By: Joshua Glenn

From FLOWERS FOR ALGERNON to THE HAUNTING OF HILL HOUSE

By: Joshua Glenn

Jeff Noon’s VURT

By: Ben Katchor

It was, in fact, a discarded woman’s jewelry case.

By: Laura Lippman

I knew the hard parts that looked simple, and the simple parts that looked hard.

By: Joe Yonan

I worked on it for weeks. The rope flew, my skin burned.

By: Joshua Glenn

Octavia E. Butler’s PARABLE OF THE SOWER

By: Joshua Glenn

From QUANDARY to QUIXOTIC

By: Geoff Manaugh

It was both hermetic and omnipresent.

By: PROJECT:OBJECT

LOST OBJECTS v. 2 — series introduction

By: Joshua Glenn

Maureen F. McHugh’s CHINA MOUNTAIN ZHANG

By: Joshua Glenn

PACKING to PUNK

By: Lynn Peril

Escorts were to “be polite but impersonal at all times.”

By: Joshua Glenn

Kim Stanley Robinson’s RED MARS

By: Joshua Glenn

Movie treatment for DR. FAUSTROLL

By: Joshua Glenn

Neal Stephenson’s SNOW CRASH