By: Joshua Glenn

From THE PRINCESS BRIDE to THE GODWULF MANUSCRIPT

By: Lynn Peril

“The so-called boyish type is an insane monstrosity to all aesthetic conventions of beauty.”

By: Joshua Glenn

Alejandro Jodorowsky and Jean Giraud (Moebius)’s THE INCAL

By: Kelly Horan

There’d been a spate of bank robberies. My name was on the registration found in the getaway car.

By: Jeff Lewonczyk

Jeff Lewonczyk on VELVET SCRAP

By: Ian Bogost

You could slam the receiver down to hang up on someone.

By: Joshua Glenn

J.G. Ballard’s HIGH-RISE

By: Mark Kingwell

Introduction to our 2013 edition of Muriel Jaeger’s sci-fi novel.

By: Kevin Obsatz

I had to promise not to “use them on anyone.”

By: Allegra Huston

Over the left breast it reads “’79, Legs”: my nickname and the year I became a member of Skataway.

By: PROJECT:OBJECT

Kicking off a series of 25 true stories about objects that evoke vanished eras.

By: Joshua Glenn

Samuel R. Delany’s DHALGREN

By: Adam McGovern

Talking past and present tensions, with Maria Hoey, Holly Interlandi and Aldo Perez.

By: Joshua Glenn

Christopher Priest’s INVERTED WORLD

By: Joshua Glenn

From A WRINKLE IN TIME and V. to THE SPY WHO CAME IN FROM THE COLD