibson’s IDORU

By: Joshua Glenn

From NEUROMANCER and BRIARPATCH to USAGI YOJOMBO.

By: Joshua Glenn

Iain M. Banks’s EXCESSION

By: Joshua Glenn

Ken MacLeod’s THE STONE CANAL

By: Joshua Glenn

Mary Doria Russell’s THE SPARROW