By: Joshua Glenn

A scene from APOCALYPSE NOW (1979)

By: Brian Berger

Visionary, Bolshevist, Paramount Pictures’ newest star.

By: Peggy Nelson

“Everyone wants to be Cary Grant — even I want to be Cary Grant.”

By: Tom Nealon

Nocenti’s work stands out like Longshot’s weirdly glowing eye.

By: Mike Fleisch

Bolger’s flailing rubber legs made sense in The Wizard of Oz.

By: Matthew Battles

A bestiary of cinematic technologies.

By: Joshua Glenn

A scene from BLADE RUNNER (1982)

By: Chris Fujiwara

A movie is the imaginary collaps­ible space of our relation to the world.

By: Joshua Glenn

A scene from THE 39 STEPS (1935).

By: David Smay

Roger Vadim’s Blood and Roses: Sexy transgressive euro-Evil wins!

By: Mike Fleisch

A repeating slideshow from a series of knee-high cameras.

By: Joshua Glenn

A scene from LES VALSEUSES (1974)

By: Lynn Peril

Scream­ingly funny, yet type­cast forever as Ted Baxter.

By: Alix Lambert

Hurt Locker was very good — not always a pre­requisite for Oscar-winners

By: David Smay

Eyes Without a Face: dis­passionate yet romantic, gory yet lyrical