By: Devin McKinney

The machines are our friends. They want to help.

By: Joshua Glenn

Ken MacLeod’s COSMONAUT KEEP

By: Chris Lanier

The tinny smallness of the IKARIE XB-1 acquires an urgent poignancy.

By: Joshua Glenn

Iain M. Banks’s LOOK TO WINDWARD

By: Dan Fox

The movie’s meaning is dreamily fungible.

By: Joshua Glenn

China Miéville’s PERDIDO STREET STATION

By: Kio Stark

“She’ll be like one of those robots in Disneyland.”

By: Joshua Glenn

Ken MacLeod’s THE SKY ROAD

By: Joshua Glenn

Bruce Sterling’s ISLANDS IN THE NET

By: Joshua Glenn

Alan Moore’s THE LEAGUE OF EXTRAORDINARY GENTLEMEN

By: Peggy Nelson

Is it copies all the way down?

By: Joshua Glenn

William Gibson’s ALL TOMORROW’S PARTIES

By: Lynn Peril

Could 50-foot Nancy be read as a metaphor for women’s anger?

By: Joshua Glenn

Warren Ellis’s PLANETARY

By: Joshua Glenn

Susan Price’s THE STERKARM HANDSHAKE