By: Alix Lambert

In slowness there is a value, anticipation, a treasuring of the physical object.

By: Alix Lambert

BANDE À PART (BAND OF OUTSIDERS)

By: Alix Lambert

JOE — white male hatred and anger, still very much on display.

By: Alix Lambert

Mervyn LeRoy’s THE BAD SEED

By: Alix Lambert

SORRY, WRONG NUMBER

By: Alix Lambert

Barbara Loden’s WANDA.

By: Alix Lambert

“You don’t deserve her. I know her better than you.”

By: Alix Lambert

IN THE HEAT OF NIGHT: How much has changed, in the past 50 years?

By: Alix Lambert

Julien Temple’s ABSOLUTE BEGINNERS — David Bowie at his most villainous and romantic.

By: Alix Lambert

Alfred Hitchcock’s I CONFESS: Each micro movement of Clift’s face shows us everything.

By: Alix Lambert

THE CHALK GARDEN: a crime film without a crime.

By: Alix Lambert

THE SKIES BELONG TO US, an account of US history through the lens of hijacking.

By: Alix Lambert

Alix Lambert on THE EYE FLOATER

By: Alix Lambert

She reminds us of the excitement and beauty inherent in aviation.

By: Alix Lambert

“Remember what connects people more than what separates them.”