THE HALL BEDROOM (6)
May 12, 2023
“The Hall Bedroom” (Collier’s, March 28, 1903) is an early example of the potentials offered to fantastic fiction by the idea of an extended dimensional space. Of the author, in “Supernatural Horror in Literature,” Lovecraft would write: “Horror material of authentic force may be found in [her] work.” HiLoBooks is pleased to serialize the story for HILOBROW’s readers.
Further Nocturnal Experiences (cont.)
“January 29. Last night to bed as usual, matches in place; fell asleep about eleven and waked at half-past one. I heard the half-hour strike; I am waking earlier and earlier every night. I had not taken my medicine, though it was on the dresser as usual. I again took my match-box in hand and started to cross the room, and, as always, traversed strange spaces, but this night, as seems fated to be the case every night, my experience was different. Last night I neither smelled nor tasted, but I heard — my Lord, I heard! The first sound of which I was conscious was one like the constantly gathering and receding murmur of a river, and it seemed to come from the wall behind my bed where the old picture hangs. Nothing in nature except a river gives that impression of at once advance and retreat. I could not mistake it. On, ever on, came the swelling murmur of the waves, past and ever past they died in the distance. Then I heard above the murmur of the river a song in an unknown tongue which I recognized as being unknown, yet which I understood; but the understanding was in my brain, with no words of interpretation. The song had to do with me, but with me in unknown futures for which I had no images of comparison in the past; yet a sort of ecstasy as of a prophecy of bliss filled my whole consciousness. The song never ceased, but as I moved on I came into new sound-waves. There was the pealing of bells which might have been made of crystal, and might have summoned to the gates of heaven. There was music of strange instruments, great harmonies pierced now and then by small whispers as of love, and it all filled me with a certainty of a future of bliss.
“At last I seemed the centre of a mighty orchestra which constantly deepened and increased until I seemed to feel myself being lifted gently but mightily upon the waves of sound as upon the waves of a sea. Then again the terror and the impulse to flee to my own familiar scenes was upon me. I struck my match and was back in my hall bedroom. I do not see how I sleep at all after such wonders, but sleep I do. I slept dreamlessly until daylight this morning.
The Story of Strange Disappearances
“January 30. I heard yesterday something with regard to my hall bedroom which affected me strangely. I can not for the life of me say whether it intimidated me, filled me with the horror of the abnormal, or rather roused to a greater degree my spirit of adventure and discovery. I was down at the Cure, and was sitting on the veranda sipping idly my mineral water, when somebody spoke my name. ‘Mr. Wheatcroft?’ said the voice politely, interrogatively, somewhat apologetically, as if to provide for a possible mistake in my identity. I turned and saw a gentleman whom I recognized at once. I seldom forget names or faces. He was a Mr. Addison whom I had seen considerable of three years ago at a little summer hotel in the mountains. It was one of those passing acquaintances which signify little one way or the other. If never renewed, you have no regret; if renewed, you accept the renewal with no hesitation. It is in every way negative. But just now, in my feeble, friendless state, the sight of a face which beams with pleased remembrance is rather grateful. I felt distinctly glad to see the man. He sat down beside me. He also had a glass of the water. His health, while not as bad as mine, leaves much to be desired.
“Addison had often been in this town before. He had in fact lived here at one time. He had remained at the Cure three years, taking the waters daily. He therefore knows about all there is to be known about the town, which is not very large. He asked me where I was staying, and when I told him the street, rather excitedly inquired the number. When I told him the number, which is 240, he gave a manifest start, and after one sharp glance at me sipped his water in silence for a moment. He had so evidently betrayed some ulterior knowledge with regard to my residence that I questioned him.
“‘What do you know about 240 Pleasant Street?’ said I.
“‘Oh, nothing,’ he replied, evasively, sipping his water.
“After a little while, however, he inquired, in what he evidently tried to render a casual tone, what room I occupied. ‘I once lived a few weeks at 240 Pleasant Street myself,’ he said. ‘That house always was a boarding-house, I guess.’
“‘It had stood vacant for a term of years before the present occupant rented it, I believe,’ I remarked. Then I answered his question. ‘I have the hall bedroom on the third floor,’ said I. ‘The quarters are pretty straitened, but comfortable enough as hall bedrooms go.’
Two Who Vanished
“But Mr. Addison had showed such unmistakable consternation at my reply that then I persisted in my questioning as to the cause, and at last he yielded and told me what he knew. He had hesitated both because he shrank from displaying what I might consider an unmanly superstition, and because he did not wish to influence me beyond what the facts of the case warranted. ‘Well, I will tell you, Wheatcroft,’ he said. ‘Briefly all I know is this: When last I heard of 240 Pleasant Street it was not rented because of foul play which was supposed to have taken place there, though nothing was ever proved. There were two disappearances, and — in each case — of an occupant of the hall bedroom which you now have. The first disappearance was of a very beautiful girl who had come here for her health and was said to be the victim of a profound melancholy, induced by a love disappointment. She obtained board at 240 and occupied the hall bedroom about two weeks; then one morning she was gone, having seemingly vanished into thin air. Her relatives were communicated with; she had not many, nor friends either, poor girl, and a thorough search was made, but the last I knew she had never come to light. There were two or three arrests, but nothing ever came of them. Well, that was before my day here, but the second disappearance took place when I was in the house — a fine young fellow who had overworked in college. He had to pay his own way. He had taken cold, had the grip, and that and the overwork about finished him, and he came on here for a month’s rest and recuperation. He had been in that room about two weeks, a little less, when one morning he wasn’t there. Then there was a great hullabaloo. It seems that he had let fall some hints to the effect that there was something queer about the room, but, of course, the police did not think much of that. They made arrests right and left, but they never found him, and the arrested were discharged, though some of them are probably under a cloud of suspicion to this day. Then the boarding-house was shut up. Six years ago nobody would have boarded there, much less occupied that hall bedroom, but now I suppose new people have come in and the story has died out. I dare say your landlady will not thank me for reviving it.’
RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.
SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable |
Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World”..