By: Mary E. Wilkins Freeman
April 5, 2023

Picasso’s Portrait of Daniel-Henry Kahnweiler (1910)

“The Hall Bedroom” (Collier’s, March 28, 1903) is an early example of the potentials offered to fantastic fiction by the idea of an extended dimensional space. Of the author, in “Supernatural Horror in Literature,” Lovecraft would write: “Horror material of authentic force may be found in [her] work.” HiLoBooks is pleased to serialize the story for HILOBROW’s readers.

ALL INSTALLMENTS: 1 | 2 | 3 | 4 | 5 | 6 | 7.


My name is Mrs. Elizabeth Jennings. I am a highly respectable woman. I may style myself a gentlewoman, for in my youth I enjoyed advantages. I was well brought up, and I graduated at a young ladies’ seminary. I also married well. My husband was that most genteel of all merchants, an apothecary. His shop was on the corner of the main street in Rockton, the town where I was born, and where I lived until the death of my husband. My parents had died when I had been married a short time, so I was left quite alone in the world. I was not competent to carry on the apothecary business by myself, for I had no knowledge of drugs, and had a mortal terror of giving poisons instead of medicines. Therefore I was obliged to sell at a considerable sacrifice, and the proceeds, some five thousand dollars, were all I had in the world. The income was not enough to support me in any kind of comfort, and I saw that I must in some way earn money. I thought at first of teaching, but I was no longer young, and methods had changed since my school days. What I was able to teach, nobody wished to know. I could think of only one thing to do: take boarders. But the same objection to that business as to teaching held good in Rockton. Nobody wished to board. My husband had rented a house with a number of bedrooms, and I advertised, but nobody applied. Finally my cash was running very low, and I became desperate. I packed up my furniture, rented a large house in this town and moved here. It was a venture attended with many risks. In the first place the rent was exorbitant, in the next I was entirely unknown. However, I am a person of considerable ingenuity, and have inventive power, and much enterprise when the occasion presses. I advertised in a very original manner, although that actually took my last penny, that is, the last penny of my ready money, and I was forced to draw on my principal to purchase my first supplies, a thing which I had resolved never on any account to do. But the great risk met with a reward, for I had several applicants within two days after my advertisement appeared in the paper. Within two weeks my boarding-house was well established, I became very successful, and my success would have been uninterrupted had it not been for the mysterious and bewildering occurrences which I am about to relate. I am now forced to leave the house and rent another. Some of my old boarders accompany me, some, with the most unreasonable nervousness, refuse to be longer associated in any way, however indirectly, with the terrible and uncanny happenings which I have to relate. It remains to be seen whether my ill luck in this house will follow me into another, and whether my whole prosperity in life will be forever shadowed by the Mystery of the Hall Bedroom. Instead of telling the strange story myself in my own words, I shall present the Journal of Mr. George H. Wheatcroft. I shall show you the portions beginning on January 18 of the present year, the date when he took up his residence with me. Here it is:

The Diary of an Ill-fated Man

“January 18, 1883. Here I am established in my new boarding-house. I have, as befits my humble means, the hall bedroom, even the hall bedroom on the third floor. I have heard all my life of hall bedrooms, I have seen hall bedrooms, I have been in them, but never until now, when I am actually established in one, did I comprehend what, at once, an ignominious and sternly uncompromising thing a hall bedroom is. It proves the ignominy of the dweller therein. No man at thirty-six (my age) would be domiciled in a hall bedroom, unless he were himself ignominious, at least comparatively speaking. I am proved by this means incontrovertibly to have been left far behind in the race. I see no reason why I should not live in this hall bedroom for the rest of my life, that is, if I have money enough to pay the landlady, and that seems probable, since my small funds are invested as safely as if I were an orphan-ward in charge of a pillar of a sanctuary. After the valuables have been stolen, I have most carefully locked the stable door. I have experienced the revulsion which comes sooner or later to the adventurous soul who experiences nothing but defeat and so-called ill luck. I have swung to the opposite extreme. I have lost in everything — I have lost in love, I have lost in money, I have lost in the struggle for preferment, I have lost in health and strength. I am now settled down in a hall bedroom to live upon my small income, and regain my health by mild potations of the mineral waters here, if possible; if not, to live here without my health — for mine is not a necessarily fatal malady — until Providence shall take me out of my hall bedroom. There is no one place more than another where I care to live. There is not sufficient motive to take me away, even if the mineral waters do not benefit me. So I am here and to stay in the hall bedroom. The landlady is civil, and even kind, as kind as a woman who has to keep her poor womanly eye upon the main chance can be. The struggle for money always injures the fine grain of a woman; she is too fine a thing to do it; she does not by nature belong with the gold grubbers, and it therefore lowers her; she steps from heights to claw and scrape and dig. But she can not help it oftentimes, poor thing, and her deterioration thereby is to be condoned. The landlady is all she can be, taking her strain of adverse circumstances into consideration, and the table is good, even conscientiously so. It looks to me as if she were foolish enough to strive to give the boarders their money’s worth, with the due regard for the main chance which is inevitable. However, that is of minor importance to me, since my diet is restricted.


RADIUM AGE PROTO-SF: “Radium Age” is Josh Glenn’s name for the nascent sf genre’s c. 1900–1935 era, a period which saw the discovery of radioactivity, i.e., the revelation that matter itself is constantly in movement — a fitting metaphor for the first decades of the 20th century, during which old scientific, religious, political, and social certainties were shattered. More info here.

SERIALIZED BY HILOBOOKS: Jack London’s The Scarlet Plague | Rudyard Kipling’s With the Night Mail (and “As Easy as A.B.C.”) | Arthur Conan Doyle’s The Poison Belt | H. Rider Haggard’s When the World Shook | Edward Shanks’ The People of the Ruins | William Hope Hodgson’s The Night Land | J.D. Beresford’s Goslings | E.V. Odle’s The Clockwork Man | Cicely Hamilton’s Theodore Savage | Muriel Jaeger’s The Man With Six Senses | Jack London’s “The Red One” | Philip Francis Nowlan’s Armageddon 2419 A.D. | Homer Eon Flint’s The Devolutionist | W.E.B. DuBois’s “The Comet” | Edgar Rice Burroughs’s The Moon Men | Charlotte Perkins Gilman’s Herland | Sax Rohmer’s “The Zayat Kiss” | Eimar O’Duffy’s King Goshawk and the Birds | Frances Hodgson Burnett’s The Lost Prince | Morley Roberts’s The Fugitives | Helen MacInnes’s The Unconquerable | Geoffrey Household’s Watcher in the Shadows | William Haggard’s The High Wire | Hammond Innes’s Air Bridge | James Branch Cabell’s Jurgen | John Buchan’s “No Man’s Land” | John Russell’s “The Fourth Man” | E.M. Forster’s “The Machine Stops” | John Buchan’s Huntingtower | Arthur Conan Doyle’s When the World Screamed | Victor Bridges’ A Rogue By Compulsion | Jack London’s The Iron Heel | H. De Vere Stacpoole’s The Man Who Lost Himself | P.G. Wodehouse’s Leave It to Psmith | Richard Connell’s “The Most Dangerous Game” | Houdini and Lovecraft’s “Imprisoned with the Pharaohs” | Arthur Conan Doyle’s “The Sussex Vampire” | Francis Stevens’s “Friend Island” | George C. Wallis’s “The Last Days of Earth” | Frank L. Pollock’s “Finis” | A. Merritt’s The Moon Pool | E. Nesbit’s “The Third Drug” | George Allan England’s “The Thing from — ‘Outside'” | Booth Tarkington’s “The Veiled Feminists of Atlantis” | H.G. Wells’s “The Land Ironclads” | J.D. Beresford’s The Hampdenshire Wonder | Valery Bryusov’s “The Republic of the Southern Cross” | Algernon Blackwood’s “A Victim of Higher Space” | A. Merritt’s “The People of the Pit” | Max Brand’s The Untamed | Julian Huxley’s “The Tissue-Culture King” | Clare Winger Harris’s “A Runaway World” | Francis Stevens’s “Thomas Dunbar” | George Gurdjieff’s “Beelzebub’s Tales” | Robert W. Chambers’s “The Harbor-Master” | Mary E. Wilkins Freeman’s “The Hall Bedroom” | Clare Winger Harris’s “The Fifth Dimension” | Francis Stevens’s “Behind the Curtain” | more to come.