Jean Renoir
By:
September 15, 2014
For Goebbels to call you Cinematographic Enemy Nummer Eins, you must have really hit on something; JEAN RENOIR (1894–1979) is appropriately a mainstay in the Greatest Director Ever discourse. Renoir’s films speak a maturity conjured before their time, as if he had visited future entertainment and political landscapes and returned to preclude them, with a century’s understanding of mediated tone, nested rhythms, and the intricacies of improvisation and performance. He took full advantage of narrative cinema’s capacity to simmer reversals of expectation between abstract social forces and the reified emotions of individuals. Who noticed? Orson Welles, John Ford, the French New Wave, Robert Altman, Mike Leigh, and Michael Haneke, for starters. After selling his father Pierre-Auguste’s paintings to finance early films, The Grand Illusion would have been enough to remove any impressionist monkeys from the considerable shoulders of Jean, but he went on to direct Rules of the Game, a societal avalanche essentially incited by a celebrity’s errant tweet. Octave (played by Renoir himself) lays it out — “The government, radio, newspapers, advertising, everyone lies, so why shouldn’t simple people tell lies as well?” That’s in 1939. Renoir assumes a state of undoing, a subterranean turbulence that secretly drives and confounds the dance of working-class heroes and aristocrats alike, then he stands back to watch the complex, familiar little pieces bump into each other. Ever compassionate, he wrote, “We are all ‘mystified’ – that is to say, fooled, duped, treated as of no account. I had the good fortune to have been taught to see through the trickery in my youth.” He knew the truth wasn’t going to make anyone very comfortable.
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ALSO READ: Shocking Blocking: Jean Renoir’s The Diary of a Chambermaid.
On his or her birthday, HiLobrow irregularly pays tribute to one of our high-, low-, no-, or hilobrow heroes. Also born this date: Roy Acuff, Nipsey Russell.
READ MORE about men and women born on the cusp between the Modernist (1884–93) and Hardboiled (1894-1903) Generations.
Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/ZLHES3THF4 http://t.co/txPDsWkzNA
RT @KeyframeDaily: Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/66Z35FEWiK http://t.co/9VF4up8VQa
RT @KeyframeDaily: Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/ZLHES3THF4 http://t.co/txPDsWkzNA
Just (re)watched both #GrandIllusion and #RulesoftheGame…
MT @KeyframeDaily: Jean Renoir was born 120 years ago today http://t.co/CQX1cZP4Nc
Chris Shamro liked this on Facebook.
RT @KeyframeDaily: Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/ZLHES3THF4 http://t.co/txPDsWkzNA
He took full advantage of narrative cinema’s capacity to simmer reversals of expectation…/ Jean Renoir http://t.co/uPPkNDwXNb
RT @KeyframeDaily: Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/ZLHES3THF4 http://t.co/txPDsWkzNA
Bonjour, Monsieur. “@HILOBROW: Jean Renoir: His films assume a state of undoing. Happy birthday from @mikefleisch! http://t.co/OnGOHqO6f8”
RT @KeyframeDaily: Jean Renoir was born 120 years ago today — @HILOBROW http://t.co/ZLHES3THF4 http://t.co/txPDsWkzNA
Ellen Leerburger liked this on Facebook.
Jean Renoir http://t.co/YcNUp6A0ny
HiLobrow’s lovely paean to Jean Renoir http://t.co/Gl4rM7uK1V. But why spoil it by mentioning latterday meh-meister Mike Leigh? Renoir rules