By: Valery Bryusov
April 19, 2022

Valery Bryusov

HiLoBooks is pleased to serialize Valery Bryusov’s 1907 proto-sf story “The Republic of the Southern Cross” (“Respublika Iuzhnogo Kresta”) for HILOBROW’s readers.

ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9.


The stations of the electric railway were crushed with immense crowds, tickets were bought for huge sums of money and only held by fighting. For a place in a dirigible, which took only ten passengers, one paid a whole fortune…. At the moment of the going out of trains new people would break into the compartments and take up places which they would not relinquish except by compulsion. Crowds stopped the trains which had been fitted up exclusively for patients, dragged the latter out of the carriages and compelled the engine-drivers to go on. From the end of May train service, except between the capital and the ports, ceased to work. From Zvezdny the trains went out overfull, passengers standing on the steps and in the corridors, even daring to cling on outside, despite the fact that with the speed of contemporary electric railways any person doing such a thing risks suffocation. The steamship companies of Australia, South America and South Africa grew inordinately rich, transporting the refugees of the Republic to other lands. The two Southern companies of dirigibles were not less prosperous, accomplishing, as they did, ten journeys a day and bringing away from Zvezdny the last belated millionaires…. On the other hand, trains arrived at Zvezdny almost empty; for no wages was it possible to persuade people to come to work at the Capital; only now and again eccentric tourists and seekers of new sensations arrived at the towns. It is reckoned that from the beginning of the exodus to the twenty-second of June, when the regular service of trains ceased, there passed out of Zvezdny by the six railroads some million and a half people, that is, almost two-thirds of the whole population.

By his enterprise, valour, and strength of will, one man earned for himself eternal fame, and that was the President of the Board, Horace Deville. At the special session of the fifth of June, Deville was elected, both by the Board and by the Legal Chamber, Dictator over the town, and was given the title of Nachalnik. He had sole control of the town treasury, of the militia, and of the municipal institutions. At that time it was decided to remove from Zvezdny to a northern port the Government of the Republic and the archives. The name of Horace Deville should be written in letters of gold among the most famous names of history. For six weeks he struggled with the growing anarchy in the town. He succeeded in gathering around him a group of helpers as unselfish as himself. He was able to enforce discipline, both in the militia and in the municipal service generally, for a considerable time, though these bodies were terrified by the general calamity and decimated by the epidemic. Hundreds of thousands owe their escape to Horace Deville, as, thanks to his energy and organising power, it was possible for them to leave. He lightened the misery of the last days of thousands of others, giving them the possibility of dying in hospitals, carefully looked after, and not simply being stoned or beaten to death by the mad crowd. And Deville preserved for mankind the chronicle of the catastrophe, for one cannot but consider as a chronicle his short but pregnant telegrams, sent several times a day from the town of Zvezdny to the temporary residence of the Government of the Republic at the Northern port. Deville’s first work on becoming Nachalnik of the town was to attempt to restore calm to the population. He issued manifestos proclaiming that the psychical infection was most quickly caught by people who were excited, and he called upon all healthy and balanced persons to use their authority to restrain the weak and nervous. Then Deville used the Society for Struggle with the Epidemic and put under the authority of its members all public places, theatres, meeting-houses, squares, and streets. In these days there scarcely ever passed an hour but a new case of infection might be discovered. Now here, now there, one saw faces or whole groups of faces manifestly expressive of abnormality. The greater number of the patients, when they understood their condition, showed an immediate desire for help. But under the influence of the disease this wish expressed itself in various types of hostile action directed against these standing near. The stricken wished to hasten home or to a hospital, but instead of doing this they fled in fright to the outskirts of the town. The thought occurred to them to ask the passer-by to do something for them, but instead of that they seized him by the throat. In this way many were suffocated, struck down, or wounded with knife or stick. So the crowd, whenever it found itself in the presence of a man suffering from “contradiction,” took to flight. At these moments the members of the Society would appear on the scene, capture the sick man, calm him, and take him to the nearest hospital; it was their work to reason with the crowd and explain that there was really no danger, that the general misfortune had simply spread a little further, and it was their duty to struggle with it to the full extent of their powers.


RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.

SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit”.