By: Joshua Glenn

William Gibson’s NEUROMANCER

By: Joshua Glenn

From BLACK MAGIC and TRUXTON KING to THE PHANTOM OF THE OPERA.

By: Lynn Peril

The power struggle over hair also played out in homes across the nation.

By: Joshua Glenn

James Tiptree Jr.’s UP THE WALLS OF THE WORLD

By: Joshua Glenn

Katsuhiro Otomo’s AKIRA

By: Joshua Glenn

Brian Aldiss’s GREYBEARD

By: Joshua Glenn

Movie treatment for LEAVE IT TO PSMITH — as a WWII spy comedy-romance

By: Joshua Glenn

Alan Moore and David Lloyd’s V FOR VENDETTA

By: Joshua Glenn

From NOSTROMO and THE SEA-WOLF to THE PHOENIX AND THE CARPET

By: Lynn Peril

“This is the life, wonderful time. Pep, jazz, gin.”

By: Joshua Glenn

Philip K. Dick’s VALIS

By: Joshua Glenn

David Bowie’s ZIGGY STARDUST

By: Joshua Glenn

From DALTON CITY and HEARTSEASE to GUARDIANS OF THE GALAXY

By: Joshua Glenn

Movie treatment for FROM LONDON FAR

By: Joshua Glenn

Russell Hoban’s RIDDLEY WALKER