By: Joshua Glenn

P.G. Wodehouse’s MIKE

By: Joshua Glenn

Movie treatment for LEAVE IT TO PSMITH — as a WWII spy comedy-romance

By: Joshua Glenn

From NOSTROMO and THE SEA-WOLF to THE PHOENIX AND THE CARPET

By: Joshua Glenn

Jack London’s THE SEA-WOLF

By: Joshua Glenn

G.K. Chesterton’s THE NAPOLEON OF NOTTING HILL

By: Joshua Glenn

Joseph Conrad’s NOSTROMO

By: Joshua Glenn

J.M. Barrie’s PETER PAN

By: Joshua Glenn

L. Frank Baum’s THE MARVELOUS LAND OF OZ

By: Joshua Glenn

George Barr McCutcheon’s BEVERLY OF GRAUSTARK

By: Joshua Glenn

Winston Churchill’s THE CROSSING

By: Joshua Glenn

Selma Lagerlöf’s THE TREASURE

By: Joshua Glenn

E. Nesbit’s THE PHOENIX AND THE CARPET

By: Joshua Glenn

Jules Verne’s THE MASTER OF THE WORLD

By: Joshua Glenn

From DALTON CITY and HEARTSEASE to GUARDIANS OF THE GALAXY

By: Joshua Glenn

Movie treatment for FROM LONDON FAR