
MOVIE OBJECTS (19)
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In slowness there is a value, anticipation, a treasuring of the physical object.
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In slowness there is a value, anticipation, a treasuring of the physical object.
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IN THE HEAT OF NIGHT: How much has changed, in the past 50 years?
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Julien Temple’s ABSOLUTE BEGINNERS — David Bowie at his most villainous and romantic.
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Alfred Hitchcock’s I CONFESS: Each micro movement of Clift’s face shows us everything.
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THE SKIES BELONG TO US, an account of US history through the lens of hijacking.
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