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High-, low-, no-, and hilobrow members of the New Gods Generation include: Alfred Bester, Charles Bukowski, Charles Mingus, Charlie Parker, Cordwainer Smith, Dean Martin, Dizzy Gillespie, Elizabeth Hardwick, Eric Hobsbawm, Hank Williams, Hugh Kenner, Jack […]
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The New York Times Magazine recently published a cover story about Spike Jonze, whose cultural productions — for two decades, at this point — have hovered uncannily around the edges of the four heimlich dispositions: […]
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The New Gods are stronger, faster, and smarter than other generations.
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R. Sikoryak is a versatile, witty, and well-read cartoonist and illustrator who’s retold Dante’s Inferno in the style of Bazooka Joe bubblegum comics, Crime and Punishment in a Bob Kane-era Batman mode (above), and The […]
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Even though there’s no shepherd issuing orders, we behave like docile sheep.
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High-, low-, no-, and hilobrow members of the Partisan Generation include: Albert Camus, Claude Lévi-Strauss, Clement Greenberg (whose 1939 Partisan Review essay, “Avant-Garde and Kitsch,” and 1953 Commentary essay, “The Plight of Our Culture,” are […]
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In today’s Wall Street Journal, Thomas Frank wittily and intelligently notes that high-middlebrow pundits have whipped their ground troops up into a backlash against a highbrow (or, really, an anti-high-middlebrow) upsurge “that maybe should have […]
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“My starting point is always a feeling of partisanship, a sense of injustice.”
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Most of my favorite campus novels — from Mary McCarthy’s The Groves of Academe and Kingsley Amis’s Lucky Jim to, say, Don DeLillo’s White Noise — were penned by a novelist who’d done short time […]
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I’ve been watching a lot of movies on my desktop, lately, via Netflix: Watch Instantly. Works great. The only problem is, the selection is quite limited, so I end up watching movies I’ve never heard […]
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The era of guilt- and consequence-free sex ended in 1982.
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Another postscript to Matthew Battles’ meditation on doodling. I originally wrote this item for Laylah Ali: 5 Responses to 5 Paintings, an exhibition brochure published by the Indianapolis Museum of Art in 2002. *** Late […]
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